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Author: William H. Matheson Publisher: Ann Arbour : University of Michigan Press ISBN: Category : Literary Criticism Languages : en Pages : 254
Book Description
This is the most important book to date on one of the giants of modern literature. It examines in detail a dramaturgy that continues to dominate the contemporary stage. In a brilliant confrontation of the question of translation, Matheson discusses the hows and the why that face the artist-as-translator. He shows the terms by which ancient myth is made theatrically significant to the playgoer of today. The author traces the spiritual and artistic development of Claudel, the self-willed, individualistic French artist who found in the works of the difficult, uncompromising Aeschylus prefigurations of his own life. Claudel's training in the classics, his early admiration of Mallarmé, the Aeschylean reminiscences in his early plays Partage de midi and Tête d'Or anticipate his own brilliant trilogy. But it was through his translation of the Oresteia, a translation that Matheson analyzes in detail, that this most important of French dramatists assimilated Aeschylus to recast him for the modern stage. Claudel and Aeschylus, through an examination of Claudel's crucial Aeschylean strain, shows the centrality and the significance of the Hellenic in the work of one of the most important literary figures of our age.
Author: William H. Matheson Publisher: Ann Arbour : University of Michigan Press ISBN: Category : Literary Criticism Languages : en Pages : 254
Book Description
This is the most important book to date on one of the giants of modern literature. It examines in detail a dramaturgy that continues to dominate the contemporary stage. In a brilliant confrontation of the question of translation, Matheson discusses the hows and the why that face the artist-as-translator. He shows the terms by which ancient myth is made theatrically significant to the playgoer of today. The author traces the spiritual and artistic development of Claudel, the self-willed, individualistic French artist who found in the works of the difficult, uncompromising Aeschylus prefigurations of his own life. Claudel's training in the classics, his early admiration of Mallarmé, the Aeschylean reminiscences in his early plays Partage de midi and Tête d'Or anticipate his own brilliant trilogy. But it was through his translation of the Oresteia, a translation that Matheson analyzes in detail, that this most important of French dramatists assimilated Aeschylus to recast him for the modern stage. Claudel and Aeschylus, through an examination of Claudel's crucial Aeschylean strain, shows the centrality and the significance of the Hellenic in the work of one of the most important literary figures of our age.
Author: Fiona Macintosh Publisher: OUP Oxford ISBN: 019160836X Category : Literary Criticism Languages : en Pages : 502
Book Description
Aeschylus' Agamemnon, the first play in the Oresteia trilogy, is one of the most influential theatrical texts in the global canon. In performance, translation, adaptation, along with sung and danced interpretations, it has been familiar in the Greek world and the Roman empire, and from the Renaissance to the contemporary stage. It has been central to the aesthetic and intellectual avant-garde as well as to radical politics of all complexions and to feminist thinking. Contributors to this interdisciplinary collection of eighteen essays on its performance history include classical scholars, theatre historians, and experts in English and comparative literature. All Greek and Latin has been translated; the book is generously illustrated, and supplemented with the useful research aid of a chronological appendix of performances.
Author: William H. Matheson
Author: William H. Matheson
Author: Thomas G. Rosenmeyer
Author: Sondra Mueller Ferstl
Author: Sylvia Caides Vagianos
Author: Anna-Teresa Tymieniecka
Author: Phillip Crant
Author: Fiona Macintosh
Author: 
Author: Barna M. Avré
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