Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Seven Pillars of Acting PDF full book. Access full book title Seven Pillars of Acting by Sonya Cooke. Download full books in PDF and EPUB format.
Author: Sonya Cooke Publisher: Vireo Book, A ISBN: 9781945572937 Category : Performing Arts Languages : en Pages : 0
Book Description
Cutting-edge, comprehensive, and effective, Seven Pillars Acting empowers the actor to transform into character with ease and authenticity. Inspired by the great acting teachers of the last century, Seven Pillars Acting is a modern method that provides a structured set of tools and a dependable process to access and cultivate talent. With many students of the technique now working in the entertainment industry, Seven Pillars Acting is changing the way actors approach the craft. Each pillar focuses in on a different aspect of acting; added together, they give the actor the complete skills necessary to book a callback, land the part, and deliver a performance that is both effortless and true. Young actors and seasoned performers alike not only gain a clear concept of acting, they also begin or reenergize their professional acting careers in film, television, and theater. It is the goal of Seven Pillars Acting to instill in actors a technique that they can practice for a lifetime, without needing a teacher or guru to handhold the artist. The first comprehensive technique in the past thirty years, Seven Pillars Acting is for the serious actor who seeks a personal, dependable, and thrilling approach to crafting character.
Author: Sonya Cooke Publisher: Vireo Book, A ISBN: 9781945572937 Category : Performing Arts Languages : en Pages : 0
Book Description
Cutting-edge, comprehensive, and effective, Seven Pillars Acting empowers the actor to transform into character with ease and authenticity. Inspired by the great acting teachers of the last century, Seven Pillars Acting is a modern method that provides a structured set of tools and a dependable process to access and cultivate talent. With many students of the technique now working in the entertainment industry, Seven Pillars Acting is changing the way actors approach the craft. Each pillar focuses in on a different aspect of acting; added together, they give the actor the complete skills necessary to book a callback, land the part, and deliver a performance that is both effortless and true. Young actors and seasoned performers alike not only gain a clear concept of acting, they also begin or reenergize their professional acting careers in film, television, and theater. It is the goal of Seven Pillars Acting to instill in actors a technique that they can practice for a lifetime, without needing a teacher or guru to handhold the artist. The first comprehensive technique in the past thirty years, Seven Pillars Acting is for the serious actor who seeks a personal, dependable, and thrilling approach to crafting character.
Author: Jen Harvie Publisher: Manchester University Press ISBN: 9780719074929 Category : Performing Arts Languages : en Pages : 272
Book Description
Making Contemporary Theatre reveals how some of the most significant international contemporary theatre is actually made. The book opens with an introductory chapter which contextualizes recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualize and analyze the theatre-making practices of eleven different companies and directors, including Japan’s Gekidan Kaitaisha and the Québécois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off "asides," giving the reader different perspectives on the work. Chapters usually focus on a single production, such as Complicite’s 2003-04 The Elephant Vanishes, allowing detailed investigations of complex practices to emerge. The book concludes with a brief manifesto for making contemporary theatre by the editors, plus a bibliography suggesting further reading. Making contemporary theatre is a rich resource for the theatre-making student and the theatre--goer alike, full of diverse examples of how the most exciting theatre is actually made.
Author: Stephen Purdy Publisher: Bloomsbury Publishing ISBN: 1472595114 Category : Drama Languages : en Pages : 313
Book Description
Musical Theatre Song is a handbook for musical theatre performers, providing them with the wide-ranging skill set they need for success in today's competitive musical theatre environment. Breaking down the process into knowing how to select your song material based upon your individuality and how to prepare and perform it in a manner that best highlights your attributes, Stephen Purdy provides a succinct and personalized trajectory toward presentation, taking the reader through a series of challenges that is designed to evoke original, personal and vibrant song performances. Written by renowned Broadway and West End vocal and audition coach Stephen Purdy, Musical Theatre Song is a must-have guide for all performers who are looking to succeed in the musical theatre industry.
