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Author: Valzhyna Mort Publisher: Copper Canyon Press ISBN: 1619320185 Category : Poetry Languages : en Pages : 82
Book Description
"Mort is a fireball. . . . Personal, political, and passionate, Mort's poetry will surely sustain many reading audiences. Highly recommended."—Library Journal "A one-of-a-kind work of passion and insight."—Midwest Book Review "Mort's style—tough and terse almost to the point of aphorism—recalls the great Polish poets Czeslaw Milosz and Wislawa Szymborska."—Los Angeles Times Valzhyna Mort is a dynamic Belarusian poet, and Collected Body is her first collection composed in English. Whether writing about sex, relatives, violence, or fish markets as opera, Mort insists on vibrant, dark truths. "Death hands you every new day like a golden coin," she writes, then warns that as the bribe grows "it gets harder to turn down." "Preface" on a bare tree— a red beast, so still, it has become the tree. now it's the tree that prowls over the beast, a cautious beast itself. a stone thrown at its breast is so fast—the stone has become the beast. now it's the beast that throws itself like a stone, blood like a dog-rose tree on a windy day, and the moon is trying on your face for the annual masquerade of the dead. death decides to wait to hear more. so death mews: first—your story, then—me. Valzhyna Mort was born in Minsk, Belarus. Her American debut, Factory of Tears, appeared in 2008 and she was featured on the cover of Poets & Writers. She has received many honors and awards, including a Civitella Raineri fellowship. She lives in Baltimore, Maryland.
Author: Valzhyna Mort Publisher: Copper Canyon Press ISBN: 1619320185 Category : Poetry Languages : en Pages : 82
Book Description
"Mort is a fireball. . . . Personal, political, and passionate, Mort's poetry will surely sustain many reading audiences. Highly recommended."—Library Journal "A one-of-a-kind work of passion and insight."—Midwest Book Review "Mort's style—tough and terse almost to the point of aphorism—recalls the great Polish poets Czeslaw Milosz and Wislawa Szymborska."—Los Angeles Times Valzhyna Mort is a dynamic Belarusian poet, and Collected Body is her first collection composed in English. Whether writing about sex, relatives, violence, or fish markets as opera, Mort insists on vibrant, dark truths. "Death hands you every new day like a golden coin," she writes, then warns that as the bribe grows "it gets harder to turn down." "Preface" on a bare tree— a red beast, so still, it has become the tree. now it's the tree that prowls over the beast, a cautious beast itself. a stone thrown at its breast is so fast—the stone has become the beast. now it's the beast that throws itself like a stone, blood like a dog-rose tree on a windy day, and the moon is trying on your face for the annual masquerade of the dead. death decides to wait to hear more. so death mews: first—your story, then—me. Valzhyna Mort was born in Minsk, Belarus. Her American debut, Factory of Tears, appeared in 2008 and she was featured on the cover of Poets & Writers. She has received many honors and awards, including a Civitella Raineri fellowship. She lives in Baltimore, Maryland.
Author: Eugenia Pacitti Publisher: Bloomsbury Publishing ISBN: 1350373737 Category : History Languages : en Pages : 233
Book Description
Offering insight into nineteenth- and early twentieth-century medical school dissecting rooms and anatomy museums, this book explores how collected human remains have shaped Western biomedical knowledge and attitudes towards the body. To explore the role Australia played in the narrative of Western medical development, Pacitti focuses on how and why Australian anatomists and medical students obtained human body parts. As medical knowledge circulated between Australia and Britain, the colony's physicians conformed to established specimen collecting practices and diverged from them to form a distinct medical identity. Interrogating how these literal and figurative bones of contention have left an indelible mark on the nation's medical profession, collecting institutions, and communities, Pacitti sheds new light on our understanding of Western medical networks and reveals the opportunities and challenges historic specimen collections pose in the present day. The Body Collected in Australia is a cultural history of collectors and collections that deepens our understanding of the ways the living have used the dead to comprehend the intricacies of the human body in illness and good health.
Author: Patricia Cornwell Publisher: Simon and Schuster ISBN: 1451628900 Category : Fiction Languages : en Pages : 358
Book Description
#1 bestselling author Patricia Cornwell returns to the chilling world of gutsy medical examiner Kay Scarpetta in this classic forensic thriller. Little Emily Steiner left a church meeting late one afternoon and strolled toward home along a lakeside path; a week later, her nude body was discovered, bound in blaze-orange duct tape. Called by the North Carolina authorities, forensic pathologist Kay Scarpetta recognizes similarities to the gruesome work of a serial killer who has long eluded the FBI But as she tries to make sense of the evidence, she is left with questions that lead her to the Body Farm, a little known research facility in Tennessee where, with the help of some grisly experiments, she might discover the answer. It is Scarpetta alone who can interpret the forensic hieroglyphics that eventually reveal a solution to the case as staggering as it is horrifying. But she must also endeavor to help her niece, Lucy, who is embroiled in controversy at Quantico. And Scarpetta, too, is vulnerable, as she opens herself to the first physical and emotional bond she has felt in far too long a time. Tenacious and brilliant, tender and gentle, this is Scarpetta even more realized and poignant than we’ve seen her before—in a stunning achievement from a bestselling author at the peak of her powers.
Author: Bill Bryson Publisher: Anchor ISBN: 0385539312 Category : Science Languages : en Pages : 490
Book Description
NEW YORK TIMES BESTSELLER • A must-read owner’s manual for every body. Take a head-to-toe tour of the marvel that is the human body in this “delightful, anecdote-propelled read” (The Boston Globe) from the author of A Short History of Nearly Everything. With a new Afterword. “You will marvel at the brilliance and vast weirdness of your design." —The Washington Post Bill Bryson once again proves himself to be an incomparable companion as he guides us through the human body—how it functions, its remarkable ability to heal itself, and (unfortunately) the ways it can fail. Full of extraordinary facts (your body made a million red blood cells since you started reading this) and irresistible Brysonesque anecdotes, The Body will lead you to a deeper understanding of the miracle that is life in general and you in particular. As Bill Bryson writes, “We pass our existence within this wobble of flesh and yet take it almost entirely for granted.” The Body will cure that indifference with generous doses of wondrous, compulsively readable facts and information. As addictive as it is comprehensive, this is Bryson at his very best.
Author: Carsten Stahn Publisher: Oxford University Press ISBN: 019269412X Category : Law Languages : en Pages : 593
Book Description
The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. Confronting Colonial Objects seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and returns while outlining the complicity of anthropology, racial science, and professional networks that enabled colonial collecting. The book demonstrates the dual role of law and cultural heritage regulation in facilitating colonial injustices and mobilizing resistance thereto. Drawing on the interplay between justice, ethics, and human rights, Stahn develops principles of relational cultural justice. He challenges the argument that takings were acceptable according to the standards of the time and outlines how future engagement requires a re-invention of knowledge systems and relations towards objects, including new forms of consent, provenance research, and partnership, and a re-thinking of the role of museums themselves. Following the life story and transformation of cultural objects, this book provides a fresh perspective on international law and colonial history that appeals to audiences across a variety of disciplines. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.
Author: Valzhyna Mort
Author: Valzhyna Mort
Author: Eugenia Pacitti
Author: Greg Lynn
Author: Margaret Coyle Irsay
Author: Center for Medical, Agricultural, and Veterinary Entomology (U.S.)
Author: Patricia Cornwell
Author: Bill Bryson
Author: United States. Congress. House
Author: United States. Congress. House. Committee on Appropriations
Author: Carsten Stahn