Colours in the Visual World PDF Download

Author: Harald Arnkil
Publisher:
ISBN: 9789526052465
Category : Color
Languages : en
Pages : 294

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Book Description
Colour and vision -- Material and immaterial colour -- Primary colours and colour mixture -- Contrast -- Harmony and disharmony -- Colour as sign and signal -- Colour systems and colour models -- Illumination and colour -- Changing and constant colour -- Colour in pictorial space -- Colours in the built environment -- Colours through the mind's eye.

Author: Harald Arnkil
Publisher: Aalto korkeakoulusäätiö
ISBN: 9526404041
Category : Art
Languages : en
Pages : 302

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Book Description
Colours are all around us and they affect our daily lives, but what exactly are they and what is their function? A closer look at colours raises many questions: Can colour be measured? How does changing illumination affect the perception of colours? What is colour harmony? Do colours affect our emotions? Colours in the Visual World provides answers to these and other questions. It inspires the reader to discover and creatively use colour by tapping artistic knowledge and recent findings of perceptual science. Colours in the Visual World is a resource of colour facts and phenomena for students of art, design, and architecture, as well as all those interested in the world of colour. The book is based on the author’s over 20 years of experience in teaching, researching and creating with colour. Each chapter includes assignments that serve as a starting point for independent study and experimentation. A glossary helps to clarify colour concepts and terminology.

Author: Roberto Casati
Publisher: MIT Press
ISBN: 0262550849
Category : Science
Languages : en
Pages : 407

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Book Description
How the perception of shadows, studied by vision scientists and visual artists, reveals the inner workings of the visual system. In The Visual World of Shadows, Roberto Casati and Patrick Cavanagh examine how the perception of shadows, as studied by vision scientists and visual artists, reveals the inner workings of the visual system. Shadows are at once a massive problem for vision—which must distinguish them from objects or material features of objects—and a resource, signaling the presence, location, shape, and size of objects. Casati and Cavanagh draw up an inventory of information retrievable from shadows, showing their amazing variety. They present an overview of the visual system, distinguishing between measurement and inference. They discuss the shadow mission, the work done by the visual brain to parse, and perhaps discard, the information from shadows; shadow ownership, the association of a shadow with the object that casts it; shadow labeling, the visual system's ability to tell shadows from nonshadows; and the shadow concept, our knowledge about shadows as a category. Casati and Cavanagh then apply the theoretical apparatus they have developed for shadows to other phenomena: illumination, reflection, and transparency. Finally, they examine the art of the shadow, paying tribute to artists' exploration of shadow, analyzing a series of artworks (reproduced in color) from a rich and fascinating art historical corpus.

Author: Arthur Schopenhauer
Publisher: Chronicle Books
ISBN: 1616890053
Category : Design
Languages : en
Pages : 168

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Book Description
During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context—philosophy, art, architecture, and design—this volume uncovers their enduring influence on our own perception of color and the visual world around us.

Author: Frank Jacobus
Publisher: Goff Books
ISBN: 9781939621351
Category : Architecture
Languages : en
Pages : 0

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Book Description
The Visual Biography of Color is a first chance at a second look at color, which is so often overlooked in every day living. While other books discuss the phenomenon of color from a cultural perspective, The Visual Biography of Color reveals color through time by using information graphics and other forms of data visualization to visually describe color's cultural role. The book moves the reader through the visible spectrum, as they turn the pages they exist inside of red, then orange, then yellow. In red, they encounter the evolution of red states in the U.S., the compilation of every red subway line in every major world city collapsed onto a single page, and they see a radiant wheel that displays every major song that has red in its title. As they continue to move through the book they'll read about how artists, musicians, and other great thinkers have considered individual colors. Color is vital as a communicating cultural mechanism. Instead of a pure revelation of conceit, the book embraces what one might consider high-brow and low-brow culture, embracing colloquialisms and idioms that reveal how deeply embedded the idea of color is in our color full world.

