Claude Monet Aux Pays-Bas PDF Download

Author: Marianne Alphant
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 100

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Author: Claude Monet
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 344

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Author:
Publisher: TheBookEdition
ISBN: 2957436515
Category :
Languages : en
Pages : 184

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Author: Virginia Spate
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 360

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"Monet is incontestably one of the greatest Impressionists, as well as being the most popular. Yet hitherto books on this great figure have been partial, concentrating either on aesthetic or on social aspects of his work without attempting a synthesis. Now Virginia Spate restores plenitude of meaning to Monet's paintings, examining the various ways in which they can be read; the tension between image and reality which energizes them; and the mysterious interactions between the work itself, its exhibition, promotion and sale, and its reception both in public and in private." "Based on a complete study of the artist's work - made possible as never before by recently published catalogues of his oeuvre - his surviving letters (nearly 3,000 in all) and contemporary documentary material, this is the fullest account available of a complex and influential man whose style changed and evolved considerably during his long career. Monet is considered as an intelligent and cultured being, a friend to writers such as Zola, Mallarme and Octave Mirbeau, fully informed as to the cultural and intellectual tendencies of his time. His often neglected figure paintings, always of family or friends, are analyzed alongside his landscapes, which ranged from timeless river scenes to steam-filled railway stations. Changes in his output in response to shifts in demand are linked to the new system of art dealers and to his financial situation. The France of Monet's youth and maturity is covered in depth, especially the traumatic legacy of the Franco-Prussian war and the Paris Commune; and his famous garden at Giverny is shown to be both a personal Utopia and a vital part of his creative processes. The dialectic of the real world and its representation in art is explored in detail as manifested in his splendid canvases - faithfully reproduced in over 130 colour plates." "This definitive treatment of a hugely important artist makes an indispensable contribution to the art history of Impressionism and the roots of modernism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Robert Hoe
Publisher:
ISBN:
Category : Private libraries
Languages : en
Pages : 326

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Author: Michael Marrinan
Publisher: Getty Publications
ISBN: 1606065076
Category : Art
Languages : en
Pages : 406

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Gustave Caillebotte (1848–1894), the son of a wealthy businessman, is perhaps best known as the painter who organized and funded several of the groundbreaking exhibitions of the Impressionist painters, collected their works, and ensured the Impressionists’ presence in the French national museums by bequeathing his own personal collection. Trained at the École des Beaux-Arts and sharing artistic sympathies with his renegade friends, Caillebotte painted a series of extraordinary pictures inspired by the look and feel of modern Paris that also grappled with his own place in the Parisian art scene. Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work. Michael Marrinan’s ambitious study draws upon new documents and establishes compelling connections between Caillebotte’s painting and literature, commerce, and technology. It offers new ways of thinking about Paris and its changing development in the nineteenth century, exploring the cultural context of Parisian bachelor life and revealing layers of meaning in upscale privilege ranging from haute cuisine to sport and relaxation. Marrinan has written what is sure to be a central text for the study of nineteenth-century art and culture.

Author: Stephan Wolohojian
Publisher: Metropolitan Museum of Art
ISBN: 1588390764
Category : Art
Languages : en
Pages : 561

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"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1238

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Author:
Publisher: Getty Publications
ISBN: 0892368365
Category : Landscape in art
Languages : en
Pages : 158

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With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.

Author:
Publisher:
ISBN:
Category : Culture
Languages : fr
Pages : 616

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