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Author: Bonnie J. Blackburn Publisher: Taylor & Francis ISBN: 1040241964 Category : Music Languages : en Pages : 352
Book Description
The first articles here focus on Johannes Tinctoris, the prominent late 15th-century music theorist. They deal with the discovery of his lost pedagogical motet, and his treatise on counterpoint; this forms the basis of a wide-ranging investigation of contemporary practices of improvisation and composition (singing super librum and writing res facta), in which the question of ’successive’ and ’simultaneous’ composition is reconsidered. Tinctoris's sometimes sharp rebukes to famous composers are also investigated in the context of works by Ockeghem. Ottaviano Petrucci's first publication of music, the ’Odhecaton’ of 1501, is the subject of another three articles. These identify the editor of the work, and make new proposals on the provenance and editing of this repertory. The last article presents an edition of a treatise of ca. 1600 in the form of a letter from the virtuoso cornettist Luigi Zenobi to an unknown prince, which offers new insights on the change in performance practice at the end of the Renaissance.
Author: Bonnie J. Blackburn Publisher: Taylor & Francis ISBN: 1040241964 Category : Music Languages : en Pages : 352
Book Description
The first articles here focus on Johannes Tinctoris, the prominent late 15th-century music theorist. They deal with the discovery of his lost pedagogical motet, and his treatise on counterpoint; this forms the basis of a wide-ranging investigation of contemporary practices of improvisation and composition (singing super librum and writing res facta), in which the question of ’successive’ and ’simultaneous’ composition is reconsidered. Tinctoris's sometimes sharp rebukes to famous composers are also investigated in the context of works by Ockeghem. Ottaviano Petrucci's first publication of music, the ’Odhecaton’ of 1501, is the subject of another three articles. These identify the editor of the work, and make new proposals on the provenance and editing of this repertory. The last article presents an edition of a treatise of ca. 1600 in the form of a letter from the virtuoso cornettist Luigi Zenobi to an unknown prince, which offers new insights on the change in performance practice at the end of the Renaissance.
Author: Richard W. Lee Publisher: ISBN: Category : Computerized typesetting Languages : en Pages : 136
Book Description
A Symposium on Electronic Composition in Printing was held at the Gaithersburg Laboratories of the National Bureau of Standards.The symposium was a state-of-the-art review of a rapidly advancing field of computer application with great potentialities for increased efficiency and savings in the Federal Government.(Author).
Author: IRCAM/CNRS Publisher: Coupet Philippe ISBN: Category : Languages : en Pages : 185
Book Description
Depuis la mathématique en passant par différents domaines tels que la composition musicale assistée par ordinateur,l'intelligence artificielle,la pulsation plasma et l'accrétion,voiçi quelques notions de compositions musicales et d'objets sonores.
Author: Bonnie J. Blackburn
Author: Bonnie J. Blackburn
Author: Richard W. Lee
Author: United States. Government Printing Office
Author: John Mews
Author: IRCAM/CNRS
Author: International Typographical Union
Author: Library of Congress. Copyright Office
Author: 
Author: United States. Patent and Trademark Office
Author: