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Author: Joan Benson Publisher: Indiana University Press ISBN: 0253011647 Category : Music Languages : en Pages : 142
Book Description
Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.
Author: Joan Benson Publisher: Indiana University Press ISBN: 0253011647 Category : Music Languages : en Pages : 142
Book Description
Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.
Author: Howard Schott Publisher: Courier Corporation ISBN: 9780486422343 Category : Music Languages : en Pages : 242
Book Description
This concise volume offers both a practical manual for performers and an authoritative history of the instrument. Includes advice on mastering basic touch, fingering, articulation and phrasing, rhythm and tempo, ornaments, more.
Author: Jean Nandi Publisher: Bon Gout Publishing Company ISBN: Category : Music Languages : en Pages : 220
Book Description
"Jean Nandi's delightful, informative, & user-friendly 'how-to' book, Starting on the Harpsichord, fills a twenty-year need for an effective tutor designed for the individual whose first musical experience is on a harpsichord. We are fortunate that this first book of its genre is so engaging, clear, & pedagogically imaginative. The book includes charming black & white drawings by Thomas Gordon Smith, an architect, & Mark Farmer, both experienced harpsichord players. The writing style is good-natured, lucid, & conversational throughout. Hand position & rhythmic interpretation all proceed in order of importance, including little examples written by Leonie Jenkins, an orthopedist & harpsichordist who, like the artists listed above, studied with Nandi, a twenty-five-year veteran of harpsichord teaching."--Laurette Goldberg, Notes, Music Library Association Quarterly Journal, December, 1990. "I invite you to read the book Starting on the Harpsichord by Jean Nandi...There has never been such a study that outlines in such good detail how to play the harpsichord...A thorough teaching manual. ...Jean's enthusiasm & her love of the harpsichord has inspired me & others to continue playing & enjoying the harpsichord"...Matthew Redsell, Continuo Magazine, 1989-1990.
Author: Mary Sue Taylor Publisher: John Wiley & Sons ISBN: 0470362758 Category : Music Languages : en Pages : 306
Book Description
Want to go beyond "Chopsticks?" This visual guide to tickling the ivories will show you the way. By Chapter 2, you'll be playing simple pieces and practicing scales. You'll progress from getting familiar with notes, symbols, and keys to playing basic chords and reading music like a pro. Without getting bogged down in boring theory, you'll learn what you need to know and enjoy playing as you go! Whether you like Bach or rock, jazz or country, golden oldies or new age, you'll love learning to play the fun, visual way. Concise two-page lessons show you all the crucial skills and are ideal for quick review Each skill, chord, or technique is clearly described Concise and understandable instructions accompany each photo Detailed color photos demonstrate proper fingering technique Helpful tips provide additional guidance
Author: Walter S. Reiter Publisher: Oxford University Press, USA ISBN: 0197525113 Category : Juvenile Nonfiction Languages : en Pages : 361
Book Description
"The Early Music revival has had far-reaching consequences on how music of the past is performed, both by specialists and non-specialists. This timely book is a practical step-by-step course of lessons for violinists and violists in both these categories, covering the interpretation, technique, culture and historical background of the Baroque violin repertoire. Written by a violinist and teacher specialising in Baroque music over many years, it guides readers from the basics (how to hold the violin) to Bach, via music from a wide variety of styles. Avoiding obscure musicological jargon, it is eminently readable and accessible. Packed with information, detailed observations on the music under discussion and relevant quotations from historical and contemporary sources, it covers everything the Baroque violin student should know and may be considered as equivalent to two to three years of individual lessons. The book contains over 100 Exercises devised for and tested on students over the years. The author's holistic approach is evident through the Exercises aimed at bringing out the individual voice of each student, and his insistence that what happens within, the identification and manipulation of Affects, is a vital part of successful performance. Imitating the voice, both spoken and sung, is a constant theme, beginning with the simple device of playing words. There are 50 Lessons, including five Ornamentation Modules and ones on specific topics: Temperament, Rhetoric, the Affects etc. All the music, transcribed for both violin and viola, is downloadable from the website, where there is also a series of videos"--
Author: Yonit Lea Kosovske Publisher: Indiana University Press ISBN: 0253001455 Category : Music Languages : en Pages : 238
Book Description
Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.
Author: Nancy Metzger Publisher: ISBN: Category : Music Languages : en Pages : 142
Book Description
"Divided into two parts, the book combines Touch at the harpsichord, in part one, with Rhetoric at the keyboard (or, performance practice) in part two. The book is spiral bound and designed for use at the keyboard, with or without a teacher. It features 30 teaching pieces from the Bach/Ricci "Methode ou Receuil de Connaissances elementaires pour le piano forte ou clavecin" of 1786. Also featured are pieces to play by Louis & Francois Couperin, J. S. Bach and Georg Bohm. An appendix of recommended starting pieces follows. If you take the trouble to work with this book at a harpsichord, (especially if you use the recordings) your touch and knowledge of Baroque performance will improve."--Publisher's description.
Author: Rosamond E. M. Harding Publisher: Cambridge University Press ISBN: 1107418275 Category : Music Languages : en Pages : 529
Book Description
Originally published in 1933, this book provides a detailed history of the piano-forte from its invention in Italy in the eighteenth century until the presentation of the first European cast-iron frame for a piano at the 1851 Great Exhibition. Harding also analyses the role of the piano as a replacement for a chamber orchestra and its history as a domestic instrument. The text is richly illustrated with images of pianos produced by a variety of makers over time, as well as with images of piano machinery taken from patent registrations. This thoroughly-researched book will be of value to anyone with an interest in one of the most ubiquitous instruments in the Western world and the history of its development.