Author: Ellis Kirkham Waterhouse
Publisher: Yale University Press
ISBN: 9780300058338
Category : Art
Languages : en
Pages : 420
Book Description
The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.
Painting in Britain, 1530 to 1790
Author: Ellis Kirkham Waterhouse
Publisher: Yale University Press
ISBN: 9780300058338
Category : Art
Languages : en
Pages : 420
Book Description
The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.
Publisher: Yale University Press
ISBN: 9780300058338
Category : Art
Languages : en
Pages : 420
Book Description
The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.
Celts
Author: Julia Farley
Publisher: British museum Press
ISBN:
Category : Art, Celtic
Languages : en
Pages : 306
Book Description
A beautifully illustrated study of Celtic arts -- style, development and revival - and the relationship between art objects and identity, covering 2500 years of history.
Publisher: British museum Press
ISBN:
Category : Art, Celtic
Languages : en
Pages : 306
Book Description
A beautifully illustrated study of Celtic arts -- style, development and revival - and the relationship between art objects and identity, covering 2500 years of history.
Catalog of the Avery Memorial Architectural Library of Columbia University
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1026
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1026
Book Description
"Artwriting, Nation, and Cosmopolitanism in Britain "
Author: MarkA. Cheetham
Publisher: Routledge
ISBN: 1351575236
Category : Art
Languages : en
Pages : 201
Book Description
Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British culture-did not take place or have effects exclusively in Britain. Theory has always travelled with art and vice versa. Using the frequently resurgent discourse of cosmopolitanism as a frame for his discourse, Cheetham asks whether English traditions of artwriting have been judged inappropriately according to imported criteria of what theory is and does. This book demonstrates that artwriting in the English tradition has not been sufficiently studied, and that 'English Art Theory' is not an oxymoron. Such concerns resonate today beyond academe and the art world in the many heated discussions of resurgent Englishness.
Publisher: Routledge
ISBN: 1351575236
Category : Art
Languages : en
Pages : 201
Book Description
Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British culture-did not take place or have effects exclusively in Britain. Theory has always travelled with art and vice versa. Using the frequently resurgent discourse of cosmopolitanism as a frame for his discourse, Cheetham asks whether English traditions of artwriting have been judged inappropriately according to imported criteria of what theory is and does. This book demonstrates that artwriting in the English tradition has not been sufficiently studied, and that 'English Art Theory' is not an oxymoron. Such concerns resonate today beyond academe and the art world in the many heated discussions of resurgent Englishness.
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 996
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 996
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 722
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 722
Book Description
Blake
British Artists and the Modernist Landscape
Author: Ysanne Holt
Publisher: Routledge
ISBN: 1351771817
Category : Art
Languages : en
Pages : 270
Book Description
Title first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Philip Wilson Steer, Augustus John, Laura Knight, J. D. Fergusson and Spencer Gore, Ysanne Holt investigates the imaginary geographies behind the pictures and reconsiders the relationship between national identity, 'Englishness' and the native landscape. Combining close investigation of important works with a broader enquiry into the appeal of the Mediterranean for an age preoccupied with cultural degeneracy and bodily health, Ysanne Holt draws fascinating conclusions about the impact of modernism on the British tradition of landscape painting.
Publisher: Routledge
ISBN: 1351771817
Category : Art
Languages : en
Pages : 270
Book Description
Title first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Philip Wilson Steer, Augustus John, Laura Knight, J. D. Fergusson and Spencer Gore, Ysanne Holt investigates the imaginary geographies behind the pictures and reconsiders the relationship between national identity, 'Englishness' and the native landscape. Combining close investigation of important works with a broader enquiry into the appeal of the Mediterranean for an age preoccupied with cultural degeneracy and bodily health, Ysanne Holt draws fascinating conclusions about the impact of modernism on the British tradition of landscape painting.
Thomas Becket
Author: Lloyd De Beer
Publisher:
ISBN: 9780714128382
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
Marking the 850th anniversary of his dramatic murder, this major exhibition and book presents Becket's tumultuous journey from a merchant's son to Archbishop of Canterbury, and from a revered saint in death to a 'traitor' in the eyes of Henry VIII over 350 years later. The assassination of Thomas Becket in Canterbury Cathedral on 29 December 1170 changed the course of history. Becket was one of the most powerful figures of his time, serving as royal Chancellor and later as Archbishop of Canterbury. Initially a close friend of King Henry II, the two men became engaged in a bitter dispute that culminated in Becket's shocking murder by knights with close ties to the king. Becket was quickly canonized a saint by the Pope and his shrine at Canterbury became a major center of European pilgrimage. Becket's international popularity endured for centuries until Henry VIII attempted to eradicate his cult as part of his reforms of the Church in England. Featuring an incredible array of objects associated with Becket, including medieval stained glass, manuscripts, jewellery and sacred reliquaries, Thomas Becket: murder and the making of a saint explores his dramatic life, death and legacy. This unique and fascinating story reveals the political and religious landscape of medieval Europe, demonstrating the formation and endurance of his cult. In death, Becket remained a figure of opposition to power and came to be seen as a defender of rights of the Church. An extraordinary number of miracles were recorded in the immediate aftermath of his death, leading to his rapid canonization and the development of his cult. Images of Becket are found across Latin Christendom, from Germany and Spain, to Italy and Norway and Becket's shrine at Canterbury Cathedral became one of the most significant pilgrimage sites in Europe. A dedicated section will delve deeper into the Miracle Window of stained glass from Canterbury Cathedral. Here, new research from Professor Rachel Koopmans (York University, Toronto) examines the creative complexity of the windows, shedding light on the recent discoveries that led to the re-evaluation of some of the panels which were previously thought to be modern replacements.
Publisher:
ISBN: 9780714128382
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
Marking the 850th anniversary of his dramatic murder, this major exhibition and book presents Becket's tumultuous journey from a merchant's son to Archbishop of Canterbury, and from a revered saint in death to a 'traitor' in the eyes of Henry VIII over 350 years later. The assassination of Thomas Becket in Canterbury Cathedral on 29 December 1170 changed the course of history. Becket was one of the most powerful figures of his time, serving as royal Chancellor and later as Archbishop of Canterbury. Initially a close friend of King Henry II, the two men became engaged in a bitter dispute that culminated in Becket's shocking murder by knights with close ties to the king. Becket was quickly canonized a saint by the Pope and his shrine at Canterbury became a major center of European pilgrimage. Becket's international popularity endured for centuries until Henry VIII attempted to eradicate his cult as part of his reforms of the Church in England. Featuring an incredible array of objects associated with Becket, including medieval stained glass, manuscripts, jewellery and sacred reliquaries, Thomas Becket: murder and the making of a saint explores his dramatic life, death and legacy. This unique and fascinating story reveals the political and religious landscape of medieval Europe, demonstrating the formation and endurance of his cult. In death, Becket remained a figure of opposition to power and came to be seen as a defender of rights of the Church. An extraordinary number of miracles were recorded in the immediate aftermath of his death, leading to his rapid canonization and the development of his cult. Images of Becket are found across Latin Christendom, from Germany and Spain, to Italy and Norway and Becket's shrine at Canterbury Cathedral became one of the most significant pilgrimage sites in Europe. A dedicated section will delve deeper into the Miracle Window of stained glass from Canterbury Cathedral. Here, new research from Professor Rachel Koopmans (York University, Toronto) examines the creative complexity of the windows, shedding light on the recent discoveries that led to the re-evaluation of some of the panels which were previously thought to be modern replacements.