Collection of Designs for Several Modern German Calligraphic Alphabets Based on Geometrical Forms, Sketches, and Other Related Materials. PDF Download

Author:
Publisher:
ISBN:
Category : Case card
Languages : en
Pages :

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Author: Trefoil Publications
Publisher:
ISBN: 9780862941512
Category :
Languages : en
Pages : 172

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Author: Edward Johnston
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 520

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Author: Gülru Necipoğlu
Publisher: Getty Publications
ISBN: 0892363355
Category : Art
Languages : en
Pages : 414

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Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.

Author: Barbara Baer Capitman
Publisher: Courier Corporation
ISBN: 0486157458
Category : Design
Languages : en
Pages : 176

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Arranged by category, these 732 black-and-white American trademarks and symbols represent a variety of fields, including entertainment, education, real estate, insurance, food and beverages, retail, transportation, utilities, and industry. Captions.

Author: Katherine M. Kuenzli
Publisher: Yale University Press
ISBN: 0300226667
Category : Art
Languages : en
Pages : 237

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The painter, designer, and architect Henry van de Velde (1863–1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands. Van de Velde’s designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century’s most influential artists and an essential voice within the modern movement.

Author: David Consuegra
Publisher: Skyhorse Publishing Inc.
ISBN:
Category : Art
Languages : en
Pages : 328

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Graphic designers will enrich their understanding of American type design andype designers with this reference. The history of type in America ishronicled through the typefaces and biographies of 62 of the mostnfluential type designers, such as Linn Boyd Benton, Morris Fuller Benton,ashington Ludlow and Darius Wells, and through the description and historyf nine American type foundries working in metal, photo, serigraphic andigital formats. Also contained in this volume are a chronological time linef type-related events from 1600 to 2000, a comparative type chronology ofmerican and European typefaces from 1620 to 1998, and a comprehensivelossary of type terms.;With recreations and histories of 334 differentypefaces, complete with samplings from both obscure and known publications,nd 700 black-and-white illustrations, this reference reveals the fullontribution America has made to the world of type design. Compiled by aeteran designer and design professor through more than a decade of research,his book should prove a useful addition to the bookshelf of anyone working

Author: Lewis Blackwell
Publisher: Laurence King Publishing
ISBN: 9781856693516
Category : Design
Languages : en
Pages : 228

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Author: Adrian Frutiger
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 372

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Book Description
Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.

Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.