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Author: BURTON ISAAC Publisher: Mel Bay Publications ISBN: 161065059X Category : Music Languages : en Pages : 96
Book Description
A comprehensive book featuring 1, 2, and 3-octave major and minor scales and arpeggios, the chromatic scale, modal scales, and more. the scales presented here cover a number of technical objectives. Fingerings are sparsely indicated to encourage self-reliance and exploration by the student.
Author: BURTON ISAAC Publisher: Mel Bay Publications ISBN: 161065059X Category : Music Languages : en Pages : 96
Book Description
A comprehensive book featuring 1, 2, and 3-octave major and minor scales and arpeggios, the chromatic scale, modal scales, and more. the scales presented here cover a number of technical objectives. Fingerings are sparsely indicated to encourage self-reliance and exploration by the student.
Author: June DeForest Publisher: Mel Bay Publications ISBN: 1619117444 Category : Music Languages : en Pages : 45
Book Description
When technique becomes an instinctive response to a musical imperative, execution improves, control improves, and more reliable and better performances result. Practice for Performance for Violinis filled with practical musical tools and inspiring extra-musical examples that help evoke instinctive musical responses while improving the mechanical processes of playing the violin.
Author: Arthur Jacobs Publisher: Routledge ISBN: 1351534882 Category : History Languages : en Pages : 416
Book Description
What is a fugue? What is the difference between a saxophone and a saxhorn? Who besides Puccini wrote an opera called La Boheme? In what year, was the National Broadcasting Company Orchestra formed under Arturo Toscanini's direction? These and thousands of similar questions are answered in this comprehensive dictionary that remains unrivaled as a single-volume summary. A New Dictionary of Music is a basic reference work for anyone interested in music, whether performer or layman.It covers orchestral, solo, choral and chamber music, opera, and (in its musical aspects) the ballet. There are entries for composers (with biographies and details of compositions); works well known by their titles, such as operas and symphonic poems; orchestras, performers and conductors of importance today; musical instruments (including those of the dance and brass bands); and, technical terms. English names and terms are used whenever possible, but foreign terms in general use are cross-referenced. Particular importance has been attached to bringing the reader abreast of new musical developments.The composers and musical works chosen were those most likely to be encountered. Where an opera is given an entry, a brief explanation of the title follows. Similarly explication is provided for other works bearing literary or otherwise allusive titles. Among performers and conductors, only the following are included: those who, although dead, continue to be prominent through recorded performances (e.g. Gigli); the highest-ranking international artists of today, plus a very few apparently on the verge of attaining that rank; and, a few who, though not necessarily at the very head of their profession, are closely associated with composers in bringing out new works, or are conductors in charge of important orchestras.
Author: Elaine Fine Publisher: Mel Bay Publications ISBN: 1513459929 Category : Music Languages : en Pages : 28
Book Description
Incorporating skills taught in many popular violin methods, these tuneful solo pieces offer a fresh alternative for teachers who would like a stimulating supplement to their usual method. These entertaining and whimsical compositions reinforce and develop violin skills through repetition disguised as lyrical musical phrases. They strengthen the left hand, exercise the fourth finger, and use rests in musically compelling ways that keep the student attentive. They also present mixed meter and double-stops, and offer a practical introduction to musical form and phrase structure. Slurs and dynamics are incorporated immediately, along with right-hand pizzicato on stopped strings and left-hand pizzicato on all open strings. These pieces are written specifically to encourage interpretive creativity, even at the most elementary levels. As twenty-first-century pieces for solo violin, they are meant to be performed as well as studied.
Author: BURTON ISAAC
Author: BURTON ISAAC
Author: June DeForest
Author: John Hiles
Author: 
Author: William Alexander Barrett
Author: John Stainer
Author: Arthur Jacobs
Author: G. Grove
Author: Elaine Fine
Author: Louis Charles Elson