Classical Modernity from Bourdelle to Despiau 1907-1937 PDF Download

Author: Jean-Loup Champion
Publisher:
ISBN:
Category : Sculpture, French
Languages : en
Pages : 84

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Author: Dorothy M. Kosinski
Publisher: Yale University Press
ISBN: 0300115415
Category : Art
Languages : en
Pages : 324

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Book Description
Contains photographs of sculptures created by Henri Matisse.

Author:
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 308

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Author: Robert Storr
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247

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Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.

Author: Andrew Carnduff Ritchie
Publisher: [New York] : Published for the Museum of Modern Art by Arno Press, 1972 [c1952]
ISBN:
Category : Sculpture
Languages : en
Pages : 246

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Book Description

Author: J. Lorente
Publisher: Routledge
ISBN: 135112028X
Category : Art
Languages : en
Pages : 222

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Book Description
Museums and public art have traditionally taken significantly different approaches to customer engagement, but throughout history they have also worked together in some urban contexts, notably as landmarks of so-called cultural districts. Public Art and Museums in Cultural Districts reviews their changing interactions in many different types of cities since the Enlightenment, or even before, going back to the etymological origins of museums and monuments in classical antiquity. The type of historical enquiry presented within the volume is not intended as a total narrative, but the international study cases considered convey a global panorama of the shifting paradigms set in different periods by some cultural neighbourhoods and emulated worldwide. Blurring boundaries between art history, museology and urbanism, this critical account explores past tensions, achievements and failures, giving insightful consideration to present policies and pointing out reasonable recommendations for the future regarding public heritage. Presenting for the first time an insights into the role of collections of public art as landmarks of cultural districts, this book considers collections displayed outdoors from the double perspective of curatorial outreach and civic values. This book will fill a gap in the existing museum studies literature, hitherto mainly focused on indoor collecting and curatorial policies, but increasingly more and more attentive to their outside context. As such, the book should be of great interest to academics, researchers and students working in the fields of art, heritage, museum studies and urban history. It should also be of value to professionals working in the museum and art sectors.

Author: Raymond Nacenta
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1526

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Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 257

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Book Description
Scope includes artists who were born, or artistically active, in Kansas.

Author: Studio Museum in Harlem
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 132

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Book Description
"In 'Black Romantic' elements of desire, dreams, determination, and romance particular to the black experience present a viewpoint that is oppositional to modernist conceptualizations of blackness flavored by exogenous exoticism, stereotype, caricature, and even abstractionist manipulation." -- Director's foreword

Author: Leonardo Benevolo
Publisher: MIT Press
ISBN: 9780262520454
Category : Architecture
Languages : en
Pages : 508

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Book Description
A serious and original study of the beginnings and development of modernism in which the pictorial aspects are designed to aid in the communication of the author's closely reasoned formulations. Let it be said at once that the format of this work is richly handsome: it is a two-volume boxed set comprising 844 pages and well over 1,000 high-quality illustrations, and it reflects throughout its publisher's conviction that good design is an essential, not superficial, part of bookmaking. Beyond that, it should be emphasized that this work is not another facile cultural tour of modern architecture. It is a serious and original study of the beginnings and development of modernism in which the pictorial aspects are designed to aid in the communication of the author's closely reasoned formulations, rather than to gloss over a lack of substantive content. The book is a translation of the third Italian edition, published in 1966. Benevolo, who is on the faculty of architecture in Venice, has earned an international reputation as a historian of architecture and town planning, and his publications embrace the span of time from the Renaissance to the foreseeable future. One such publication, The Origins of Modern Town Planning (The MIT Press, 1967), may be read as a prelude to the present work as well as an independent contribution. Perhaps more than any other architectural historian in our time, Benevolo has made a determined effort to place developments in design and planning in their proper social and political settings. Indeed, the author argues that the development of the modern movement in architecture was determined, not by aesthetic formalisms, but largely by the social changes that have occurred since about 1760: "After the middle of the eighteenth century, without the continuity of formal activity being in any way broken, indeed while architectural language seems to be acquiring a particular coherence, the relations between architect and society began to change radically.... New material and spiritual needs, new ideas and modes of procedure arise both within and beyond the traditional limits, and finally they run together to form a new architectural synthesis that is completely different from the old one. In this way it is possible to explain the birth of modern architecture, which otherwise would seem completely incomprehensible...." This second volume is concerned with the modern movement proper, from 1914 to 1966. The author emphasizes the unity of the movement, rejecting the usual treatment that allots to the individual architects separate and unconnected biographical accounts.Benevolo remarks at one point, "When one talks about modern architecture one must bear in mind the fact that it implies not only a new range of forms, but also a new way of thinking, whose consequences have not yet all been calculated." His main concern is to provide a more exact calculation of those consequences.