Author: Mark Northam
Publisher: Hal Leonard Corporation
ISBN: 9780793595617
Category : Music
Languages : en
Pages : 254
Book Description
Many musicians are finding a new market for their music scoring for films and television. This comprehensive resource guide provides all the practical tools and information needed about how to organize and run a film and television music business. Section I contains helpful marketing materials, such as sample letters, brochures, postcards, resumes, and product packaging. Section II provides forms, documents and examples for the management, production, recording and delivery of music for projects. Section III features frequently used sample contracts and agreements, and Section IV lists other composer resources, such as a glossary of terms and abbreviations, info on performing rights organizations, attorneys and agents, listings of different markets to tap, internet resources, and much more. Essential for any musician interested in a career in film and television music.
Film and Television Composer's Resource Guide
Author: Mark Northam
Publisher: Hal Leonard Corporation
ISBN: 9780793595617
Category : Music
Languages : en
Pages : 254
Book Description
Many musicians are finding a new market for their music scoring for films and television. This comprehensive resource guide provides all the practical tools and information needed about how to organize and run a film and television music business. Section I contains helpful marketing materials, such as sample letters, brochures, postcards, resumes, and product packaging. Section II provides forms, documents and examples for the management, production, recording and delivery of music for projects. Section III features frequently used sample contracts and agreements, and Section IV lists other composer resources, such as a glossary of terms and abbreviations, info on performing rights organizations, attorneys and agents, listings of different markets to tap, internet resources, and much more. Essential for any musician interested in a career in film and television music.
Publisher: Hal Leonard Corporation
ISBN: 9780793595617
Category : Music
Languages : en
Pages : 254
Book Description
Many musicians are finding a new market for their music scoring for films and television. This comprehensive resource guide provides all the practical tools and information needed about how to organize and run a film and television music business. Section I contains helpful marketing materials, such as sample letters, brochures, postcards, resumes, and product packaging. Section II provides forms, documents and examples for the management, production, recording and delivery of music for projects. Section III features frequently used sample contracts and agreements, and Section IV lists other composer resources, such as a glossary of terms and abbreviations, info on performing rights organizations, attorneys and agents, listings of different markets to tap, internet resources, and much more. Essential for any musician interested in a career in film and television music.
A Composer's Guide to Game Music
Author: Winifred Phillips
Publisher: MIT Press
ISBN: 0262534495
Category : Music
Languages : en
Pages : 285
Book Description
A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field. Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips—herself an award-winning composer of video game music—provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field. Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business. A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.
Publisher: MIT Press
ISBN: 0262534495
Category : Music
Languages : en
Pages : 285
Book Description
A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field. Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips—herself an award-winning composer of video game music—provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field. Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business. A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.
Film Composers Directory
Composer Genealogies
Author: Scott Pfitzinger
Publisher: Rowman & Littlefield
ISBN: 1442272252
Category : Music
Languages : en
Pages : 629
Book Description
Throughout the western classical tradition, composers have influenced and been influenced by their students and teachers. Many musicians frequently add to their personal acclaim by naming their teachers and the lineage through which they were taught. Until now, the relationships between composers have remained uncataloged and understudied, but with enough research, it is possible to document entire schools of composition. Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students is the first volume to gather the genealogies of more than seventeen thousand classical composers in a single volume. Functioning as its own fully cross-referenced index, this volume lists composers and their dates, followed by their teachers and notable students. A short introduction presents the parameters by which composers were selected and provides a survey of the literature available for further study. Gathering records and information from reference books, university websites, obituaries, articles, composers’ websites, and even direct contact with some composers, Pfitzinger creates a valuable resource for music researchers, composers, and performers.
Publisher: Rowman & Littlefield
ISBN: 1442272252
Category : Music
Languages : en
Pages : 629
Book Description
Throughout the western classical tradition, composers have influenced and been influenced by their students and teachers. Many musicians frequently add to their personal acclaim by naming their teachers and the lineage through which they were taught. Until now, the relationships between composers have remained uncataloged and understudied, but with enough research, it is possible to document entire schools of composition. Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students is the first volume to gather the genealogies of more than seventeen thousand classical composers in a single volume. Functioning as its own fully cross-referenced index, this volume lists composers and their dates, followed by their teachers and notable students. A short introduction presents the parameters by which composers were selected and provides a survey of the literature available for further study. Gathering records and information from reference books, university websites, obituaries, articles, composers’ websites, and even direct contact with some composers, Pfitzinger creates a valuable resource for music researchers, composers, and performers.
Directory of New Music
Author:
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 112
Book Description
Includes all works listed in Composium during the preceding year.
