Author: June Field
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 180
Book Description
Collecting Georgian and Victorian Crafts
Author: June Field
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 180
Book Description
Victorian Crafts Revived
Author: Anne Hulbert
Publisher: Hastings House Book Publishers
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 130
Book Description
Publisher: Hastings House Book Publishers
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 130
Book Description
Collecting Georgian and Victorian Crafts
Author: June Field
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 180
Book Description
The Craft of Jewellery Making - A Collection of Historical Articles on Tools, Gemstone Cutting, Mounting and Other Aspects of Jewellery Making
Author: Various
Publisher: Read Books Ltd
ISBN: 1473390583
Category : Nature
Languages : en
Pages : 287
Book Description
This book contains classic material dating back to the 1900s and before. The content has been carefully selected for its interest and relevance to a modern audience. Carefully selecting the best articles from our collection we have compiled a series of historical and informative publications on the subjects of gemology and crystallography. The titles in this range include "Gemstone Manufacturing" "The Optical Properties of Gemstones and Crystals" "The Thirty-Two Classes of Crystal Symmetry" and many more. Each publication has been professionally curated and includes all details on the original source material. This particular instalment, "The Craft of Jewellery Making" contains information on tools, cutting, mounting and much more. Intended to illustrate the main aspects of jewellery making it is a comprehensive guide for anyone wishing to obtain a general knowledge of the subject and to understand the field in its historical context. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Publisher: Read Books Ltd
ISBN: 1473390583
Category : Nature
Languages : en
Pages : 287
Book Description
This book contains classic material dating back to the 1900s and before. The content has been carefully selected for its interest and relevance to a modern audience. Carefully selecting the best articles from our collection we have compiled a series of historical and informative publications on the subjects of gemology and crystallography. The titles in this range include "Gemstone Manufacturing" "The Optical Properties of Gemstones and Crystals" "The Thirty-Two Classes of Crystal Symmetry" and many more. Each publication has been professionally curated and includes all details on the original source material. This particular instalment, "The Craft of Jewellery Making" contains information on tools, cutting, mounting and much more. Intended to illustrate the main aspects of jewellery making it is a comprehensive guide for anyone wishing to obtain a general knowledge of the subject and to understand the field in its historical context. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
The Cumulative Book Index
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
Book Description
Art and Architecture Book Guide
Victorian Paper Art and Craft
Author: Deborah Lutz
Publisher: Oxford University Press
ISBN: 0192602438
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This book shows how authors in nineteenth-century Britain used the materials of writing (and of reading, drawing, and handicraft) for inspiration and creative composition. In doing so, it reshapes the sensory history of working on and with paper. These activities were many and varied: Charlotte Brontë composed poems and doodled in the margins of school books, George Eliot recorded writing ideas on her blotter, Elizabeth Barrett Browning sewed paper to paper to edit her poems, and Jane Austen employed straight pins to "cut and paste." Albums provided a playful space to collect and to produce text-and-collage gifts for friends, circumventing print culture for a more intimate book making, as Elizabeth Gaskell and Anna Atkins knew. Notebooks and commonplace books were vital to Eliot, Michael Field, and Emily Brontë as part of a writing process. Writers experimented with crafts and needlework to compose text without paper and ink, most notably in the case of samplers. What writing and drawing happened on—including bibles, sewing patterns, and walls—mattered, as related to, and generative of, the themes of the work. This expansive field of meanings that creativity with textual (and material) things could have was common to the Victorians, but the writers explored here were extravagant even among their self-reflexive contemporaries in their undoing, remaking, miniaturizing, encrypting, reusing, and transforming. The edge of the page, the width of the margin, the covers of the book, were limiting factors, but also provocations to push on further, be radical.
Publisher: Oxford University Press
ISBN: 0192602438
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This book shows how authors in nineteenth-century Britain used the materials of writing (and of reading, drawing, and handicraft) for inspiration and creative composition. In doing so, it reshapes the sensory history of working on and with paper. These activities were many and varied: Charlotte Brontë composed poems and doodled in the margins of school books, George Eliot recorded writing ideas on her blotter, Elizabeth Barrett Browning sewed paper to paper to edit her poems, and Jane Austen employed straight pins to "cut and paste." Albums provided a playful space to collect and to produce text-and-collage gifts for friends, circumventing print culture for a more intimate book making, as Elizabeth Gaskell and Anna Atkins knew. Notebooks and commonplace books were vital to Eliot, Michael Field, and Emily Brontë as part of a writing process. Writers experimented with crafts and needlework to compose text without paper and ink, most notably in the case of samplers. What writing and drawing happened on—including bibles, sewing patterns, and walls—mattered, as related to, and generative of, the themes of the work. This expansive field of meanings that creativity with textual (and material) things could have was common to the Victorians, but the writers explored here were extravagant even among their self-reflexive contemporaries in their undoing, remaking, miniaturizing, encrypting, reusing, and transforming. The edge of the page, the width of the margin, the covers of the book, were limiting factors, but also provocations to push on further, be radical.
The Encyclopedia of Victoriana
Author: Harriet Bridgeman
Publisher: Hamlyn
ISBN:
Category : Art
Languages : en
Pages : 378
Book Description
Meubels, klokken, foto's, textiel, militaria en allerlei andere Victoriaanse voorwerpen uit Groot-Brittannië en de Verenigde Staten.
Publisher: Hamlyn
ISBN:
Category : Art
Languages : en
Pages : 378
Book Description
Meubels, klokken, foto's, textiel, militaria en allerlei andere Victoriaanse voorwerpen uit Groot-Brittannië en de Verenigde Staten.
Library of Congress Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 840
Book Description
A cumulative list of works represented by Library of Congress printed cards.
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 840
Book Description
A cumulative list of works represented by Library of Congress printed cards.