Coloriages malins - Additions magiques PDF Download

Author: Isabelle Petit-Jean
Publisher:
ISBN: 9782095029647
Category :
Languages : fr
Pages : 0

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Author:
Publisher:
ISBN: 9782753031777
Category :
Languages : fr
Pages : 32

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Difficile de deviner avant d'avoir colorié ! A l'aide des additions codées, votre enfant fera apparaître un dessin comme par magie. Plus qu'un simple coloriage, ce livre aidera votre enfant à développer son sens de l'observation, sa concentration tout en assimilant les notions de base. Des heures d'amusement intelligent !

Author: Stéphanie Chica
Publisher:
ISBN: 9782095029685
Category :
Languages : fr
Pages : 0

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Author: Hermann Michaelis
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 486

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Author: N. Katherine Hayles
Publisher: MIT Press
ISBN: 9780262582155
Category : Architecture
Languages : en
Pages : 148

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A pseudo-autobiographical exploration of the artistic and cultural impact of the transformation of the print book to its electronic incarnations.

Author: Donald Drew Egbert
Publisher: Bloomsbury Academic
ISBN:
Category : Art
Languages : en
Pages : 916

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Author: Una Taylor
Publisher:
ISBN:
Category :
Languages : en
Pages : 211

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Author:
Publisher:
ISBN: 9789151913162
Category :
Languages : en
Pages : 0

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Author: Catherine Barnard
Publisher: Bloomsbury Publishing
ISBN: 184731869X
Category : Law
Languages : en
Pages : 337

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The Cambridge Yearbook of European Legal Studies provides a forum for the scrutiny of significant issues in EU Law, the law of the European Convention on Human Rights, and Comparative Law with a 'European' dimension, and particularly those issues which have come to the fore during the year preceding publication. The contributions appearing in the collection are commissioned by the Centre for European Legal Studies (CELS) Cambridge, a research centre in the Law Faculty of the University of Cambridge specialising in European legal issues. The papers presented are at the cutting edge of the fields which they address, and reflect the views of recognised experts drawn from the University world, legal practice, and the institutions of both the EU and its Member States. Inclusion of the comparative dimension brings a fresh perspective to the study of European law, and highlights the effects of globalisation of the law more generally, and the resulting cross fertilisation of norms and ideas that has occurred among previously sovereign and separate legal orders. The Cambridge Yearbook of European Legal Studies is an invaluable resource for those wishing to keep pace with legal developments in the fast moving world of European integration. INDIVIDUAL CHAPTERS Please click on the link below to purchase individual chapters from Volume 13 through Ingenta Connect: www.ingentaconnect.com SUBSCRIPTION TO SERIES To place an annual online subscription or a print standing order through Hart Publishing please click on the link below. Please note that any customers who have a standing order for the printed volumes will now be entitled to free online access. www.hartjournals.co.uk/cyels/subs Editorial Advisory Board: Albertina Albors-Llorens, John Bell, Alan Dashwood, Simon Deakin, David Feldman, Richard Fentiman, Angus Johnston, John Spencer Founding Editors: Alan Dashwood and Angela Ward Ius Commune Prize 2012 Alexandre Saydé wrote Chapter 15 in this volume entitled: 'One Law, Two Competitions: An Enquiry into the Contradictions of Free Movement Law' and we are delighted to announce that he has been awarded the Ius Commune Prize 2012.

Author: Sarah Posman
Publisher: Walter de Gruyter
ISBN: 3110317532
Category : Literary Criticism
Languages : en
Pages : 448

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It has often been argued that the arrival of the early-20th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to establish the specificity of media and art forms as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 19th and 20th centuries. The book’s contributions, written by experts from some 20 countries, seek to answer the following questions: What sort of objects and material, works and media help us to properly grasp the avant-garde and modernist “aesthetics of matter”? How were affects, emotions and sensory and bodily experiences transferred and transformed in the experiment with matter? How were “immaterial” things such as concepts of time changed in this aesthetic moment? What “material meanings” were disseminated in the cultural transfer and translation of objects? How did subsequent avant-gardes deal with the “aesthetics of matter” in their response to historical predecessors?