Author: Southern Rhodesia
Publisher:
ISBN:
Category : Press releases
Languages : en
Pages : 162
Book Description
Press Statement
Author: Southern Rhodesia
Publisher:
ISBN:
Category : Press releases
Languages : en
Pages : 162
Book Description
Publisher:
ISBN:
Category : Press releases
Languages : en
Pages : 162
Book Description
National Union Catalog
National Art Library Catalogue : Victoria and Albert Museum, London, England : Catalogue of Exhibition Catalogues
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
Book Description
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 926
Book Description
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 926
Book Description
Catalogue of the Library of the National Gallery of Canada
Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782
Book Description
Library of Congress Catalogs
A Hong Kong Union Catalogue
Author: H. Anthony Rydings
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 506
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 506
Book Description
The Directory of Museums & Living Displays
Author: Kenneth Hudson
Publisher: Springer
ISBN: 1349070149
Category : Social Science
Languages : en
Pages : 1067
Book Description
Publisher: Springer
ISBN: 1349070149
Category : Social Science
Languages : en
Pages : 1067
Book Description
Bulletin
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.