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Author: Jill Burke Publisher: Editorial Crítica ISBN: 8491996672 Category : History Languages : es Pages : 376
Book Description
Una historia alternativa del Renacimiento contada por las mujeres detrás de las pinturas. Belleza, maquillaje, arte, poder: Cómo ser una mujer en el Renacimiento presenta una historia alternativa de este fascinante período contada por las mujeres detrás de las pinturas. El Renacimiento fue una época obsesionada por las apariencias: el mundo visual se pobló de desnudos de la mano de artistas como Miguel Ángel y Tiziano y emergió una vibrante escena literaria alrededor de consejos de belleza, cosméticos y adornos. Jill Burke nos lleva desde las bulliciosas plazas del mercado italiano hasta los niveles más altos de la sociedad renacentista para acercarnos a las vidas de cortesanas, artistas, actrices y escritoras que se labraron un espacio propio, así como aquellas que ganaron poder e influencia en el despiadado mundo de la corte o las que se rebelaron contra las restricciones de su época en un momento en el que las valoraciones sobre los cuerpos y el color de la piel estaban en el punto de mira debido al contexto colonial. Esta vívida exploración de la vida íntima de las mujeres renacentistas nos invita a cuestionar las ideas de tenemos sobre nuestro propio cuerpo a la vez que desentraña los orígenes de los ideales de belleza que todavía nos acompañan en la actualidad. «Nunca verás los retratos del Renacimiento de la misma manera.» Maggie O'Farrell, autora de Hamnet y El retrato de casada
Author: Jill Burke Publisher: Editorial Crítica ISBN: 8491996672 Category : History Languages : es Pages : 376
Book Description
Una historia alternativa del Renacimiento contada por las mujeres detrás de las pinturas. Belleza, maquillaje, arte, poder: Cómo ser una mujer en el Renacimiento presenta una historia alternativa de este fascinante período contada por las mujeres detrás de las pinturas. El Renacimiento fue una época obsesionada por las apariencias: el mundo visual se pobló de desnudos de la mano de artistas como Miguel Ángel y Tiziano y emergió una vibrante escena literaria alrededor de consejos de belleza, cosméticos y adornos. Jill Burke nos lleva desde las bulliciosas plazas del mercado italiano hasta los niveles más altos de la sociedad renacentista para acercarnos a las vidas de cortesanas, artistas, actrices y escritoras que se labraron un espacio propio, así como aquellas que ganaron poder e influencia en el despiadado mundo de la corte o las que se rebelaron contra las restricciones de su época en un momento en el que las valoraciones sobre los cuerpos y el color de la piel estaban en el punto de mira debido al contexto colonial. Esta vívida exploración de la vida íntima de las mujeres renacentistas nos invita a cuestionar las ideas de tenemos sobre nuestro propio cuerpo a la vez que desentraña los orígenes de los ideales de belleza que todavía nos acompañan en la actualidad. «Nunca verás los retratos del Renacimiento de la misma manera.» Maggie O'Farrell, autora de Hamnet y El retrato de casada
Author: Ana I. Simón-Alegre Publisher: Routledge ISBN: 1000488314 Category : Literary Criticism Languages : en Pages : 141
Book Description
This original collection of essays explores the work and life choices of Spanish women who, through their writings and social activism, addressed social justice, religious dogmatism, the educational system, gender inequality, and tensions in female subjectivity. It brings together writers who are not commonly associated with each other, but whose voices overlap, allowing us to foreground their unconventionality, their relationships to each other, and their relation to modernity. The objective of this volume is to explore how the idea of "queerness" played an important role in the personal lives and social activism of these writers, as well as in the unconventional and nonconformist characters they created in their work. Together, the essays demonstrate that the concept of "queer women" is useful for investigating the evolution of women’s writing and sexual identity during the period of Spain’s fitful transition to modernity in the nineteenth century. The concept of queerness in its many meanings points to the idea of non-normativity and gender dissidence that encompasses how women intellectuals experienced friendship, religion, sex, sexuality, and gender. The works examined include autobiography, poetry, memoir, salon chronicles, short and long fiction, pedagogical essays, newspaper articles, theater, and letters. In addition to exploring the significant presence of queer women in nineteenth- and twentieth-century Spanish literature and culture, the essays examine the reasons why the voices of Spanish women authors have been culturally silenced. One thrust in this collection explores generational transitions of Spanish writers from the romantics and their "hermandad lírica" ("lyrical sisterhood") through to "las Sinsombrero" ("Women Without Hats"), and finally, current Spanish writers linked to the LGBTQ+ community.
