Classicism and Romanticism in Italian Literature PDF Download

Author: Fabio A Camilletti
Publisher: Routledge
ISBN: 1317321340
Category : Literary Criticism
Languages : en
Pages : 224

View

Book Description
In 1816 a violent literary quarrel engulfed Bourbon Restoration Italy. On one side the Romantics wanted an opening up of Italian culture towards Europe, and on the other the Classicists favoured an inward-looking Italy. Giacomo Leopardi wrote a Discourse of an Italian on Romantic Poetry aiming to contribute to the debate from a new perspective.

Author: Fabio A Camilletti
Publisher: Routledge
ISBN: 1317321332
Category : Literary Criticism
Languages : en
Pages : 225

View

Book Description
In 1816 a violent literary quarrel engulfed Bourbon Restoration Italy. On one side the Romantics wanted an opening up of Italian culture towards Europe, and on the other the Classicists favoured an inward-looking Italy. Giacomo Leopardi wrote a Discourse of an Italian on Romantic Poetry aiming to contribute to the debate from a new perspective.

Author: Fabio Camilletti
Publisher: Routledge
ISBN: 9781848932876
Category : Literature and society
Languages : en
Pages : 0

View

Book Description
"In 1816 a violent literary quarrel engulfed Bourbon Restoration Italy. On one side the Romantics wanted an opening up of Italian culture towards Europe, and on the other the Classicists favoured an inward-looking Italy, based on its Greco-Roman roots. Giacomo Leopardi (1798-1837), a young poet and philosopher, wrote a "Discourse of an Italian on Romantic Poetry" in 1818, aiming to contribute to the debate from a new perspective ; it was finally published in 1906." (source : 4e de couv.).

Author: Peter Brand
Publisher: Cambridge University Press
ISBN: 9780521434928
Category : Literary Criticism
Languages : en
Pages : 748

View

Book Description
'There is no doubt that the present splendid volume ... is likely to remain unrivalled for many years to come for width of coverage, richness of detail, and elegance of presentation.' Modern Language Reviews

Author: Caterina Paoli
Publisher: Bloomsbury Publishing
ISBN: 1350186171
Category : Literary Criticism
Languages : en
Pages : 249

View

Book Description
Focusing on the works of Camillo Sbarbaro and Giovanna Bemporad, this book offers the first in-depth analysis of poetic translations of Greek tragedy in 20th-century Italian poetry. The close examination of the linguistic and ideological diversity embedded in these authors' works shows how narratives of Greek tragedy shaped their poetic universe, and how their work influenced the Greek paradigm in return. The reader is presented with a textual analysis of Sbarbaro's and Bemporad's translations, as well as a discussion of larger cultural patterns. This volume provides a fresh perspective on the pedagogical commitment of the Italian poets and their roles as translators of classical studies. The web of relationships and historical context in which these authors are placed provide an understanding of their importance for a wider discourse on translation in Italy and Europe in the 1940s. Caterina Paoli's original analysis of Sbarbaro's and Bemporad's poetic translations and her emphasis on their relevance for translation studies, women's writing and classical reception, fills a significant gap in current scholarship on the translation of ancient literature in the Italian poetic community.

Author: Joseph Luzzi
Publisher: Yale University Press
ISBN: 0300151780
Category : Literary Criticism
Languages : en
Pages : 305

View

Book Description
This groundbreaking study considers Italian Romanticism and the modern myth of Italy. Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination.

Author: Harry Hearder
Publisher: Routledge
ISBN: 1317872053
Category : History
Languages : en
Pages : 386

View

Book Description
Established as a standard work - covers the whole of Italy not just the Risorgimento itself.

Author:
Publisher: BRILL
ISBN: 9401202311
Category : Literary Criticism
Languages : en
Pages : 281

View

Book Description
Drawing on a long-standing tradition of fictional images, British writers of the Romantic period defined and constructed Italy as a land that naturally invites inscription and description. In their works, Italy is a cultural geography so heavily overwritten with discourse that it becomes the natural recipient of further fictional transformations. If critics have frequently attended to this figurative complex and its related Italophilia, what seems to have been left relatively unexplored is the fact that these representations were paralleled and sustained by intense scholarly activities. This volume specifically addresses Romantic-period scholarship about Italian literature, history, and culture under the interconnected rubrics of ‘translating’, ‘reviewing’, and ‘rewriting’. The essays in this book consider this rich field of scholarly activity in order to redraw its contours and examine its connections with the fictional images of Italy and the general fascination with this land and its civilization that are a crucial component of British culture between the eighteenth and nineteenth centuries.

Author: Patrick Vincent
Publisher:
ISBN: 1108497063
Category : Literary Criticism
Languages : en
Pages : 687

View

Book Description
Examining Romanticism's pan-European circulation of people, ideas, and texts, this history re-analyses the period and Britain's place in it.

Author: Gabriella Romani
Publisher: Rowman & Littlefield
ISBN: 1611478014
Category : Literary Criticism
Languages : en
Pages : 309

View

Book Description
The late eighteenth and the nineteenth centuries witness significant advancement in the production and, crucially, the consumption of culture in Italy. During the long process towards and beyond Italy becoming a nation-state in 1861, new modes of writing and performing – the novel, the self-help manual, theatrical improvisation – develop in response to new practices and technologies of production and distribution. Key to the emergence of an inclusive national audience in Italy is, however, the audience itself. A wide and varied body of consumers of culture, animated by the notion of an Italian national cultural identity, create in this period an increasingly complex demand for different cultural products. This body is energized by the wider access to education and to the Italian language brought about by educational reforms, by growing urbanization, by enhanced social mobility, and by transcultural connections across European borders. This book investigates this process, analyzing the ways in which authors, composers, publishers, performers, journalists, and editors engage with the anxieties and aspirations of their diverse audiences. Fourteen essays by specialists in the field, exploring individual contexts and cases, demonstrate how interests related to gender, social class, cultural background and practices of reading and spectatorship, exert determining influence upon the production of culture in this period. They describe how women, men, and children from across the social and regional strata of the emerging nation contribute incrementally but actively to the idea and the growing reality of an Italian national cultural life. They show that from newspapers to salon performances, from letters to treatises in social science, from popular novels to literary criticism, from philosophical discussions to opera theaters, there is evidence in Italy in this period of unprecedented participation, crossing academic and popular cultures, in the formation of a national audience in Italy. This cultural transformation later produces the mass culture in Italy which underpins the major movements of the twentieth century and which undergoes new challenges and reformulations in the Italy we know today.