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Author: Tani E. Barlow Publisher: Duke University Press ISBN: 9780822319436 Category : History Languages : en Pages : 468
Book Description
The essays in Formations of Colonial Modernity in East Asia challenge the idea that notions of modernity and colonialism are mere imports from the West, and show how colonial modernity has evolved from and into unique forms throughout Asia. Although the modernity of non-European colonies is as indisputable as the colonial core of European modernity, until recently East Asian scholarship has tried to view Asian colonialism through the paradigm of colonial India (for instance), failing to recognize anti-imperialist nationalist impulses within differing Asian countries and regions. Demonstrating an impatience with social science models of knowledge, the contributors show that binary categories focused on during the Cold War are no longer central to the project of history writing. By bringing together articles previously published in the journal positions: east asia cultures critique, editor Tani Barlow has demonstrated how scholars construct identity and history, providing cultural critics with new ways to think about these concepts--in the context of Asia and beyond. Chapters address topics such as the making of imperial subjects in Okinawa, politics and the body social in colonial Hong Kong, and the discourse of decolonization and popular memory in South Korea. This is an invaluable collection for students and scholars of Asian studies, postcolonial studies, and anthropology. Contributors. Charles K. Armstrong, Tani E. Barlow, Fred Y. L. Chiu, Chungmoo Choi, Alan S. Christy, Craig Clunas, James A. Fujii, James L. Hevia, Charles Shiro Inouye, Lydia H. Liu, Miriam Silverberg, Tomiyama Ichiro, Wang Hui
Author: Tani E. Barlow Publisher: Duke University Press ISBN: 9780822319436 Category : History Languages : en Pages : 468
Book Description
The essays in Formations of Colonial Modernity in East Asia challenge the idea that notions of modernity and colonialism are mere imports from the West, and show how colonial modernity has evolved from and into unique forms throughout Asia. Although the modernity of non-European colonies is as indisputable as the colonial core of European modernity, until recently East Asian scholarship has tried to view Asian colonialism through the paradigm of colonial India (for instance), failing to recognize anti-imperialist nationalist impulses within differing Asian countries and regions. Demonstrating an impatience with social science models of knowledge, the contributors show that binary categories focused on during the Cold War are no longer central to the project of history writing. By bringing together articles previously published in the journal positions: east asia cultures critique, editor Tani Barlow has demonstrated how scholars construct identity and history, providing cultural critics with new ways to think about these concepts--in the context of Asia and beyond. Chapters address topics such as the making of imperial subjects in Okinawa, politics and the body social in colonial Hong Kong, and the discourse of decolonization and popular memory in South Korea. This is an invaluable collection for students and scholars of Asian studies, postcolonial studies, and anthropology. Contributors. Charles K. Armstrong, Tani E. Barlow, Fred Y. L. Chiu, Chungmoo Choi, Alan S. Christy, Craig Clunas, James A. Fujii, James L. Hevia, Charles Shiro Inouye, Lydia H. Liu, Miriam Silverberg, Tomiyama Ichiro, Wang Hui
Author: Sherman E. Lee Publisher: ISBN: 9780500237342 Category : Art, Asian Languages : en Pages : 576
Book Description
This is an account of the visual arts of Asia, from the Indus River to Japan and Java, between the fifth millennium BC and AD 1850. This comprehensive fifth edition includes astonishing recent archaeological discoveries. Each chapter begins with a concise historical introduction providing a political and social setting for artistic process and development. The discussions are chronologically structured and cover various mediums, including sculpture and architecture in India and Southeast Asia, painting and ceramics in China and Korea, painting and decorative arts in Japan, and sculpture in religious art everywhere. A general bibliography lists all major works and periodicals in the field, followed by expanded and specialized bibliographies for each chapter. Revised chronologies, maps, a detailed index and a pronunciation guide for the Indian, Japanese, and Chinese names and terms assist the reader. This is an integrated general introduction to its field, and a basic reference work for students.
Author: Patrick Lo Publisher: Chandos Publishing ISBN: 9780081021453 Category : Language Arts & Disciplines Languages : en Pages : 0
Book Description
Inside the World's Major East Asian Collections examines the rise of the "LAM,” an acronym that stands for libraries, archives and museums. In doing so, this book profiles leading experts-librarians, archivists and museum curators-who specialise in East Asian collections from across the world. In examining the dynamically shifting role of the cultural institution in the context of managing information and collections, this book provides important themes offered by these cultural experts in understanding the necessary professional skills, knowledge and personalities that are required for working in such environments of varying size, scope and composition in LAMs. As galleries, LAMs manage preservation and access of history and culture, and their missions and goals as cultural institutions continue to converge. As collecting institutions, LAMs share the common mandate to preserve and make accessible primary resources valuable for researchers and professionals, as well as the public. LAMs are mostly publicly funded, publicly accountable institutions collecting cultural heritage materials. Another aim of this book is to enhance the visibility and recognise the efforts of the LAM professionals as cultural institution leaders, since much of their great contributions in the respective fields to preserving our cultural and documentary heritages have gone unnoticed outside their parent institutions.
Author: Rose Kerr Publisher: ISBN: 9781851772643 Category : China trade porcelain Languages : en Pages : 142
Book Description
This book describes the production of porcelain of the Qing Dynasty, setting it against a broad historical and political background. It covers pieces made for the imperial court, as well as those in wider use. Information on techniques and on kiln construction is linked with descriptions of the personalities behind the industry, and clear photographs of makers marks are included.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 0870994530 Category : Art Languages : en Pages : 174
Book Description
"This volume presents a panoramic vision of the artistic and cultural developments in Asia as illustrated by masterpieces in the collections of The Metropolitan Museum of Art. Objects seen here span the centuries, from the ritual vessels fashioned by the Chinese in the Bronze Age to the Japanese prints that revolutionized the vision of the early French Impressionists in the 19th century. A great body of work, in an awesome variety of mediums- painting and caligraphy; icons, both sculpted and painted; ritual vessels from the Bronze Age; elegant ceramics; exquisitely carved jades; sumptuous lacquers; and elaborate textiles- provides a multidimensional view of this fascinating world."--Page [2] of cover.
Author: Tani E. Barlow
Author: Tani E. Barlow
Author: Sherman E. Lee
Author: Minna Torma
Author: Östasiatiska museet
Author: Patrick Lo
Author: Rose Kerr
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Suzanne G. Valenstein
Author: 
Author: Metropolitan Museum of Art (New York, N.Y.)