Author: Yvonne Fuentes Publisher: LSU Press ISBN: 0807130826 Category : Social Science Languages : en Pages : 221
Book Description
Written by Hispanic and non-Hispanic scholars, these twelve essays -- six in English and six in Spanish -- disclose how over the past four centuries static and formulaic images of women in Hispanic art and literature have given way to lively and original portrayals. The leading ladies explored in this volume include women who are objects of the male gaze, women who gaze upon the male body, women who are characters, and women who are writers, painters, and filmmakers. The essayists offer a panorama that stimulates the senses and challenges assumptions as they reveal strategies used by both male and female writers and artists to unmask conventions, identify spaces, and remake paradigms.Marina Mayoral's introduction traces the representation of the beloved woman in Spanish lyric poetry from the Middle Ages to the present. The contributors and topics that follow include Amy Robinson on the silencing of female voices such as those of Cecilia Valdés and Carmen; Vilma Navarro-Daniels on the writer and historian Carmen Martín Gaite; Lynn Walford's analysis of Mario Vargas Llosa's leading ladies; Katherine Ford's exploration of Chicana writer Gloria Anzaldúa's Borderlands/La Frontera; Julia Carroll on Puerto Rican writer Giannina Braschi; George Thomas on the poetry of the seventeenth-century Mexican poet Sor Juana Inés de la Cruz; Alison Tatum-Davis on Carmen Laforet's Nada; Mónica Jato's examination of three female characters from Alfonso Sastre's trilogy Los crímenes extraños; Caryn Connelly on the collaborations of Mexican scriptwriter Paz Alicia Garcíadiego and film director Arturo Ripstein; Sharon Keefe Ugalde on cinema gender referents in the work of certain Spanish women poets; Carmen García de la Rasilla's study of female surrealist artists; and Mayte de Lama on three short-story characters of the fiction writer Marina Mayoral.Covering numerous genres, reaching across three continents, and using a variety of critical strategies, Leading Ladies presents a dazzling array of artistic endeavors in which women are of central importance.
Author: Theodor Dunkelgrün Publisher: University of Pennsylvania Press ISBN: 0812296753 Category : Religion Languages : en Pages : 369
Book Description
A formidable collection of studies on religious conversion and converts in Jewish history Theodor Dunkelgrün and Pawel Maciejko observe that the term "conversion" is profoundly polysemous. It can refer to Jews who turn to religions other than Judaism and non-Jews who tie their fates to that of Jewish people. It can be used to talk about Christians becoming Muslim (or vice versa), Christians "born again," or premodern efforts to Christianize (or Islamize) indigenous populations of Asia, Africa, and the Americas. It can even describe how modern, secular people discover spiritual creeds and join religious communities. Viewing Jewish history from the perspective of conversion across a broad chronological and conceptual frame, Bastards and Believers highlights how the concepts of the convert and of conversion have histories of their own. The volume begins with Sara Japhet's study of conversion in the Hebrew Bible and ends with Netanel Fisher's essay on conversion to Judaism in contemporary Israel. In between, Andrew S. Jacobs writes about the allure of becoming an "other" in late Antiquity; Ephraim Kanarfogel considers Rabbinic attitudes and approaches toward conversion to Judaism in the Middles Ages; and Paola Tartakoff ponders the relationship between conversion and poverty in medieval Iberia. Three case studies, by Javier Castaño, Claude Stuczynski, and Anne Oravetz Albert, focus on different aspects of the experience of Spanish-Portuguese conversos. Michela Andreatta and Sarah Gracombe discuss conversion narratives; and Elliott Horowitz and Ellie Shainker analyze Eastern European converts' encounters with missionaries of different persuasions. Despite the differences between periods, contexts, and sources, two fundamental and mutually exclusive notions of human life thread the essays together: the conviction that one can choose one's destiny and the conviction that one cannot escapes one's past. The history of converts presented by Bastards and Believers speaks to the possibility, or impossibility, of changing one's life. Contributors: Michela Andreatta, Javier Castaño, Theodor Dunkelgrün, Netanel Fisher, Sarah Gracombe, Elliott Horowitz, Andrew S. Jacobs, Sara Japhet, Ephraim Kanarfogel, Pawel Maciejko, Anne Oravetz Albert, Ellie Shainker, Claude Stuczynski, Paola Tartakoff.
Author: Charles J. Esdaile Publisher: University of Oklahoma Press ISBN: 0806147636 Category : Social Science Languages : en Pages : 368
Book Description
In the iconography of the Peninsular War of 1808–14, women are well represented—both as heroines, such as Agustina Zaragosa Domenech, and as victims, whether of starvation or of French brutality. In history, however, with its focus on high politics and military operations, they are invisible—a situation that Charles J. Esdaile seeks to address. In Women in the Peninsular War, Esdaile looks beyond the iconography. While a handful of Spanish and Portuguese women became Agustina-like heroines, a multitude became victims, and here both of these groups receive their due. But Esdaile reveals a much more complicated picture in which women are discovered to have experienced, responded to, and participated in the conflict in various ways. While some women fought or otherwise became involved in the struggle against the invaders, others turned collaborator, used the war as a means of effecting dramatic changes in their situation, or simply concentrated on staying alive. Along with Agustina Zaragoza Domenech, then, we meet French sympathizers, campfollowers, pamphleteers, cross-dressers, prostitutes, amorous party girls, and even a few protofeminists. Esdaile examines many social spheres, ranging from the pampered daughters of the nobility, through the cloistered members of Spain’s many convents, to the tough and defiant denizens of the Madrid slums. And we meet not just the women to whom the war came but also the women who came to the war—the many thousands who accompanied the British and French armies to the Iberian peninsula. Thanks to his use of copious original source material, Esdaile rescues one and all from, as E. P. Thompson put it, “the enormous condescension of posterity.” And yet all these women remain firmly in their historical and cultural context, a context that Esdaile shows to have emerged from the Peninsular War hardly changed. Hence the subsequent loss of these women’s story, and the obscurity from which this book has at long last rescued them.
Author: Jill Burke
Author: Jill Burke
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Author: Ana I. Simón-Alegre
Author: Yvonne Fuentes
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Author: Theodor Dunkelgrün
Author: Charles J. Esdaile
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Author: Miguel de Cervantes Saavedra
Author: Ángel Rodríguez Sánchez