Author: Geoffrey Miles
Publisher: Routledge
ISBN: 1134754639
Category : Literary Collections
Languages : en
Pages : 474
Book Description
Classical Mythology in English Literature brings together a range of English versions of three classical myths. It allows students to explore the ways in which they have been reinterpreted and reinvented by writers throughout history. Beginning with a concise introduction to the principle Greco-Roman gods and heroes, the anthology then focuses on three stories: * Orpheus, the great musician and his quest to free his wife Eurydice from death * Venus and Adonis, the love goddess and the beautiful youth she loved * Pygmalion, the master sculptor who fell in love with his creation. Each section begins with the classical sources and ends with contemporary versions, showing how each myth has been used/abused or appropriated since its origins
Classical Mythology in English Literature
Author: Geoffrey Miles
Publisher: Routledge
ISBN: 1134754639
Category : Literary Collections
Languages : en
Pages : 474
Book Description
Classical Mythology in English Literature brings together a range of English versions of three classical myths. It allows students to explore the ways in which they have been reinterpreted and reinvented by writers throughout history. Beginning with a concise introduction to the principle Greco-Roman gods and heroes, the anthology then focuses on three stories: * Orpheus, the great musician and his quest to free his wife Eurydice from death * Venus and Adonis, the love goddess and the beautiful youth she loved * Pygmalion, the master sculptor who fell in love with his creation. Each section begins with the classical sources and ends with contemporary versions, showing how each myth has been used/abused or appropriated since its origins
Publisher: Routledge
ISBN: 1134754639
Category : Literary Collections
Languages : en
Pages : 474
Book Description
Classical Mythology in English Literature brings together a range of English versions of three classical myths. It allows students to explore the ways in which they have been reinterpreted and reinvented by writers throughout history. Beginning with a concise introduction to the principle Greco-Roman gods and heroes, the anthology then focuses on three stories: * Orpheus, the great musician and his quest to free his wife Eurydice from death * Venus and Adonis, the love goddess and the beautiful youth she loved * Pygmalion, the master sculptor who fell in love with his creation. Each section begins with the classical sources and ends with contemporary versions, showing how each myth has been used/abused or appropriated since its origins
Classical Mythology: The Basics
Author: Richard Martin
Publisher: Routledge
ISBN: 1317539168
Category : History
Languages : en
Pages : 185
Book Description
This is an engaging introduction which explores the latest thinking about Classical mythology, the history of interpreting myths and the role of myths in cultural tradition, from painting to opera, philosophy, politics, drama, and religion in the modern day. It answers such questions as what are ancient myths and who invented them where do gods come from what makes a hero how is Classical myth used in the modern world and what approaches are there to the study of myth? Featuring further reading and case studies from antiquity to the modern day, this is an essential introduction to the myths which have been a fundamental part of Western culture throughout history.
Publisher: Routledge
ISBN: 1317539168
Category : History
Languages : en
Pages : 185
Book Description
This is an engaging introduction which explores the latest thinking about Classical mythology, the history of interpreting myths and the role of myths in cultural tradition, from painting to opera, philosophy, politics, drama, and religion in the modern day. It answers such questions as what are ancient myths and who invented them where do gods come from what makes a hero how is Classical myth used in the modern world and what approaches are there to the study of myth? Featuring further reading and case studies from antiquity to the modern day, this is an essential introduction to the myths which have been a fundamental part of Western culture throughout history.
The Classic Myths in English Literature and in Art, Based Originally on Bulfinch's "Age of Fable" (1855)
Author: Charles Mills Gayley
Publisher: Biblo & Tannen Publishers
ISBN: 9780819603203
Category : Art
Languages : en
Pages : 682
Book Description
An illustrated anthology of classical myths, based on Bulfinch's nineteenth-century "Age of Fable," examining myths of divinities and heroes, and including commentary.
Publisher: Biblo & Tannen Publishers
ISBN: 9780819603203
Category : Art
Languages : en
Pages : 682
Book Description
An illustrated anthology of classical myths, based on Bulfinch's nineteenth-century "Age of Fable," examining myths of divinities and heroes, and including commentary.
