Color Symbolism in Renaissance Literature ... PDF Download

Author: Elmer Pratt Crittenden
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 162

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Author: Roy Osborne
Publisher: Lulu.com
ISBN: 0244454760
Category : Art, Renaissance
Languages : en
Pages : 464

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Book Description
"Renaissance Colour Symbolism brings together texts and translations of the four earliest printed books on the meaning of colours: Le Blason de toutes armes et éscutz [The Blazon of All Arms and Escutcheons] (1495) by Jean Courtois, the Sicily Herald; Le Blason des couleurs en armes, livrées et devises [The Blazon of Colours in Arms, Liveries and Devices] (1527) by Gilles Corrozet; Libellus de coloribus [Booklet on Colours] (1528) by Antonio Telesio (Thylesius); and Del significato de' colori [On the Signification of Colours] (1535) by Fulvio Pellegrino Morato. Parts of three other early books are included, from The Accedens of Armory (1562) by Gerard Legh; Trattato dell'arte della pittura, scoltura, et archittetura [Treatise on the Arts of Painting, Sculpture, and Architecture] (1584) by Giovanni Paolo Lomazzo; and A Tracte Containing the Artes of Curious Paintinge, Carvinge and Buildinge (1598) by Richard Haydocke"--Provided by publisher.

Author: Sven Dupré
Publisher: Bloomsbury Publishing
ISBN: 1350193518
Category : History
Languages : en
Pages : 281

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Book Description
A Cultural History of Color in the Renaissance covers the period 1400 to 1650, a time of change, conflict, and transformation. Innovations in color production transformed the material world of the Renaissance, especially in ceramics, cloth, and paint. Collectors across Europe prized colorful objects such as feathers and gemstones as material illustrations of foreign lands. The advances in technology and the increasing global circulation of colors led to new color terms enriching language. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Amy Buono is Assistant Professor at the Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University , USA. Sven Dupré is Professor of History of Art, Science and Technology at Utrecht University and the University of Amsterdam, The Netherlands. Volume 3 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

Author: Roy Osborne
Publisher:
ISBN: 9781471717307
Category :
Languages : en
Pages : 428

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Book Description
RENAISSANCE COLOUR SYMBOLISM brings together selected primary sources with original annotated English translations of 'Le Blason de toutes armes et éscutz' (1495) by the Sicily Herald (Jean Courtois), 'Le Blason des couleurs en armes, livrées et devises' (1527) by Gilles Corrozet, 'Libellus de coloribus' (1528) by Antonio Telesio, 'Del significato de' colori' (1535) by Fulvio Pellegrino Morato, and sections of 'The Accedence of Armorie' (1562/1612) by Gerard Leigh, and 'Trattato dell'arte della pittura, scoltura, et archittetura' (1584) by Giovanni Paolo Lomazzo. The original texts accompany the translations.

Author: Georgie Augherton Gurney
Publisher:
ISBN:
Category : Color in literature
Languages : en
Pages : 648

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Book Description

Author: Marcia B. Hall
Publisher:
ISBN: 9780521392228
Category : Art
Languages : en
Pages : 274

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Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can only be fully appreciated when it is regarded as the product of both the artist's hand and mind. This study utilizes the traditional sources, such as contemporary theoretical writings and iconographical analysis, but in addition draws on the scientific findings of the conservation laboratories. This is a new body of data assembled in large part since World War II, which art historians are only beginning to exploit to fill out the history of technique. Rather than writing merely a history of technique, however, the author has integrated this material with traditional approaches to cultural history. She undertakes to examine twenty major paintings of the period from Giotto to Tintoretto to elucidate how colour and technique contribute to their meaning. She gives us then, the first modern consideration of Renaissance paintings both as physical objects and as monuments of cultural history.

Author: Richard Stemp
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781844833221
Category : Art
Languages : en
Pages : 276

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Book Description
Magnificently illustrated throughout, and with a six-color gold-foil cover, this remarkable book provides an all-encompassing survey of the literature, painting, sculpture, architecture, and decorative arts of the Renaissance.

Author: Sigmund Skard
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 98

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Book Description

Author: Ellen Conroy
Publisher: Literary Licensing, LLC
ISBN: 9781494127282
Category :
Languages : en
Pages : 72

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Book Description
This Is A New Release Of The Original 1921 Edition.

Author: Marcia B. Hall
Publisher:
ISBN: 9780521457330
Category : Architecture
Languages : en
Pages : 288

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Book Description
Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can only be fully appreciated when it is regarded as the product of both the artist's hand and mind. This study utilizes the traditional sources, such as contemporary theoretical writings and iconographical analysis, but in addition draws on the scientific findings of the conservation laboratories. This is a new body of data assembled in large part since World War II, which art historians are only beginning to exploit to fill out the history of technique. Rather than writing merely a history of technique, however, the author has integrated this material with traditional approaches to cultural history. She undertakes to examine twenty major paintings of the period from Giotto to Tintoretto to elucidate how colour and technique contribute to their meaning. She gives us then, the first modern consideration of Renaissance paintings both as physical objects and as monuments of cultural history.