Author: Luzzasco Luzzaschi
Publisher:
ISBN:
Category : Madrigals, Italian
Languages : en
Pages : 163
Book Description
Complete Unaccompanied Madrigals
Author: Luzzasco Luzzaschi
Publisher:
ISBN:
Category : Madrigals, Italian
Languages : en
Pages : 163
Book Description
Publisher:
ISBN:
Category : Madrigals, Italian
Languages : en
Pages : 163
Book Description
Complete Unaccompanied Madrigals
Four Madrigals
The Madrigal
Author: Susan Lewis Hammond
Publisher: Routledge
ISBN: 1135966990
Category : Music
Languages : en
Pages : 376
Book Description
The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.
Publisher: Routledge
ISBN: 1135966990
Category : Music
Languages : en
Pages : 376
Book Description
The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.
Four madrigals
Self-Commentary in Early Modern European Literature, 1400–1700
Author: Francesco Venturi
Publisher: BRILL
ISBN: 9004396594
Category : Literary Collections
Languages : en
Pages : 445
Book Description
An investigation into the various ways in which Renaissance writers comment on, present, and defend their own works, and at the same time themselves in Britain, France, Italy, Spain, Poland, and the Dutch Republic.
Publisher: BRILL
ISBN: 9004396594
Category : Literary Collections
Languages : en
Pages : 445
Book Description
An investigation into the various ways in which Renaissance writers comment on, present, and defend their own works, and at the same time themselves in Britain, France, Italy, Spain, Poland, and the Dutch Republic.
Il promo libro de madrigali a cinque voci (Venice, 1578)
Author: Leonard Meldert
Publisher: A-R Editions, Inc.
ISBN: 0895798034
Category : Music
Languages : en
Pages : 153
Book Description
Leonard Melderts Primo libro de madrigali a cinque voci (Venice, 1578) has an interest and musical quality far beyond what one might guess from the modest facts of the authors life and works. The book partly reflects the musical tastes of the court of Urbino in the final years of Duke Guidobaldo II Della Rovere (151474) and of the private household of his brother, Cardinal Giulio Della Rovere (153378). But its structure and contents display some unusual features that can be linked to the circumstances of Melderts life and to his own initiative in projecting and assembling his book of madrigals. Moreover, it offers the first settings of then-recent poems by Torquato Tasso, Giovanni Battista Guarini, and Giuliano Goselini, the result of the composers personal contacts in the court of Ferrara and his ties to the literary and musical circle of Antonio Londonio, a Milan-based Spanish diplomat. This edition presents the Primo libro for the first time in a modern edition, examining Melderts textual choices and musical style within the contexts of courtly life, his personal biography, and the nascent seconda prattica.
Publisher: A-R Editions, Inc.
ISBN: 0895798034
Category : Music
Languages : en
Pages : 153
Book Description
Leonard Melderts Primo libro de madrigali a cinque voci (Venice, 1578) has an interest and musical quality far beyond what one might guess from the modest facts of the authors life and works. The book partly reflects the musical tastes of the court of Urbino in the final years of Duke Guidobaldo II Della Rovere (151474) and of the private household of his brother, Cardinal Giulio Della Rovere (153378). But its structure and contents display some unusual features that can be linked to the circumstances of Melderts life and to his own initiative in projecting and assembling his book of madrigals. Moreover, it offers the first settings of then-recent poems by Torquato Tasso, Giovanni Battista Guarini, and Giuliano Goselini, the result of the composers personal contacts in the court of Ferrara and his ties to the literary and musical circle of Antonio Londonio, a Milan-based Spanish diplomat. This edition presents the Primo libro for the first time in a modern edition, examining Melderts textual choices and musical style within the contexts of courtly life, his personal biography, and the nascent seconda prattica.
Women and Music in Sixteenth-Century Ferrara
Author: Laurie Stras
Publisher: Cambridge University Press
ISBN: 1108691447
Category : Music
Languages : en
Pages : 417
Book Description
The musica secreta or concerto delle dame of Duke Alfonso II d'Este, an ensemble of virtuoso female musicians that performed behind closed doors at the castello in Ferrara, is well-known to music history. Their story is often told by focussing on the Duke's obsessive patronage and the exclusivity of their music. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and composer, patron and musician, court and convent. With new archival evidence and analysis of music, people, and events over the course of the century, from the role of the princess nun musician, Leonora d'Este, to the fate of the musica secreta's jealously guarded repertoire, this radical approach will appeal to musicians and scholars alike.
Publisher: Cambridge University Press
ISBN: 1108691447
Category : Music
Languages : en
Pages : 417
Book Description
The musica secreta or concerto delle dame of Duke Alfonso II d'Este, an ensemble of virtuoso female musicians that performed behind closed doors at the castello in Ferrara, is well-known to music history. Their story is often told by focussing on the Duke's obsessive patronage and the exclusivity of their music. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and composer, patron and musician, court and convent. With new archival evidence and analysis of music, people, and events over the course of the century, from the role of the princess nun musician, Leonora d'Este, to the fate of the musica secreta's jealously guarded repertoire, this radical approach will appeal to musicians and scholars alike.
Author:
Publisher: BoD – Books on Demand
ISBN: 3368721925
Category :
Languages : en
Pages : 466
Book Description
Publisher: BoD – Books on Demand
ISBN: 3368721925
Category :
Languages : en
Pages : 466
Book Description