The Classic Myths in English Literature and in Art
Author: Charles Mills Gayley
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 690
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 690
Book Description
Anthology of Classical Myth
Author: Stephen M. Trzaskoma
Publisher: Hackett Publishing
ISBN: 1624664997
Category : Literary Collections
Languages : en
Pages : 608
Book Description
This new edition of Anthology of Classical Myth offers selections from key Near Eastern texts—the Babylonian Epic of Gilgamesh, Epic of Creation (Enuma Elish), and Atrahasis; the Hittite Song of Emergence; and the flood story from the book of Genesis—thereby enabling students to explore the many similarities between ancient Greek and Mesopotamian mythology and enhancing its reputation as the best and most complete collection of its kind.
Publisher: Hackett Publishing
ISBN: 1624664997
Category : Literary Collections
Languages : en
Pages : 608
Book Description
This new edition of Anthology of Classical Myth offers selections from key Near Eastern texts—the Babylonian Epic of Gilgamesh, Epic of Creation (Enuma Elish), and Atrahasis; the Hittite Song of Emergence; and the flood story from the book of Genesis—thereby enabling students to explore the many similarities between ancient Greek and Mesopotamian mythology and enhancing its reputation as the best and most complete collection of its kind.
The Classic Myths in English Literature and in Art
Author: Thomas Bulfinch
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 474
Book Description
In 'The Classic Myths in English Literature and in Art,' edited by Thomas Bulfinch and Charles Mills Gayley, the reader is introduced to a meticulously curated anthology that explores the enduring allure and profound impact of classical myths on English literature and art. Through a diverse array of literary styles, the collection offers a comprehensive examination of how ancient myths have been reimagined and reinterpreted across different periods, highlighting the transformative power of mythology in shaping cultural narratives. The anthology stands out for its rich tapestry of perspectives, weaving together seminal works that underscore the contemporaneous relevance of these age-old stories. This scholarly compilation benefits immensely from the diverse backgrounds of Thomas Bulfinch and Charles Mills Gayley, whose collective expertise in mythology and literature provides an unparalleled insight into the interplay between myth and artistic expression. Aligning with various historical and cultural movements, their curation underscores the timeless nature of these myths, demonstrating how classical stories have continually adapted to reflect, critique, and influence societal values and human experiences across ages. 'The Classic Myths in English Literature and in Art' is an essential read for those intrigued by the symbiotic relationship between mythology, literature, and art. It offers readers a unique portal to explore the myriad ways in which myth has permeated English literature and art, fostering a deeper appreciation for the ingenuity with which these tales have been retold. The anthology not only enriches ones understanding of literary and artistic tradition but also invites an engaging dialogue between the past and the present, making it an invaluable resource for both scholars and enthusiasts alike.
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 474
Book Description
In 'The Classic Myths in English Literature and in Art,' edited by Thomas Bulfinch and Charles Mills Gayley, the reader is introduced to a meticulously curated anthology that explores the enduring allure and profound impact of classical myths on English literature and art. Through a diverse array of literary styles, the collection offers a comprehensive examination of how ancient myths have been reimagined and reinterpreted across different periods, highlighting the transformative power of mythology in shaping cultural narratives. The anthology stands out for its rich tapestry of perspectives, weaving together seminal works that underscore the contemporaneous relevance of these age-old stories. This scholarly compilation benefits immensely from the diverse backgrounds of Thomas Bulfinch and Charles Mills Gayley, whose collective expertise in mythology and literature provides an unparalleled insight into the interplay between myth and artistic expression. Aligning with various historical and cultural movements, their curation underscores the timeless nature of these myths, demonstrating how classical stories have continually adapted to reflect, critique, and influence societal values and human experiences across ages. 'The Classic Myths in English Literature and in Art' is an essential read for those intrigued by the symbiotic relationship between mythology, literature, and art. It offers readers a unique portal to explore the myriad ways in which myth has permeated English literature and art, fostering a deeper appreciation for the ingenuity with which these tales have been retold. The anthology not only enriches ones understanding of literary and artistic tradition but also invites an engaging dialogue between the past and the present, making it an invaluable resource for both scholars and enthusiasts alike.
