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Author: Crosbie Christopher Crosbie Publisher: Edinburgh University Press ISBN: 1474440290 Category : Literary Criticism Languages : en Pages : 276
Book Description
Examines the influence of classical philosophy on revenge narratives by Shakespeare and his contemporariesThis book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre. By recovering the pervasive influence of Aristotelian faculty psychology on The Spanish Tragedy, Aristotelian ethics on Titus Andronicus, Lucretian atomism on Hamlet, Galenic pneumatics on Antonio's Revenge and Epictetian Stoicism on The Duchess of Malfi, Crosbie reveals how the very atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our understanding of how the Renaissance stage, even at its most lurid, functions as a unique space for the era's practical, vernacular engagement with received philosophy.Key FeaturesAnalyzes the twentieth-century development of revenge tragedy as a genre, and diagnoses the roots of modern criticism's tendency to treat most philosophy as estranged from the violent work of revengeProvides fresh readings of five plays central to the revenge tragedy genre, paying close attention to the conditioning influence of classical philosophy on their narratives of retributionReveals how revenge tragedy's distinctive 'moods' or 'atmospheres' emerge from fully-realized sets of ontological assumptions which help shape reception of retribution on the early modern stageDevelops new reception histories for five classical philosophical doctrines, revealing their currency and, what's more, radical adaptability within early modern England
Author: Crosbie Christopher Crosbie Publisher: Edinburgh University Press ISBN: 1474440290 Category : Literary Criticism Languages : en Pages : 276
Book Description
Examines the influence of classical philosophy on revenge narratives by Shakespeare and his contemporariesThis book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre. By recovering the pervasive influence of Aristotelian faculty psychology on The Spanish Tragedy, Aristotelian ethics on Titus Andronicus, Lucretian atomism on Hamlet, Galenic pneumatics on Antonio's Revenge and Epictetian Stoicism on The Duchess of Malfi, Crosbie reveals how the very atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our understanding of how the Renaissance stage, even at its most lurid, functions as a unique space for the era's practical, vernacular engagement with received philosophy.Key FeaturesAnalyzes the twentieth-century development of revenge tragedy as a genre, and diagnoses the roots of modern criticism's tendency to treat most philosophy as estranged from the violent work of revengeProvides fresh readings of five plays central to the revenge tragedy genre, paying close attention to the conditioning influence of classical philosophy on their narratives of retributionReveals how revenge tragedy's distinctive 'moods' or 'atmospheres' emerge from fully-realized sets of ontological assumptions which help shape reception of retribution on the early modern stageDevelops new reception histories for five classical philosophical doctrines, revealing their currency and, what's more, radical adaptability within early modern England
Author: Lesel Dawson Publisher: Edinburgh University Press ISBN: 1474414109 Category : Literary Criticism Languages : en Pages : 339
Book Description
This collection explores a range of literary and historical texts from ancient Greece and Rome, medieval Iceland and medieval and early modern England to provide an understanding of wider historical continuities and discontinuities in representations of gender and revenge.
Author: Alexander Carl Loney Publisher: ISBN: 0190909676 Category : Literary Collections Languages : en Pages : 281
Book Description
The archaic context of vengeance -- Vengeance in the Odyssey: tisis as narrative -- Three narratives of divine vengeance -- Odysseus' terrifying revenge -- The multiple meanings of Odysseus' triumphs -- The end of the Odyssey.
Author: Lucius Annaeus Seneca Publisher: University of Chicago Press ISBN: 0226748537 Category : Philosophy Languages : en Pages : 275
Book Description
Lucius Annaeus Seneca (4 BCE–65 CE) was a Roman Stoic philosopher, dramatist, statesman, and adviser to the emperor Nero, all during the Silver Age of Latin literature. The Complete Works of Lucius Annaeus Seneca is a fresh and compelling series of new English-language translations of his works in eight accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca—whose works have been highly praised by modern authors from Desiderius Erasmus to Ralph Waldo Emerson—to his rightful place among the classical writers most widely studied in the humanities. Anger, Mercy, Revenge comprises three key writings: the moral essays On Anger and On Clemency—which were penned as advice for the then young emperor, Nero—and the Apocolocyntosis, a brilliant satire lampooning the end of the reign of Claudius. Friend and tutor, as well as philosopher, Seneca welcomed the age of Nero in tones alternately serious, poetic, and comic—making Anger, Mercy, Revenge a work just as complicated, astute, and ambitious as its author.
