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Author: Chris Wade Publisher: ISBN: 9781446673874 Category : Art Languages : en Pages : 0
Book Description
The Classic Film Series highlights movies from the past, forgotten, overlooked and cherished alike, selected for their influence, relevance and worth. Following on from the controversial success of If...., director Lindsay Anderson, writer David Sherwin and actor Malcolm McDowell teamed up again in 1973 for O Lucky Man! Epic, savage, sharp, wicked, satirical, and funny, O Lucky Man! wasn't quite as appreciated in its day as it perhaps should have been. Swiping at everything the nation had to offer, O Lucky Man! was damned as anarchic and arrogant, and met with a lukewarm reception. At almost 3 hours long and artier than most other films of the time, Warner Bros. didn't know what to do with it. Nearly 40 years on O Lucky Man! has a cult following and is seen by many as one of the finest British films of its day. Writer Chris Wade takes a look at this extraordinary film, through exclusive material from the Lindsay Anderson archive, interviews, cast recollections and press cuttings from the day.
Author: Chris Wade Publisher: ISBN: 9781446673874 Category : Art Languages : en Pages : 0
Book Description
The Classic Film Series highlights movies from the past, forgotten, overlooked and cherished alike, selected for their influence, relevance and worth. Following on from the controversial success of If...., director Lindsay Anderson, writer David Sherwin and actor Malcolm McDowell teamed up again in 1973 for O Lucky Man! Epic, savage, sharp, wicked, satirical, and funny, O Lucky Man! wasn't quite as appreciated in its day as it perhaps should have been. Swiping at everything the nation had to offer, O Lucky Man! was damned as anarchic and arrogant, and met with a lukewarm reception. At almost 3 hours long and artier than most other films of the time, Warner Bros. didn't know what to do with it. Nearly 40 years on O Lucky Man! has a cult following and is seen by many as one of the finest British films of its day. Writer Chris Wade takes a look at this extraordinary film, through exclusive material from the Lindsay Anderson archive, interviews, cast recollections and press cuttings from the day.
Author: Chris Wade Publisher: Lulu.com ISBN: 9780244058555 Category : Art Languages : en Pages : 94
Book Description
The Classic Film Series highlights movies from the past, forgotten, overlooked and cherished alike, selected for their influence, relevance and worth. Following on from the controversial success of If...., director Lindsay Anderson, writer David Sherwin and actor Malcolm McDowell teamed up again in 1973 for O Lucky Man! Epic, savage, sharp, wicked, satirical, and funny, O Lucky Man! wasn't quite as appreciated in its day as it perhaps should have been. Swiping at everything the nation had to offer, O Lucky Man! was damned as anarchic and arrogant, and met with a lukewarm reception. At almost 3 hours long and artier than most other films of the time, Warner Bros. didn't know what to do with it. Nearly 40 years on O Lucky Man! has a cult following and is seen by many as one of the finest British films of its day. Writer Chris Wade takes a look at this extraordinary film, through exclusive material from the Lindsay Anderson archive, interviews, cast recollections and press cuttings from the day.
Author: Jonathan Coe Publisher: Vintage ISBN: 0307595552 Category : Fiction Languages : en Pages : 391
Book Description
Maxwell Sim can’t seem to make a single meaningful connection. His absent father was always more interested in poetry; he maintains an e-mail correspondence with his estranged wife, though under a false identity; his incomprehensible teenage daughter prefers her BlackBerry to his conversation; and his best friend since childhood is refusing to return his calls. He has seventy-four friends on Facebook, but nobody to talk to. In an attempt to stir himself out of this horrible rut, Max quits his job as a customer liaison at the local department store and accepts a strange business proposition that falls in his lap by chance: he’s hired to drive a Prius full of toothbrushes to the remote Shetland Islands, part of a misguided promotional campaign for a dental-hygiene company intent on illustrating the slogan “We Reach Furthest.” But Max’s trip doesn’t go as planned, as he’s unable to resist making a series of impromptu visits to important figures from his past who live en route. After a string of cruelly enlightening and intensely awkward misadventures, he finds himself falling in love with the soothing voice of his GPS system (“Emma”) and obsessively identifying with a sailor who perpetrated a notorious hoax and subsequently lost his mind. Eventually Max begins to wonder if perhaps it’s a severe lack of self-knowledge that’s hampering his ability to form actual relationships. A humane satire and modern-day picaresque, The Terrible Privacy of Maxwell Sim is a gently comic and rollickingly entertaining novel about the paradoxical difficulties of making genuine attachments in a world of advanced communications technology and rampant social networking.