The Classic Myths in English Literature and in Art Based Chiefly on Bulfinch's "Age of Fable" (1855)
Author: Charles Mills Gayley
Publisher:
ISBN:
Category : Mythology, Classical
Languages : en
Pages : 680
Book Description
Publisher:
ISBN:
Category : Mythology, Classical
Languages : en
Pages : 680
Book Description
The Classic Myths in English Literature and in Art Based Originally on Bulfinch's Age of Fable
Author: Thomas Bulfinch
Publisher: Library of Alexandria
ISBN: 1465547908
Category : Literary Criticism
Languages : en
Pages : 681
Book Description
Purpose of the Study. Interwoven with the fabric of our English literature, of our epics, dramas, lyrics, and novels, of our essays and orations, like a golden warp where the woof is only too often of silver, are the myths of certain ancient nations. It is the purpose of this work to relate some of these myths, and to illustrate the uses to which they have been put in English literature, and, incidentally, in art. The Fable and the Myth. Careful discrimination must be made between the fable and the myth. A fable is a story, like that of King Log, or the Fox and the Grapes, in which characters and plot, neither pretending to reality nor demanding credence, are fabricated confessedly as the vehicle of moral or didactic instruction. Dr. Johnson narrows still further the scope of the fable: "It seems to be, in its genuine state, a narrative in which beings irrational, and sometimes inanimate, are, for the purpose of moral instruction, feigned to act and speak with human interests and passions." Myths, on the other hand, are stories of anonymous origin, prevalent among primitive peoples and by them accepted as true, concerning supernatural beings and events, or natural beings and events influenced by supernatural agencies. Fables are made by individuals; they may be told in any stage of a nation's history,—by a Jotham when the Israelites were still under the Judges, 1200 years before Christ, or by Christ himself in the days of the most critical Jewish scholarship; by a Menenius when Rome was still involved in petty squabbles of plebeians and patricians, or by Phædrus and Horace in the Augustan age of Roman imperialism and Roman letters; by an Æsop, well-nigh fabulous, to fabled fellow-slaves and Athenian tyrants, or by La Fontaine to the Grand Monarch and the most highly civilized race of seventeenth-century Europe. Fables are vessels made to order into which a lesson may be poured. Myths are born, not made. They are born in the infancy of a people. They owe their features not to any one historic individual, but to the imaginative efforts of generations of story-tellers. The myth of Pandora, the first woman, endowed by the immortals with heavenly graces, and of Prometheus, who stole fire from heaven for the use of man; the myth of the earthborn giants that in the beginning contested with the gods the sovereignty of the universe; of the moon-goddess who, with her buskined nymphs, pursues the chase across the azure of the heavens, or descending to earth cherishes the youth Endymion,—these myths, germinating in some quaint and childish interpretation of natural events or in some fireside fancy, have put forth unconsciously, under the nurture of the simple folk that conceived and tended them, luxuriant branches and leaves of narrative, and blossoms of poetic comeliness and form. The myths that we shall relate present wonderful accounts of the creation, histories of numerous divine beings, adventures of heroes in which magical and ghostly agencies play a part, and where animals and inanimate nature don the attributes of men and gods. Many of these myths treat of divinities once worshiped by the Greeks and the Romans, and by our Norse and German forefathers in the dark ages. Myths, more or less like these, may be found in the literatures of nearly all nations; many are in the memories and mouths of savage races at this time existent. But the stories here narrated are no longer believed by any one. The so-called divinities of Olympus and of Asgard have not a single worshiper among men. They dwell only in the realm of memory and imagination; they are enthroned in the palace of art.
