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Author: Publisher:
ISBN:
Category : Clowns
Languages : en
Pages :
Book Description
Clown, Mime, Puppet and Dance Ministry Workshop, [1982].
Clown, Mime, Puppet and Dance Ministry Workshop, [1982].
![Clown, Mime, Puppet and Dance Ministry Workshop, [1982]. PDF](https://books.google.com/books/content/images/frontcover/w6GbtwAACAAJ?fife=w80-h100)
Author: Clown, Mime, Puppet and Dance Ministry
Author: Theatre News
Author: Moravian Music Journal
Author: Educational and Industrial Television
Author: Publisher:
ISBN:
Category : Television in education
Languages : en
Pages : 592
Book Description
Who's who in Religion
Author: Health Education
Author: All that is Solid Melts Into Air
Author: Marshall BermanPublisher: Verso
ISBN: 9780860917854
Category : History
Languages : en
Pages : 388
Book Description
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
Pantomime
Author: Karl ToepferPublisher: Vosuri Media
ISBN: 1733249737
Category : Performing Arts
Languages : en
Pages : 1320
Book Description
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.