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Author: Mario Garrett Publisher: Cambridge Scholars Publishing ISBN: 1527528367 Category : Art Languages : en Pages : 288
Book Description
The story of films is the story of human development. From the very first story that defined the birth of our civilization—the Sumerian Epic of Gilgamesh, a story of immortality, aging and death—comes a tale of why we age. We are a species of storytellers. The stories we tell to each other define who we are. However, since we are living in a world marked by age apartheid, our interaction with people across different generations is becoming more limited. As a result, the information we gain about older people comes mostly from secondary sources. For the general public, films remain the most accessible form of information regarding getting older. From the early exposure of cartoons to more elaborate dramas, our knowledge of what it means to become old relies on our exposure to films. This volume provides insight into how accurate these representations are in line with current knowledge that we have about aging and older adults. Arguing that films present a simplified view of aging, this analysis relies on scientific evidence to explore why and how such stereotypes affect us. Stereotypes have the ability of being internalized and becoming prescriptive of our behavior. Numerous studies have attempted different ways of understanding the impact films have on aging. Theories as seemingly disparate as feminism and disability have contributed to our understanding of how stereotypes influence our aging process. This text builds upon this knowledge and provides new insights by applying current gerontological knowledge—the science of aging—to unpack and analyze the images of aging that films are providing. By readdressing this focus on gerontological theories—as diverse as biology and psychology—the book readdresses an overlooked approach.
Author: Mario Garrett Publisher: Cambridge Scholars Publishing ISBN: 1527528367 Category : Art Languages : en Pages : 288
Book Description
The story of films is the story of human development. From the very first story that defined the birth of our civilization—the Sumerian Epic of Gilgamesh, a story of immortality, aging and death—comes a tale of why we age. We are a species of storytellers. The stories we tell to each other define who we are. However, since we are living in a world marked by age apartheid, our interaction with people across different generations is becoming more limited. As a result, the information we gain about older people comes mostly from secondary sources. For the general public, films remain the most accessible form of information regarding getting older. From the early exposure of cartoons to more elaborate dramas, our knowledge of what it means to become old relies on our exposure to films. This volume provides insight into how accurate these representations are in line with current knowledge that we have about aging and older adults. Arguing that films present a simplified view of aging, this analysis relies on scientific evidence to explore why and how such stereotypes affect us. Stereotypes have the ability of being internalized and becoming prescriptive of our behavior. Numerous studies have attempted different ways of understanding the impact films have on aging. Theories as seemingly disparate as feminism and disability have contributed to our understanding of how stereotypes influence our aging process. This text builds upon this knowledge and provides new insights by applying current gerontological knowledge—the science of aging—to unpack and analyze the images of aging that films are providing. By readdressing this focus on gerontological theories—as diverse as biology and psychology—the book readdresses an overlooked approach.
Author: Anne E. Hardcastle Publisher: Cambridge Scholars Publishing ISBN: 9781443809870 Category : Children in motion pictures Languages : en Pages : 0
Book Description
In Coming of Age on Film: Stories of Transformation in World Cinema, essays by twelve film scholars examine the theme of coming of age in the cinema of Latin America, Europe, and Africa. Through their consideration of the development that leads to transformation in individuals, nations, or even the film industry itself, these articles elucidate the connections among these diverse films. Bringing together a variety of related topics such as rites of passage, adolescence and maturity, and the literary genre of the Bildungsroman, Coming of Age on Film complements and puts into practice a variety of critical theories. Its focus on global cinema in French, Italian, and Spanish brings attention to the widely represented but minimally studied theme of coming of age. This volume will appeal to scholars in film studies and regional or national cultural studies, as well as those studying adolescence in literature and film.
Author: Don Lort Publisher: Companion Press (Laguna Hills, CA) ISBN: Category : Performing Arts Languages : en Pages : 224
Book Description
A unigue guide book to international films with a coming of age theme, this essential work includes 2090 comprehensive reviews coveraing a wide range of gneres from comedies, dramas and horrors to musicals, sci-fis and thrillers.
Author: Mike McPadden Publisher: Bazillion Points LLC ISBN: 9781935950233 Category : Performing Arts Languages : en Pages : 0
Book Description
Born in the drive-in theatre backseats of the 1970s, the demonic fun of Teen Movie Hell ignited the 1980s VCR, cable TV, and multiplex booms that burned well into the 1990s. Author Mike 'McBeardo' McPadden passes righteous judgment, one boobs-and-boner opus at a time, plus penetrating insight from Eddie Deezen (Grease, Zapped!), Samm Deighan, Kat Ellinger, Wendy McClure, Katie Rife, Heather Drain, Lisa Carver, Rachel McPadden, Liz Mason, Christina Ward, and Kier-La Janisse.
