Author: Scott Sedita
Publisher:
ISBN: 9780977064120
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Who's funny? -- Sitcom history -- Half hour technique: rhythm, words, punctuation, timing, and pace, the turnaround, triplets -- Acting technique -- The four C's of comedy -- The characters: the logical smart one, the lovable loser, the neurotic, the dumb one, the bitch/bastard, the womanizer/manizer, the materialistic one, in their own universe -- Finding your comedic note -- Appendix 1: Ten rules of comedy -- Appendix 2: Who said that? -- Appendix 3: Glossary (finding the funny).
The Eight Characters of Comedy
The Champion of Her Sex
Author: George Melville Baker
Publisher:
ISBN:
Category :
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 770
Book Description
The Man Without a Country
Schmerecase in School
An Old Maid's Venture
Coals of Fire
Author: George Melville Baker
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 26
Book Description
Little Trump; Or, A Rocky Mountain Diamond
Sylvia's Soldier
Author: George Melville Baker
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
Book Description
The Bee Hive
The Performance of Religion
Author: Cia Sautter
Publisher: Routledge
ISBN: 1351999567
Category : Religion
Languages : en
Pages : 261
Book Description
The performing arts are uniquely capable of translating a vision of an ideal or sacred reality into lived practice, allowing an audience to confront deeply held values and beliefs as they observe a performance. However, there is often a reluctance to approach distinctly religious topics from a performance studies perspective. This book addresses this issue by exploring how religious values are acted out and reflected on in classic Western theatre, with a particular emphasis on the plays put on during the Globe Theatre‘s yearlong season of 'Shakespeare and the Bible'. Looking at plays such as Much Ado About Nothing, Dr. Faustus and Macbeth, each chapter includes ethnographic overviews of the performance of these plays as well as historical and theological perspectives on the issues they address. The author also utilizes scholarship from other academics, such as Paul Tillich and Martin Buber, in examining the relationship between art and culture. This helps readers of this book to look at religion in culture, and raise questions and explore ideas about how people appraise their religious values through an encounter with a performance. The Performance of Religion: Seeing the sacred in the theatre treads new ground in bringing performance and religious studies scholarship into direct conversation with one another. As such, it is essential reading for any academic with an interest in theology, religion and ethics and their expression in culture through the performing arts.
Publisher: Routledge
ISBN: 1351999567
Category : Religion
Languages : en
Pages : 261
Book Description
The performing arts are uniquely capable of translating a vision of an ideal or sacred reality into lived practice, allowing an audience to confront deeply held values and beliefs as they observe a performance. However, there is often a reluctance to approach distinctly religious topics from a performance studies perspective. This book addresses this issue by exploring how religious values are acted out and reflected on in classic Western theatre, with a particular emphasis on the plays put on during the Globe Theatre‘s yearlong season of 'Shakespeare and the Bible'. Looking at plays such as Much Ado About Nothing, Dr. Faustus and Macbeth, each chapter includes ethnographic overviews of the performance of these plays as well as historical and theological perspectives on the issues they address. The author also utilizes scholarship from other academics, such as Paul Tillich and Martin Buber, in examining the relationship between art and culture. This helps readers of this book to look at religion in culture, and raise questions and explore ideas about how people appraise their religious values through an encounter with a performance. The Performance of Religion: Seeing the sacred in the theatre treads new ground in bringing performance and religious studies scholarship into direct conversation with one another. As such, it is essential reading for any academic with an interest in theology, religion and ethics and their expression in culture through the performing arts.