Complete Cinematic Works PDF Download

Author: Guy Debord
Publisher:
ISBN:
Category :
Languages : en
Pages : 258

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Author: Eve Light Honthaner
Publisher: Taylor & Francis
ISBN: 1136053050
Category : Performing Arts
Languages : en
Pages : 532

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Book Description
This book is for working film/TV professionals and students alike. If you're a line producer, production manager, production supervisor, assistant director or production coordinator--the book has everything you'll need (including all the forms, contracts, releases and checklists) to set up and run a production--from finding a production office to turning over delivery elements. Even if you know what you're doing, you will be thrilled to find everything you need in one place. If you're not already working in film production, but think you'd like to be, read the book -- and then decide. If you choose to pursue this career path, you'll know what to expect, you'll be prepared, and you'll be ten steps ahead of everyone else just starting out. New topics and information in the fourth edition include: * Low-budget independent films, including documentaries and shorts * Information specific to television production and commercials * The industry's commitment to go green and how to do it * Coverage of new travel and shipping regulations * Updated information on scheduling, budgeting, deal memos, music clearances, communications, digital production, and new forms throughout

Author: Brigitta Burger-Utzer
Publisher:
ISBN: 9783865218155
Category : Experimental films
Languages : en
Pages : 0

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Book Description
Robert Frank turned to filmmaking at the end of the 1950s. Although he has made 27 films, the work is largely a wellkept secret. Frank approaches each film project as a new experience, challenging the medium and its possibilities atevery turn. He has amalgamated documentary, fiction, and autobiography, cutting across genres. This book offers a visually unique approach to Frank¿s films: only new stills taken from videotapes have been used and they add up to a visual essay on Frank¿s cinema that establishes an engaging dialogue with his photographic work. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank¿s film work. An interview with Allen Ginsberg provides an insider view. Together the texts and images offer an innovative and in-depth approach to the oeuvre of one of the greatest and most restless artists of the 20th century. Robert Frank was born in Zurich, Switzerland in 1924 and went to the United States in 1947. He is best known for his seminal book The Americans (1958), which gave rise to a distinct new art form in the photo-book, and his experimental film Pull My Daisy (1959) both reproduced by Steidl within The Robert Frank Project.

Author: Guy Debord
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280

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Guy Debord (1931-1994) was the most influential member of the Situationist International, the avant-garde group that helped trigger the May 1968 revolt in France. His book The Society of the Spectacle is considered by some to be the most important theoretical book of the 20th century. But while Debord's written work is some of the most notorious in the world of political and cultural radicalism, his films have remained tantalisingly inaccessible. Knabb's translation accompanies that long awaited English versions of these films. Illustrated with 62 stills.

Author: Jerry Roberts
Publisher: Santa Monica Press
ISBN: 1595809430
Category : Performing Arts
Languages : en
Pages : 481

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Book Description
The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities. People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form.

Author: Brian R. Jacobson
Publisher: Columbia University Press
ISBN: 0231539665
Category : Performing Arts
Languages : en
Pages : 313

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Book Description
By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France—the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères—as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape.

Author: Ronald Bergan
Publisher: DK Publishing (Dorling Kindersley)
ISBN: 9780241484838
Category : Biography & Autobiography
Languages : en
Pages : 0

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Book Description
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.

Author: Bryan Connolly
Publisher: Fantagraphics Books
ISBN: 9781606993637
Category : Motion pictures
Languages : en
Pages : 0

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Book Description
An informative, hilarious and impossibly complete guide to every goddamn appearance of a punk (or new waver!) to hit the screen in the 20th century.This wildly comprehensive eyeball-slammer features A-Z coverage of over 1100 feature films from around the world, as well as dozens of exclusive interviews with the creators and cast of essential titles such as Repo Man, Return of the Living Dead, The Decline of Western Civilization and Valley Girl. Everyone from Richard Hell to Penelope Spheeris and Ian McKaye contributes his or her uncensored reminiscences.

Author: James E. Cutting
Publisher: Oxford University Press
ISBN: 0197567770
Category : Psychology
Languages : en
Pages : 401

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Book Description
"We used to go to the movies. We used to speak of flicks, even flicking out. We used to stand in line with friends in delicious anticipation to buy tickets for a movie that got a rapturous review. We used to be ushered into blinding darkness within cavernous halls of downtown gilded-age theaters to look at enormous screens. And we might go without regard to when the feature began, enter in the middle, sit through its ending, its double-bill and shorts, and only then watch the beginning of what we wanted to see. A small personal triumph occurred when, seeing a flick with friends or family, you were the first one to get up to leave announcing that "this was the place in the movie where we came in."--

Author: Jean-Luc Godard
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 168

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Book Description
Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. He expounds on his central concerns - how film can "resurrect the past," the role of rhythm in film, and how cinema can be an "art that thinks." Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history. --