Author: Carl Wo Publisher: ISBN: 9781549669613 Category : Languages : en Pages : 77
Book Description
There are a lot of producers who claim their movie is a Coming of Age film, but how many of them actually are? Here you will find out exactly which ones are in the genre. A book that took years to write, and covers only the movies that fit into the realm of Coming Of Age. I am the first and, as far as I know only person to write a book dedicated to girls in coming of age movies, and I do so having compiled a list of over 800 titles, plus, I also show you how to find even more videos from independent film makers. Yeah, you've heard of Blue Is The Warmest Color, and Angela, but what about No Bikini or Happy Birthday Kristinka? The guide lists the popular titles, but also little known films. They are listed by title, and if known year of release, and all have descriptions. It use to be that Coming of Age meant tween girls, but now any age up to 17 is being considered by movie makers as being Coming of Age, so I have compiled a list of girls of all ages up to 17. Some of these movies won awards, and some of them were banned in other countries as being too controversial. You are getting a list of movies from around the world, including USA, Russia, Japan, Germany, Belgium, France, England, Ireland, Israel, Turkey, China, Brazil, Mexico, Argentina, Australia, and Sweden.
Author: Timothy Shary Publisher: University of Texas Press ISBN: 9780292774902 Category : Performing Arts Languages : en Pages : 352
Book Description
When teenagers began hanging out at the mall in the early 1980s, the movies followed. Multiplex theaters offered teens a wide array of perspectives on the coming-of-age experience, as well as an escape into the alternative worlds of science fiction and horror. Youth films remained a popular and profitable genre through the 1990s, offering teens a place to reflect on their evolving identities from adolescence to adulthood while simultaneously shaping and maintaining those identities. Drawing examples from hundreds of popular and lesser-known youth-themed films, Timothy Shary here offers a comprehensive examination of the representation of teenagers in American cinema in the 1980s and 1990s. He focuses on five subgenres—school, delinquency, horror, science, and romance/sexuality—to explore how they represent teens and their concerns, how these representations change over time, and how youth movies both mirror and shape societal expectations and fears about teen identities and roles. He concludes that while some teen films continue to exploit various notions of youth sexuality and violence, most teen films of the past generation have shown an increasing diversity of adolescent experiences and have been sympathetic to the particular challenges that teens face.
Author: Michael Lindsay-Hogg Publisher: Knopf ISBN: 0307594688 Category : Biography & Autobiography Languages : en Pages : 290
Book Description
The acclaimed director of such films as Brideshead Revisited shares the story of his youth and career, providing coverage of such topics as his childhood as the son of star Geraldine Fitzgerald, his relationships with Hollywood elite and the allegations that Orson Welles was his real father.
Author: Angus McFadzean Publisher: Columbia University Press ISBN: 023154863X Category : Performing Arts Languages : en Pages : 0
Book Description
Suburban Fantastic Cinema is a study of American movies in which preteen and teenage boys living in the suburbs are called upon to combat a disruptive force that takes the form of popular cultural figures of the fantastic—aliens, ghosts, vampires, demons, and more. Beginning in the 1980s with Poltergeist and E.T. (both 1982) and a cycle of films made by Amblin Entertainment, the suburban fantastic established itself as a popular commercial model combining coming-of-age melodramas with elements drawn from science fiction, fantasy, and horror. The films that exemplify the subgenre generally focus on a young male protagonist who, at the outset, chafes at his stifling suburban milieu, wherein power is invested in whiteness, maleness, and heterosexuality. A fantastic occurrence intervenes - the arrival of an alien, a ghost, or some other magical or otherworldly force - threatening this familiar order, thrusting the young man - at first unwittingly - into the role of defender and upholder of the social order. He is able to rescue the suburban social order, and in doing so normalizes (for himself and for the primarily white, male, adolescent audience) its values. This study discusses some of the key instances of this subgenre, such as Gremlins (1984), Back to the Future (1985), Jumanji (1995), and Small Soldiers (1998), as well as its more recent resurgence in Stranger Things (2016–) and IT (2017). Exploring the importance of suburbia as a setting and the questionable ideological blindness of its heroes, this book reveals these underappreciated Hollywood films as the primary cinematic representation of late-twentieth-century American childhood.
Author: Mario Garrett
Author: Mario Garrett
Author: Alistair Fox
Author: Anne E. Hardcastle
Author: Don Lort
Author: Mike McPadden
Author: Carl Wo
Author: Timothy Shary
Author: Timothy Shary
Author: Michael Lindsay-Hogg
Author: Angus McFadzean