Author: Chris Horrocks
Publisher: Berghahn Books
ISBN: 085745465X
Category : Art
Languages : en
Pages : 196

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Book Description
Colour permeates contemporary visual and material culture and affects our senses beyond the superficial encounter by infiltrating our perceptions and memories and becoming deeply rooted in thought processes that categorise and divide along culturally constructed lines. Colour exists as a cultural as well as psycho-physical phenomenon and acquires a multitude of meanings within differing historical and cultural contexts. The contributors examine how colour becomes imbued with specific symbolic and material meanings that tint our constructions of race, gender, ideal bodies, the relationship of the self to others and of the self to technology and the built environment. By highlighting the relationship of colour across media and material culture, this volume reveals the complex interplay of cultural connotations, discursive practices and socio-psychological dynamics of colour in an international context.

Author: Jules B. Davidoff
Publisher: MIT Press (MA)
ISBN:
Category : Psychology
Languages : en
Pages : 244

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Book Description
A century ago phrenologists described a "bump" for color located just over the eyebrow. Today's modular approach to the organization of the visual cortex is more sophisticated, yet it still holds that there are brain areas dedicated solely to particular aspects of perception. "Cognition through Color "reviews the current status of investigations of color cognition from the standpoint of modern neuropsychology. It provides clear evidence, based on a large body of empirical study that includes the author's own work on color perception and naming, that color appears to be one of the basic building blocks or modules from which perception is constructed and our memories organized. Davidoff systematically relates this evidence to an explicit model of color cognition from sensation through functional role to naming.The original impetus for "Cognition through Color "came from the investigation of individuals with brain damage. There are, for example, patients who have difficulty in naming colors. More important, despite normal color vision, memory for colors can be "split off" from all aspects of memory for shapes and objects, providing a strong case for the notion of modularity in vision.Davidoff shows that to understand how color is remembered, we must know how objects are recognized. He observes that the perception of what we call color is, in essence, the study of the surface properties of objects, and he develops a model in which the mental representations for color can be linked to the knowledge of objects. Throughout he emphasizes detailed critical analysis of experimental data in light of current theories of both perception and cognition.

Author: Pamela Currie
Publisher: Routledge
ISBN: 1351565273
Category : Foreign Language Study
Languages : en
Pages : 166

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Book Description
Goethe's ideas on colour and imagery crossed many borderlines: those of artistic processes and philosophical aesthetics, art history and colour theory, together with the science of perception. This investigation into his writings ranges across art from Antiquity, the Renaissance and the eighteenth century, as well as exploring the centrality of these issues to Goethe's literary work. Questions find answers, but also raise new questions. This systematic sequence of essays, originally written between 1999 and 2011, appeals to readers in all these separate areas, while drawing together their essential coherence.

Author: Roy S. Berns
Publisher: Getty Publications
ISBN: 1606064819
Category : Art
Languages : en
Pages : 210

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Book Description
“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.

Author: Alexandra Loske
Publisher: Ilex Press
ISBN: 9781781573990
Category : Art
Languages : en
Pages : 0

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Book Description
Discover the story of colour through the significant scientific discoveries and key artist's works over 400 years. From Isaac Newton's investigations through to Olafur Eliasson's experiential creations, this stunning book documents the fascinating story of colour with an extraordinary collection of original colour material that includes charts, wheels, artists' palettes, swatches and schemes. "In 1704, the scientist Isaac Newton published Opticks, the result of many years of researching light and colour. By splitting white light, Newton identified the visible range of colours, or the rainbow spectrum. In Opticks, he built a colour system around his findings, and he visualised this system in a circular shape, making it one of the first printed colour wheels. The influence of Newton and his followers, combined with the invention of many new pigments as well as watercolours in moist cake form, had made painting with colour an exciting occupation not just for serious artists but also for a much wider audience. The colour revolution had begun." Contents Introduction 1. Unravelling the Rainbow: The Eighteenth-Century Colour Revolution 2. Romantic Ideas & New Technologies: The Early Nineteenth Century 3. Industrialism to Impressionism: The Later Nineteenth Century 4. Colour for Colour's Sake: Colour into the Future: Glossary Bibliography Index