Author: Mary Louise Hart
Publisher: Getty Publications
ISBN: 1606060376
Category : Art
Languages : en
Pages : 180
Book Description
An explanation of Greek theater as seen through its many depictions in classical art
The Art of Ancient Greek Theater
Author: Mary Louise Hart
Publisher: Getty Publications
ISBN: 1606060376
Category : Art
Languages : en
Pages : 180
Book Description
An explanation of Greek theater as seen through its many depictions in classical art
Publisher: Getty Publications
ISBN: 1606060376
Category : Art
Languages : en
Pages : 180
Book Description
An explanation of Greek theater as seen through its many depictions in classical art
Classical Greek Theatre
Author: Clifford Ashby
Publisher: University of Iowa Press
ISBN: 158729463X
Category : Drama
Languages : en
Pages : 217
Book Description
Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
Publisher: University of Iowa Press
ISBN: 158729463X
Category : Drama
Languages : en
Pages : 217
Book Description
Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
Greek Theatre in the Fourth Century BC
Author: Eric Csapo
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311033755X
Category : History
Languages : en
Pages : 590
Book Description
Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311033755X
Category : History
Languages : en
Pages : 590
Book Description
Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.
Greek Theatre
Author: Stewart Ross
Publisher: Peter Bedrick Books
ISBN: 9780872265974
Category : Greek drama
Languages : en
Pages : 0
Book Description
A history of ancient Greek drama including discussion of the drama competition, Oedipus the King, actors and the chorus, playwrights, and the legacy of Greece.
Publisher: Peter Bedrick Books
ISBN: 9780872265974
Category : Greek drama
Languages : en
Pages : 0
Book Description
A history of ancient Greek drama including discussion of the drama competition, Oedipus the King, actors and the chorus, playwrights, and the legacy of Greece.
Greek Tragedy
Author: Laura Swift
Publisher: Bloomsbury Publishing
ISBN: 1474236847
Category : Drama
Languages : en
Pages : 145
Book Description
The latest volume in the Classical World series, this book offers a much-needed up-to-date introduction to Greek tragedy, and covers the most important thematic topics studied at school or university level. After a brief analysis of the genre and main figures, it focuses on the broader questions of what defines tragedy, what its particular preoccupations are, and what makes these texts so widely studied and performed more than 2,000 years after they were written. As such, the book will be of interest to students taking broad courses on Greek tragedy, while also being suitable for the general reader who wants an overview of the subject. All passages of tragedy discussed are translated by the author and supplementary information includes a chronology of all the surviving tragedies, a glossary, and guidance on further reading.
Publisher: Bloomsbury Publishing
ISBN: 1474236847
Category : Drama
Languages : en
Pages : 145
Book Description
The latest volume in the Classical World series, this book offers a much-needed up-to-date introduction to Greek tragedy, and covers the most important thematic topics studied at school or university level. After a brief analysis of the genre and main figures, it focuses on the broader questions of what defines tragedy, what its particular preoccupations are, and what makes these texts so widely studied and performed more than 2,000 years after they were written. As such, the book will be of interest to students taking broad courses on Greek tragedy, while also being suitable for the general reader who wants an overview of the subject. All passages of tragedy discussed are translated by the author and supplementary information includes a chronology of all the surviving tragedies, a glossary, and guidance on further reading.
Greek Theatre Performance
Author: David Wiles
Publisher: Cambridge University Press
ISBN: 9780521648578
Category : Drama
Languages : en
Pages : 260
Book Description
Specially written for students and enthusiasts, David Wiles introduces ancient Greek theatre and cultural life.
Publisher: Cambridge University Press
ISBN: 9780521648578
Category : Drama
Languages : en
Pages : 260
Book Description
Specially written for students and enthusiasts, David Wiles introduces ancient Greek theatre and cultural life.
A Guide to Ancient Greek Drama
Author: Ian C. Storey
Publisher: John Wiley & Sons
ISBN: 1405137630
Category : Drama
Languages : en
Pages : 330
Book Description
This Blackwell Guide introduces ancient Greek drama, which flourished principally in Athens from the sixth century BC to the third century BC. A broad-ranging and systematically organised introduction to ancient Greek drama. Discusses all three genres of Greek drama - tragedy, comedy, and satyr play. Provides overviews of the five surviving playwrights - Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and brief entries on lost playwrights. Covers contextual issues such as: the origins of dramatic art forms; the conventions of the festivals and the theatre; the relationship between drama and the worship of Dionysos; the political dimension; and how to read and watch Greek drama. Includes 46 one-page synopses of each of the surviving plays.
Publisher: John Wiley & Sons
ISBN: 1405137630
Category : Drama
Languages : en
Pages : 330
Book Description
This Blackwell Guide introduces ancient Greek drama, which flourished principally in Athens from the sixth century BC to the third century BC. A broad-ranging and systematically organised introduction to ancient Greek drama. Discusses all three genres of Greek drama - tragedy, comedy, and satyr play. Provides overviews of the five surviving playwrights - Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and brief entries on lost playwrights. Covers contextual issues such as: the origins of dramatic art forms; the conventions of the festivals and the theatre; the relationship between drama and the worship of Dionysos; the political dimension; and how to read and watch Greek drama. Includes 46 one-page synopses of each of the surviving plays.
A Cultural History of Theatre in Antiquity
Author: Martin Revermann
Publisher: Bloomsbury Publishing
ISBN: 1350135291
Category : History
Languages : en
Pages : 273
Book Description
Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Publisher: Bloomsbury Publishing
ISBN: 1350135291
Category : History
Languages : en
Pages : 273
Book Description
Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Guide To Greek Theatre And Drama
Author: Kenneth McLeish
Publisher: A&C Black
ISBN: 1408149842
Category : Study Aids
Languages : en
Pages : 322
Book Description
A new and definitive guide to the theatre of the ancient world The Guide to Greek Theatre and Drama is a meticulously researched and accessible survey into the place and purpose of theatre in Ancient Greece. It provides a comprehensive author-by-author examination of the surviving plays of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, as well as giving an insight into how and where the plays were performed, who acted them out, and who watched them. It includes a fascinating discussion of the function of the essential characteristics of Greek drama, including verse, rhetoric, music, comedy, and chorus. Above all it offers a fascinating viewpoint onto the everyday values of the ancient Greeks; values with a continuing influence over the theatre of the present day.
Publisher: A&C Black
ISBN: 1408149842
Category : Study Aids
Languages : en
Pages : 322
Book Description
A new and definitive guide to the theatre of the ancient world The Guide to Greek Theatre and Drama is a meticulously researched and accessible survey into the place and purpose of theatre in Ancient Greece. It provides a comprehensive author-by-author examination of the surviving plays of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, as well as giving an insight into how and where the plays were performed, who acted them out, and who watched them. It includes a fascinating discussion of the function of the essential characteristics of Greek drama, including verse, rhetoric, music, comedy, and chorus. Above all it offers a fascinating viewpoint onto the everyday values of the ancient Greeks; values with a continuing influence over the theatre of the present day.
The Theater of War
Author: Bryan Doerries
Publisher: Vintage
ISBN: 0307949729
Category : Health & Fitness
Languages : en
Pages : 306
Book Description
For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.
Publisher: Vintage
ISBN: 0307949729
Category : Health & Fitness
Languages : en
Pages : 306
Book Description
For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.