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Author: Tasha Harrison Publisher: ISBN: 9781912979714 Category : Languages : en Pages : 0
Book Description
Meet Clementine Florentine - a talented poet with a strong passion for Custard Creams!In an ingenious reverse 'Parent Trap', Clementine and her school nemesis Callum, have to work together to break Clem's dad and Callum's mum up, before they fall 'in lurrrvee' and the two poetry rivals end up step brother and sister!However, an unlikely friendship with ageing punk icon Lyn Ferno and her chatty pet parrot Viv, helps Clem to start seeing things differently. But by then, is it too late to undo the damage she's caused? Imagine a female Tom Gates with a touch of a young Adrian Mole and the warmth of Jacqueline Wilson, and you've got Clementine Florentine rolled up in one.
Author: Tasha Harrison Publisher: ISBN: 9781912979714 Category : Languages : en Pages : 0
Book Description
Meet Clementine Florentine - a talented poet with a strong passion for Custard Creams!In an ingenious reverse 'Parent Trap', Clementine and her school nemesis Callum, have to work together to break Clem's dad and Callum's mum up, before they fall 'in lurrrvee' and the two poetry rivals end up step brother and sister!However, an unlikely friendship with ageing punk icon Lyn Ferno and her chatty pet parrot Viv, helps Clem to start seeing things differently. But by then, is it too late to undo the damage she's caused? Imagine a female Tom Gates with a touch of a young Adrian Mole and the warmth of Jacqueline Wilson, and you've got Clementine Florentine rolled up in one.
Author: AnthonyM. Cummings Publisher: Routledge ISBN: 1351557858 Category : Music Languages : en Pages : 159
Book Description
Manuscript Florence, Biblioteca Nazionale Centrale, Magliabechiana XIX, 164-167 (FlorBN Magl. 164-7) has been the subject of considerable scholarly attention. The prevailing assumption had been that it was a Florentine source of the early sixteenth century. More recently, it has been argued that its provenance is not as easily determined as it first appears, and that there are Roman connections suggested by one of its codicological features. This monograph provides as full a bibliographical and codicological report on FlorBN Magl. 164-7 as is currently possible. Such evidence suggests that the earlier thesis is more likely to be correct: the manuscript was copied in Florence c.1520. After a review of the evidence for provenance and date, the repertory of the manuscript is placed in its historical and cultural context. Florence of the early sixteenth century is shown to have an organized cultural life that was characterized by the activities of such institutions as the Sacred Academy of the Medici, the famous group that met in the garden of the Rucellai, and others. FlorBN Magl. 164-7 is an exceedingly interesting and important source; an eclectic repository not only of compositionally advanced settings of Petrarchan verse by Rucellai-group intimate Bernardo Pisano but also of sharply contrasting works, popular in character. It is almost a manifesto of the sensibilities of preeminent Florentine cultural figures of the sort who frequented the garden of the Rucellai and as such is a revealing document of Florentine musical taste during those crucial years that witnessed the emergence of the new secular genre we know as the Italian madrigal.
Author: AnthonyM. Cummings Publisher: Routledge ISBN: 1351557866 Category : Music Languages : en Pages : 140
Book Description
Manuscript Florence, Biblioteca Nazionale Centrale, Magliabechiana XIX, 164-167 (FlorBN Magl. 164-7) has been the subject of considerable scholarly attention. The prevailing assumption had been that it was a Florentine source of the early sixteenth century. More recently, it has been argued that its provenance is not as easily determined as it first appears, and that there are Roman connections suggested by one of its codicological features. This monograph provides as full a bibliographical and codicological report on FlorBN Magl. 164-7 as is currently possible. Such evidence suggests that the earlier thesis is more likely to be correct: the manuscript was copied in Florence c.1520. After a review of the evidence for provenance and date, the repertory of the manuscript is placed in its historical and cultural context. Florence of the early sixteenth century is shown to have an organized cultural life that was characterized by the activities of such institutions as the Sacred Academy of the Medici, the famous group that met in the garden of the Rucellai, and others. FlorBN Magl. 164-7 is an exceedingly interesting and important source; an eclectic repository not only of compositionally advanced settings of Petrarchan verse by Rucellai-group intimate Bernardo Pisano but also of sharply contrasting works, popular in character. It is almost a manifesto of the sensibilities of preeminent Florentine cultural figures of the sort who frequented the garden of the Rucellai and as such is a revealing document of Florentine musical taste during those crucial years that witnessed the emergence of the new secular genre we know as the Italian madrigal.
Author: Anthony M. Cummings Publisher: University of Chicago Press ISBN: 0226822796 Category : History Languages : en Pages : 512
Book Description
A comprehensive account of music in Florence from the late Middle Ages until the end of the Medici dynasty in the mid-eighteenth century. Florence is justly celebrated as one of the world’s most important cities. It enjoys mythic status and occupies an enviable place in the historical imagination. But its musico-historical importance is not as well understood as it should be. If Florence was the city of Dante, Michelangelo, and Galileo, it was also the birthplace of the madrigal, opera, and the piano. Music in Golden-Age Florence, 1250–1750 recounts Florence’s principal contributions to music and the history of how music was heard and cultivated in the city, from civic and religious institutions to private patronage and the academies. This book is an invaluable complement to studies of the art, literature, and political thought of the late-medieval and early-modern eras and the quasi-legendary figures in the Florentine cultural pantheon.
Author: Tasha Harrison
Author: Tasha Harrison
Author: AnthonyM. Cummings
Author: James Smith
Author: Thomas Dudley Fosbroke
Author: Thomas Dudley Fosbroke
Author: AnthonyM. Cummings
Author: Thomas Dudley Fosbroke
Author: Jacob W. Shoemaker
Author: Jacob W. Shoemaker
Author: Anthony M. Cummings