Author: Thane Rosenbaum Publisher: University of Chicago Press ISBN: 0226726614 Category : Law Languages : en Pages : 325
Book Description
We call it justice—the assassination of Osama bin Laden, the incarceration of corrupt politicians or financiers like Rod Blagojevich and Bernard Madoff, and the climactic slaying of cinema-screen villains by superheroes. But could we not also call it revenge? We are told that revenge is uncivilized and immoral, an impulse that individuals and societies should actively repress and replace with the order and codes of courtroom justice. What, if anything, distinguishes punishment at the hands of the government from a victim’s individual desire for retribution? Are vengeance and justice really so very different? No, answers legal scholar and novelist Thane Rosenbaum in Payback: The Case for Revenge—revenge is, in fact, indistinguishable from justice. Revenge, Rosenbaum argues, is not the problem. It is, in fact, a perfectly healthy emotion. Instead, the problem is the inadequacy of lawful outlets through which to express it. He mounts a case for legal systems to punish the guilty commensurate with their crimes as part of a societal moral duty to satisfy the needs of victims to feel avenged. Indeed, the legal system would better serve the public if it gave victims the sense that vengeance was being done on their behalf. Drawing on a wide range of support, from recent studies in behavioral psychology and neuroeconomics, to stories of vengeance and justice denied, to revenge practices from around the world, to the way in which revenge tales have permeated popular culture—including Hamlet, The Godfather, and Braveheart—Rosenbaum demonstrates that vengeance needs to be more openly and honestly discussed and lawfully practiced. Fiercely argued and highly engaging, Payback is a provocative and eye-opening cultural tour of revenge and its rewards—from Shakespeare to The Sopranos. It liberates revenge from its social stigma and proves that vengeance is indeed ours, a perfectly human and acceptable response to moral injury. Rosenbaum deftly persuades us to reconsider a misunderstood subject and, along the way, reinvigorates the debate on the shape of justice in the modern world.
Author: Stephanie Dalley Publisher: Oxford University Press ISBN: 0199216630 Category : History Languages : en Pages : 279
Book Description
The names of the chief characters in the biblical Book of Esther are those of Mesopotamian deities. Stephanie Dalley argues that the narrative reflects real events in seventh-century Assyria which were `explained' soon after they occurred in a mythologizing cuneiform text and linked to religious festivals comparable to the Jewish rites of Purim.
Author: K. Wetmore Publisher: Springer ISBN: 0230611281 Category : Literary Criticism Languages : en Pages : 286
Book Description
Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in European Renaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas of Europe and Japan tell us about the periods that produced them and how have they been modernized to speak to contemporary audiences? By interrogating the manifestation of evil women, ghosts, satire, parody, and censorship, contributors such as Leonard Pronko, J. Thomas Rimer, Carol Sorgenfrei, Laurence Kominz explore these issues.
Author: Maria Liatsi Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110699613 Category : Literary Criticism Languages : en Pages : 239
Book Description
Interpretation of ancient Greek literature is often enough distorted by the preconceptions of modern times, especially on ancient morality. This is often equivalent to begging the question. If we think e.g. of aretê, which has different meanings in different contexts, we shall think in English (or in Modern Greek or in French or in German) and shall falsify the phenomena. If we are to understand the Greek concept e.g. of aretê we must study the nature of the situations in which it is applied. For it is an important fact in the study of Greek society that the Greeks used the one word (e.g. aretê) where we use different words. If we are to understand properly the texts, we have to view them in their historical and social context. Ancient Greek thought needs to be studied together with politics, ethics, and economic behaviour. Moreover, the best insights can be found in those who confine themselves to the terms of each ancient author's analysis. From this principle each of the contributions of the volume begins.
Author: Fiona McHardy Publisher: A&C Black ISBN: 0715635697 Category : History Languages : en Pages : 188
Book Description
Revenge was an all important part of the ancient Athenian mentality, intruding on all forms of life - even where we might not expect to find it today. Revenge was of prime importance as a means of survival for the people of early Greece and remained in force as a ‘cultural emotion’ during the rise of the poleis, even when the socio-political situation allowed people to live together more peaceably. A key reason for this was the concept of revenge as ‘justice’, which survived strongly in Athens even after the rise of the law-courts. Only the radical thoughts of Plato suggested that revenge was immoral and did not constitute justice. Nevertheless, this does not mean that all forms of revenge were seen as equally acceptable in Athens. Through a close examination of the texts, a more complex picture of how the Athenian people viewed revenge emerges.
Author: Crosbie Christopher Crosbie
Author: Crosbie Christopher Crosbie
Author: Lesel Dawson
Author: Alexander Carl Loney
Author: Lucius Annaeus Seneca
Author: Thomas Kazen
Author: Thane Rosenbaum
Author: Stephanie Dalley
Author: K. Wetmore
Author: Maria Liatsi
Author: Fiona McHardy