Author: Sheana Ochoa Publisher: Rowman & Littlefield ISBN: 1480392561 Category : Biography & Autobiography Languages : en Pages : 343
Book Description
Arthur Miller decided to become a playwright after seeing her perform with the Group Theater. Marlon Brando attributed his acting to her genius as a teacher. Theater critic Robert Brustein calls her the greatest acting teacher in America. At the turn of the 20th century – by which time acting had hardly evolved since classical Greece – Stella Adler became a child star of the Yiddish stage in New York, where she was being groomed to refine acting craft and eventually help pioneer its modern gold standard: method acting. Stella's emphasis on experiencing a role through the actions in the given circumstances of the work directs actors toward a deep sociological understanding of the imagined characters: their social class, geographic upbringing, biography, which enlarges the actor's creative choices. Always “onstage ” Stella's flamboyant personality disguised a deep sense of not belonging. Her unrealized dream of becoming a movie star chafed against an unflagging commitment to the transformative power of art. From her Depression-era plays with the Group Theatre to freedom fighting during WWII, Stella used her notoriety as a tool for change. For this book, Sheana Ochoa worked alongside Irene Gilbert, Stella's friend of 30 years, who provided Ochoa with a trove of Stella's personal and pedagogical materials, and Ochoa interviewed Stella's entire living family, including her daughter Ellen; her colleagues and friends, from Arthur Miller to Karl Malden; and her students from Robert De Niro to Mark Ruffalo. Unearthing countless unpublished letters and interviews, private audio recordings, Stella's extensive FBI file, class videos and private audio recordings, Ochoa's biography introduces one of the most under recognized, yet most influential luminaries of the 20th century.
Author: Mark Evans Publisher: Routledge ISBN: 1135892938 Category : Performing Arts Languages : en Pages : 394
Book Description
This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training — Laban, Alexander, Copeau and Lecoq — on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of ‘how to’ books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor’s body.
Author: Christopher Innes Publisher: Routledge ISBN: 1134402945 Category : Performing Arts Languages : en Pages : 354
Book Description
Edward Gordon Craig's ideas regarding set and lighting have had an enormous impact on the development of the theatre we know today. In this new and updated edition of his well-known study of Edward Gordon Craig, Professor Christopher Innes shows how Craig's stage work and theoretical writings were crucial to the development of modern theatre. This book contains extensive documentation and re-evaluates his significance as an artist, actor, director and writer. Craig is placed in historical context, and his productions are reconstituted from unpublished prompt-books, sketches, journals and correspondence. Most of the designs and photographs, and many of Craig's writings cited, are not available elsewhere in print. Readers will gain insight into a key period of theatrical history, the life of one of its most fascinating individuals, the nature of stage performance, and into revolutionary ideas that are still challenging today.
Author: Milan Dragicevich Publisher: Hackett Publishing ISBN: 1585109258 Category : Performing Arts Languages : en Pages : 199
Book Description
"A must-have for all actors who encounter speeches that are longer than three sentences. On the surface, that would be classic works from Sophocles through Shakespeare—with the 17th and 18th centuries thrown in. Dig deeper and the book’s value to actors of modern and contemporary drama is inescapable. Ibsen, Shaw, Williams, Miller, Shepard, Wilson, Kushner, and Suzan-Lori Parks all wrote plays that are filled with powerful rhetorical devices that demand lively, thorough, and specific consideration. This book is a guide that unfolds the mysteries of classical rhetoric in a clear, concise, and effective manner, a book for speakers who want to move their audiences. It is aimed at actors, but also belongs on the shelf of lawyers, advertising copywriters, and, of course, public officials. I will use it in my classes and workshops and enthusiastically recommended it to all actors and actor trainers." —Leslie Reidel, Department of Theatre, University of Delaware
Author: Zachary Dunbar Publisher: Springer ISBN: 3319954717 Category : Performing Arts Languages : en Pages : 241
Book Description
This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.
Author: Kara Reilly Publisher: Springer ISBN: 1137597836 Category : Performing Arts Languages : en Pages : 376
Book Description
This book examines contemporary approaches to adaptation in theatre through seventeen international case studies. It explores company and directorial approaches to adaptation through analysis of the work of Kneehigh, Mabou Mines, Robert Le Page and Katie Mitchell. It then moves on to look at the transformation of the novel onto the stage in the work of Mitchell, and in The Red Badge of Courage, The Kite Runner, Anne Frank, and Fanny Hill. Next, it examines contemporary radical adaptations of Trojan Women and The Iliad. Finally, it looks at five different approaches to postmodern metatheatrical adaptation in early modern texts of Hamlet, The Changeling, and Faustus, as well as the work of the Neo-Futurists, and the mash-up Medea/Macbeth/Cinderella. Overall, this comprehensive study offers insights into key productions, ideas about approaches to adaptation, and current debates on fidelity, postmodernism and remediation.
Author: Sonya Cooke
Author: Sonya Cooke
Author: Jen Harvie
Author: Stephen Purdy
Author: Sheana Ochoa
Author: Mark Evans
Author: Christopher Innes
Author: Milan Dragicevich
Author: Zachary Dunbar
Author: Jessica Bashline
Author: Kara Reilly