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 112
Book Description
Includes all works listed in Composium during the preceding year.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1066
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1066
Book Description
Biographical Dictionary of Composers
Author: Percy Marshall Young
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 392
Book Description
The Digital Audio Music List
Author: Howard Ferstler
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 486
Book Description
The Digital Audio Music List by Howard Ferstler is unique for its detailed exploration of the technology behind high-definition recordings. The author goes beyond identifying excellent recordings and explains the techniques used in making them, the analysis of various kinds of recorded sound, and the nature of the equipment used to reproduce the performance. He discusses recording techniques and approaches, emphasizing the relationship between microphone placement, recording equipment, and the resulting sound.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 486
Book Description
The Digital Audio Music List by Howard Ferstler is unique for its detailed exploration of the technology behind high-definition recordings. The author goes beyond identifying excellent recordings and explains the techniques used in making them, the analysis of various kinds of recorded sound, and the nature of the equipment used to reproduce the performance. He discusses recording techniques and approaches, emphasizing the relationship between microphone placement, recording equipment, and the resulting sound.
Listverse.com's Ultimate Book of Bizarre Lists
Author: Jamie Frater
Publisher: Ulysses Press
ISBN: 1569758174
Category : History
Languages : en
Pages : 714
Book Description
FREAKS OF NATURE, ODD CRIMES, SHOCKING DEATHS, DEVASTATING DISASTERS, BLOOD-CURDLING RITES, CRAZY CONSPIRACIES & MUCH, MUCH MORE -Gruesome Torture Devices -Mass Hysteria Outbreaks -Unbelievable Miniatures -Disturbingly Scary Clowns -Outer Space Mysteries -Astonishing Aphrodisiacs -Disgusting Ancient Jobs -Spooky Sports Curses -World-Famous Penises -Mail-Order-Bride Shockers -Brutal Pope Deaths -Outrageous Wedding Locales -Grossest Edible Animals -Appalling Religious Practices
Publisher: Ulysses Press
ISBN: 1569758174
Category : History
Languages : en
Pages : 714
Book Description
FREAKS OF NATURE, ODD CRIMES, SHOCKING DEATHS, DEVASTATING DISASTERS, BLOOD-CURDLING RITES, CRAZY CONSPIRACIES & MUCH, MUCH MORE -Gruesome Torture Devices -Mass Hysteria Outbreaks -Unbelievable Miniatures -Disturbingly Scary Clowns -Outer Space Mysteries -Astonishing Aphrodisiacs -Disgusting Ancient Jobs -Spooky Sports Curses -World-Famous Penises -Mail-Order-Bride Shockers -Brutal Pope Deaths -Outrageous Wedding Locales -Grossest Edible Animals -Appalling Religious Practices
How to Write for Percussion
Author: Samuel Z. Solomon
Publisher: Oxford University Press
ISBN: 0190499524
Category : Music
Languages : en
Pages : 313
Book Description
While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. However, Samuel Z. Solomon, himself a percussionist and teacher, offers a comprehensive examination of the issues that percussionists and composers encounter in How to Write for Percussion. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition goes even further as Solomon offers more insights derived from his personal experience as a percussionist and teacher and from his collaborations with other musicians. The second edition of How to Write for Percussion expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover all the tools a composer needs to comfortably create innovative and skilled percussion composition. Solomon also includes more excerpts and performances as well as interviews with famous percussionists and composers that capture the intricacies of percussion composition. Moreover, the second edition features an expanded text with more instruments and more analysis, plus an extensive Online Video Companion containing over nine hours of videos with demonstrations, performances, interviews, and analysis to flesh out and clarify the material in the book. This updated edition of How to Write for Percussion will appeal to a wide swath of musicians including composers, arrangers, and percussionists. Those who have already utilized the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will likewise find his insights illuminating.
Publisher: Oxford University Press
ISBN: 0190499524
Category : Music
Languages : en
Pages : 313
Book Description
While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. However, Samuel Z. Solomon, himself a percussionist and teacher, offers a comprehensive examination of the issues that percussionists and composers encounter in How to Write for Percussion. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition goes even further as Solomon offers more insights derived from his personal experience as a percussionist and teacher and from his collaborations with other musicians. The second edition of How to Write for Percussion expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover all the tools a composer needs to comfortably create innovative and skilled percussion composition. Solomon also includes more excerpts and performances as well as interviews with famous percussionists and composers that capture the intricacies of percussion composition. Moreover, the second edition features an expanded text with more instruments and more analysis, plus an extensive Online Video Companion containing over nine hours of videos with demonstrations, performances, interviews, and analysis to flesh out and clarify the material in the book. This updated edition of How to Write for Percussion will appeal to a wide swath of musicians including composers, arrangers, and percussionists. Those who have already utilized the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will likewise find his insights illuminating.