Claude Simon and the Transgressions of Modern Art PDF Download

Author: M. Evans
Publisher: Springer
ISBN: 1349194719
Category : Literary Criticism
Languages : en
Pages : 335

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Author: Michael Evans
Publisher: Palgrave Macmillan
ISBN: 9780312011994
Category : Literary Criticism
Languages : en
Pages : 326

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Author: Celia Britton
Publisher: Routledge
ISBN: 1317896998
Category : Literary Criticism
Languages : en
Pages : 267

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Book Description
This is a major study of the Nobel prize-winning French novelist Claude Simon. Simon is a complex figure: for all that he writes in a distinctively modern fictional tradition (exemplified by Proust, Joyce, Beckett and Robbe-Grillet), his novels contain strong elements of visual representation alongside a very different king of free-floating, anti-realist writing.

Author: Alastair Duncan
Publisher: Manchester University Press
ISBN: 9780719064845
Category : Literary Criticism
Languages : en
Pages : 250

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Book Description
This book introduces novels by the Nobel Prize for Literature author, Claude Simon, giving emphasis to peaks in his literary achievement.

Author: Jean H. Duffy
Publisher: Liverpool University Press
ISBN: 9780853238577
Category : Literary Collections
Languages : en
Pages : 248

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Book Description
This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars reconsider the fifty years of Simon's fiction in the light of his large-scale autobiographical novel, 'Le Jardin des Plantes' (1997). From a variety of perspectives - postmodernist, psychoanalytic, aesthetic - chapters reflect on the central paradox of Simon's work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it.

Author: Douglas W. Alden
Publisher: Susquehanna University Press
ISBN: 9780945636366
Category : Reference
Languages : en
Pages : 476

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Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.

Author: M¾ria Minich Brewer
Publisher: U of Nebraska Press
ISBN: 9780803212619
Category : Literary Criticism
Languages : en
Pages : 226

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Book Description
Reputed to be a conservative group, the Nobel Prize committee astonished the world in 1985 by giving its prize to Claude Simon, one of the most adventurous and challenging of modern authors whose writing defies easy classification. This study shows exactly how inventive and challenging he is. Simon’s works run the gamut from first-person narratives to narratives without a stable perspective. His novels deal with minute details of the grand stages of history—world war, for instance—and with the historical dimensions of everyday life. Mária Minich Brewer demonstrates that Simon has reformulated the standard forms of fiction to expose the logic of narrative, a complex and powerful legacy populated with stereotypes too easily accepted as natural. Her book brings into focus the cultural legacies embedded in narrative as well as the narrative dimensions of culture and history. Simon has voiced suspicion of narrative order. He never underestimates, however, either its pervasiveness or its powers. In his novels, he never dismisses narrative order as being “merely” a matter of formal conventions. On the contrary, he reveals narrative representation to be a powerful agent of some of the most violent events to which an individual is subject.

Author: Jean H. Duffy
Publisher: Liverpool University Press
ISBN: 9780853238515
Category : Literary Criticism
Languages : en
Pages : 420

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Book Description
This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.

Author: Ari J. Blatt
Publisher: U of Nebraska Press
ISBN: 0803238053
Category : Literary Criticism
Languages : en
Pages : 263

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Book Description
The explosive proliferation of pictures in advertising and pop culture, mass media, and cyberspace following World War II, along with the profusion of critical thinking that tries to make sense of it, has had wide-ranging implications for cultural production as such. Pictures into Words explores how this proliferation of graphic images has profoundly affected narrative writing in France, especially, as Ari J. Blatt argues, the structure, content, and symbolic logic of contemporary French fiction. By examining a specific corpus of narratives by authors Claude Simon, Georges Perec, Pierre Michon, and Tanguy Viel—books that originate amid, conjure up, and indeed are essentially about pictures—Blatt addresses the most salient questions pertaining to the relationship between literature and visual culture today. Each of the novels considered here engages the work of several postwar artists, from Robert Rauschenberg, Andy Warhol, Vincent van Gogh, and Orson Welles to Jeff Koons, Joseph L. Mankiewicz, Pierre Huyghe, and Marcel Duchamp. As Blatt’s cross-disciplinary readings show, despite their gleeful raiding of the visual archive to generate and enrich their stories, many contemporary narratives that tell tales about pictures simultaneously express a cautious skepticism toward vision and visual representation. Pictures into Words examines how such novels, while seemingly complicit with the visual, simultaneously “write back” against the images they exploit, reclaiming some of literature’s lost ground in our visually inundated world.

Author: Christopher John Murray
Publisher: Taylor & Francis
ISBN: 1579583849
Category : History
Languages : en
Pages : 748

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Book Description
This work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more. The 240 analytical entries examine individuals such as Bergson, Durkheim, Mauss, Sartre, Beauvoir, Foucault, Levi-Strauss, Lacan, Kristeva, and Derrida; specific disciplines such as the arts, anthropology, historiography, psychology, and sociology; key beliefs and methodologies such as Catholicism, deconstruction, feminism, Marxism, and phenomenology; themes and concepts such as freedom, language, media, and sexuality; and istorical, political, social, and intellectual context. --From publisher's decription.