Publisher: Library of Alexandria
ISBN: 1465547908
Category : Literary Criticism
Languages : en
Pages : 681
Book Description
Purpose of the Study. Interwoven with the fabric of our English literature, of our epics, dramas, lyrics, and novels, of our essays and orations, like a golden warp where the woof is only too often of silver, are the myths of certain ancient nations. It is the purpose of this work to relate some of these myths, and to illustrate the uses to which they have been put in English literature, and, incidentally, in art. The Fable and the Myth. Careful discrimination must be made between the fable and the myth. A fable is a story, like that of King Log, or the Fox and the Grapes, in which characters and plot, neither pretending to reality nor demanding credence, are fabricated confessedly as the vehicle of moral or didactic instruction. Dr. Johnson narrows still further the scope of the fable: "It seems to be, in its genuine state, a narrative in which beings irrational, and sometimes inanimate, are, for the purpose of moral instruction, feigned to act and speak with human interests and passions." Myths, on the other hand, are stories of anonymous origin, prevalent among primitive peoples and by them accepted as true, concerning supernatural beings and events, or natural beings and events influenced by supernatural agencies. Fables are made by individuals; they may be told in any stage of a nation's history,—by a Jotham when the Israelites were still under the Judges, 1200 years before Christ, or by Christ himself in the days of the most critical Jewish scholarship; by a Menenius when Rome was still involved in petty squabbles of plebeians and patricians, or by Phædrus and Horace in the Augustan age of Roman imperialism and Roman letters; by an Æsop, well-nigh fabulous, to fabled fellow-slaves and Athenian tyrants, or by La Fontaine to the Grand Monarch and the most highly civilized race of seventeenth-century Europe. Fables are vessels made to order into which a lesson may be poured. Myths are born, not made. They are born in the infancy of a people. They owe their features not to any one historic individual, but to the imaginative efforts of generations of story-tellers. The myth of Pandora, the first woman, endowed by the immortals with heavenly graces, and of Prometheus, who stole fire from heaven for the use of man; the myth of the earthborn giants that in the beginning contested with the gods the sovereignty of the universe; of the moon-goddess who, with her buskined nymphs, pursues the chase across the azure of the heavens, or descending to earth cherishes the youth Endymion,—these myths, germinating in some quaint and childish interpretation of natural events or in some fireside fancy, have put forth unconsciously, under the nurture of the simple folk that conceived and tended them, luxuriant branches and leaves of narrative, and blossoms of poetic comeliness and form. The myths that we shall relate present wonderful accounts of the creation, histories of numerous divine beings, adventures of heroes in which magical and ghostly agencies play a part, and where animals and inanimate nature don the attributes of men and gods. Many of these myths treat of divinities once worshiped by the Greeks and the Romans, and by our Norse and German forefathers in the dark ages. Myths, more or less like these, may be found in the literatures of nearly all nations; many are in the memories and mouths of savage races at this time existent. But the stories here narrated are no longer believed by any one. The so-called divinities of Olympus and of Asgard have not a single worshiper among men. They dwell only in the realm of memory and imagination; they are enthroned in the palace of art.
The Library of Greek Mythology
Author: Apollodorus
Publisher: Oxford University Press, USA
ISBN: 9780192839244
Category : Fiction
Languages : en
Pages : 340
Book Description
A new translation of an important text for Greek mythology used as a source book by classicists from antiquity to Robert Graves, The Library of Greek Mythology is a complete summary of early Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. Using the ancient system of detailed histories of the great families, it contains invaluable genealogical diagrams for maximum clarity.
Publisher: Oxford University Press, USA
ISBN: 9780192839244
Category : Fiction
Languages : en
Pages : 340
Book Description
A new translation of an important text for Greek mythology used as a source book by classicists from antiquity to Robert Graves, The Library of Greek Mythology is a complete summary of early Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. Using the ancient system of detailed histories of the great families, it contains invaluable genealogical diagrams for maximum clarity.
Myths and Legends of Ancient Greece and Rome
Author: E. M. Berens
Publisher: e-artnow
ISBN:
Category : Social Science
Languages : en
Pages : 245
Book Description
"Myths and Legends of Ancient Greece and Rome " is a comprehensive mythology collection, presenting all the major and minor gods of Rome and Greece, with descriptions of festivals and retellings of major mythological stories. The author, thoroughly details each Greek and Roman god, goddess, hero, demi-god and creature and gives the reader a clear and succinct idea of the religious beliefs of the ancients. An exceptional book for those interested in Greek or Roman mythology.
Publisher: e-artnow
ISBN:
Category : Social Science
Languages : en
Pages : 245
Book Description
"Myths and Legends of Ancient Greece and Rome " is a comprehensive mythology collection, presenting all the major and minor gods of Rome and Greece, with descriptions of festivals and retellings of major mythological stories. The author, thoroughly details each Greek and Roman god, goddess, hero, demi-god and creature and gives the reader a clear and succinct idea of the religious beliefs of the ancients. An exceptional book for those interested in Greek or Roman mythology.