Author: Dumbarton Oaks
Publisher: Dumbarton Oaks
ISBN: 9780884023012
Category : Art objects, Byzantine
Languages : en
Pages : 454
Book Description
Catalogue of the Byzantine and Early Mediaeval Antiquities in the Dumbarton Oaks Collection
Author: Dumbarton Oaks
Publisher: Dumbarton Oaks
ISBN: 9780884023012
Category : Art objects, Byzantine
Languages : en
Pages : 454
Book Description
Publisher: Dumbarton Oaks
ISBN: 9780884023012
Category : Art objects, Byzantine
Languages : en
Pages : 454
Book Description
Western Decorative Arts: Volume 1
Author: National Gallery of Art (U.S.)
Publisher: Princeton University Press
ISBN: 0521470684
Category : Art
Languages : en
Pages : 369
Book Description
This volume is one of several that examines the National Gallery of Art's distinguished collection of decorative arts. (The second volume will be published in 1996.) The group treated here is composed primarily of works acquired from the Widener Collection, and amplified by holdings acquired from the Kress family. Included are more than eighty Medieval, Renaissance, and later historic objects in a wide variety of media, encompassing metalwork, stained glass, enamels, ceramics, and jewels. Among the highlights are a Limoges reliquary chasse, a Mosan lion aquamanile, thirty-eight pieces in a remarkable cohesive group of Italian maiolica, three of the very rare pottery objects known as 'Saint-Porchaire', and, the centerpiece of the collection, the Suger chalice, an ancient sardonyx cup to which the Abbot Suger added a bejewelled golden setting in the twelfth century. Like other volumes in the Systematic Catalogue of the National Gallery of Art Collections,Western Decorative Arts includes a thoroughly researched entry for each object, together with an artist biography, up-to-date bibliography, and a technical analysis.
Publisher: Princeton University Press
ISBN: 0521470684
Category : Art
Languages : en
Pages : 369
Book Description
This volume is one of several that examines the National Gallery of Art's distinguished collection of decorative arts. (The second volume will be published in 1996.) The group treated here is composed primarily of works acquired from the Widener Collection, and amplified by holdings acquired from the Kress family. Included are more than eighty Medieval, Renaissance, and later historic objects in a wide variety of media, encompassing metalwork, stained glass, enamels, ceramics, and jewels. Among the highlights are a Limoges reliquary chasse, a Mosan lion aquamanile, thirty-eight pieces in a remarkable cohesive group of Italian maiolica, three of the very rare pottery objects known as 'Saint-Porchaire', and, the centerpiece of the collection, the Suger chalice, an ancient sardonyx cup to which the Abbot Suger added a bejewelled golden setting in the twelfth century. Like other volumes in the Systematic Catalogue of the National Gallery of Art Collections,Western Decorative Arts includes a thoroughly researched entry for each object, together with an artist biography, up-to-date bibliography, and a technical analysis.
A Record of Armour Sales, 1881-1924
Author: Francis Henry Cripps-Day
Publisher:
ISBN:
Category : Armor
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Armor
Languages : en
Pages : 408
Book Description
The Classical Review
Author:
Publisher:
ISBN:
Category : Classical literature
Languages : en
Pages : 376
Book Description
This companion to the Classical Quarterly contains reviews of new work dealing with the literatures and civilizations of ancient Greece and Rome. Over 300 books are reviewed each year.
Publisher:
ISBN:
Category : Classical literature
Languages : en
Pages : 376
Book Description
This companion to the Classical Quarterly contains reviews of new work dealing with the literatures and civilizations of ancient Greece and Rome. Over 300 books are reviewed each year.
Catalogue of Early Christian Antiquities and Objects from the Christian East in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum
Author: British Museum. Department of British and Mediaeval Antiquities and Ethnography
Publisher: London : Printed by order of the Trustees
ISBN:
Category : Art objects
Languages : en
Pages : 290
Book Description
Publisher: London : Printed by order of the Trustees
ISBN:
Category : Art objects
Languages : en
Pages : 290
Book Description
The Purchase of the Past
Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375
Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
Publisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375
Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
The History of Museums Vol 4
Author: David Murray
Publisher: Taylor & Francis
ISBN: 1040130011
Category : Philosophy
Languages : en
Pages : 373
Book Description
Museums and collecting is now a major area of cultural studies. This selected group of key texts opens the investigation and appreciation of museum history. Edward Edwards, chief pioneer of municipal public libraries, chronicles the founders and early donors to the British Museum. Greenwood and Murray provide informative pictures of the early history of the museum movement. Sir William Flower, Director of the British Museum (Natural History), takes a pioneering philosophical approach to the sphere of natural history in relation to museums. Similarly, Acland and Ruskin discuss and explore the relationships of art and architecture to museums.
Publisher: Taylor & Francis
ISBN: 1040130011
Category : Philosophy
Languages : en
Pages : 373
Book Description
Museums and collecting is now a major area of cultural studies. This selected group of key texts opens the investigation and appreciation of museum history. Edward Edwards, chief pioneer of municipal public libraries, chronicles the founders and early donors to the British Museum. Greenwood and Murray provide informative pictures of the early history of the museum movement. Sir William Flower, Director of the British Museum (Natural History), takes a pioneering philosophical approach to the sphere of natural history in relation to museums. Similarly, Acland and Ruskin discuss and explore the relationships of art and architecture to museums.