Author: John Izod Publisher: Manchester University Press ISBN: 1526141604 Category : Art Languages : en Pages : 349
Book Description
In a long and varied career, Lindsay Anderson made training films, documentaries, searing family dramas and blistering satires, including This Sporting Life, O Lucky Man! and Britannia Hospital. Students of British cinema and television from the 1950s to 1990s will find this book a valuable source of information about a director whose work came to public attention with Free Cinema but who, unlike many of his peers in that movement did not take the Hollywood route to success. What emerges is a strong feeling for the character of the man as well as for a remarkable career in British cinema. The book will appeal to admirers, researchers and students alike. Making use of hitherto unseen original materials from Anderson’s extensive personal and professional records, it is most valuable as a study of how the films came about: the production problems involved, the collaborative input of others, as well as the completed films’ promotion and reception. It also offers a finely argued take on the whole issue of film authorship, and achieves the rare feat of being academically authoritative whilst also being completely accessible. It prompts renewed respect for the man and the artist and a desire to watch the films all over again.
Author: Gavin Lambert Publisher: Knopf ISBN: Category : Biography & Autobiography Languages : en Pages : 392
Book Description
Lindsay Anderson was the most original British filmmaker and theatrical director of his generation. His films "If . . ., O Lucky Man!, and "Britannia Hospital created a Human Comedy of life in Britain during the second half of the twentieth century and were witty, daring, and often prophetic. "This Sporting Life and "O Lucky Man! made Richard Harris and Malcolm McDowell international stars; "The Whales of August provided Lillian Gish, Bette Davis, and Ann Sothern the opportunity to give extraordinary farewell performances. He also directed notable documentaries in several countries: in Britain, the Academy Award-winning "Thursday's Children, about a school for deaf-mute children; in Poland, "The Singing Lesson, a personal impression of a group of students at a drama school. In China, he recorded the 1985 concert tour by George Michael and Andrew Ridgeley of WHAM! As a theatre director he collaborated with playwright David Storey on a series of successes ("The Contractor, The Changing Room, In Celebration, Home), and he worked with such actors as John Gielgud, Ralph Richardson, Alan Bates, Albert Finney, Helen Mirren, Peter O'Toole, Joan Plowright, and Rachel Roberts. Anderson was, as well, an outspoken and sometimes ferocious critic of British films--and of Britain itself. He was the author of the most important and acclaimed book on John Ford. And he was one of Gavin Lambert's closest friends for more than fifty years. Lambert's book begins with his and Anderson's days as movie-struck schoolboys, becoming fast friends, growing up in the shadow of World War II. He shows us their postwar creation of and collaboration on the influential magazine "Sequence--a magazine thatwas produced on love and a shoestring, and which shook up the British film world with its admiration for both Hollywood noir and MGM musicals (at the time unfashionable genres) and its celebration of such directors as Ford, Bunuel, Cocteau, Vigo, and Sturges. He describes how both men rebelled in opposite directions--Anderson remaining in England, Lambert leaving in 1958 for Los Angeles--and traces their unorthodox paths through the film industry. An illuminating, multifaceted portrait--of a friendship, of postwar moviemaking on both sides of the Atlantic, and, mainly, of the remarkable Lindsay Anderson.
Author: Lindsay Anderson Publisher: A&C Black ISBN: 1408150093 Category : Biography & Autobiography Languages : en Pages : 545
Book Description
The extraordinary and revealing diaries of the revolutionary British film and theatre director who became one of the major cultural figures of his time As a director, critic, writer and actor, Lindsay Anderson established a reputation as one of the most innovative, impassioned and fiercely independent British artists of the twentieth century. In directing films such as If, This Sporting Life and O Lucky Man he championed a new wave of social responsiveness in British cinema, while as director at the Royal Court he was responsible for establishing the reputation of a number of groundbreaking plays. Throughout his life Anderson stood in opposition to the establishment of his day. Published for the first time, his diaries provide a uniquely personal document of his artistic integrity and vision, his work, and his personal and public struggles. Peopled by a myriad of artists and stars - Malcolm McDowell, Richard Harris, Albert Finney, Anthony Hopkins Brian Cox, Karel Reisz, Arthur Miller, George Michael - the Diaries provide a fascinating account of one of the most creative periods of British cultural life. Gripping Daily Express "Vicious and velvety in roughly equal measure ... Demands reading at a single sitting" Daily Telegraph "the reader of this book is richly rewarded" Daily Mail
Author: Erik Hedling Publisher: Springer ISBN: 1137539437 Category : Performing Arts Languages : en Pages : 244
Book Description
This book is about the British film-maker Lindsay Anderson. Anderson was a highly influential personality within British cinema, mostly famous for landmark films like This Sporting Life (1963) and If....(1968). Lindsay Anderson Revisited deals primarily with hitherto unexplored aspects of his career: his biographical background in the British upper class, his devoted film criticism, and his angry relationship to contemporary society in general. Thus, the book contains chapters about his childhood in India, his writings about John Ford, his relationship to French star Serge Reggiani, his work on TV in the 1950s, his troubles with the British film establishment, and his gradually emerging preoccupation with being Scottish, not English. Also featured are chapters written by close friends of Anderson, who died in 1994, dwelling on his penchant for controversy and quarrel, but also on his remarkable artistic talent and commitment.
Author: Chris Wade
Author: Chris Wade
Author: Chris Wade
Author: Jonathan Coe![O Lucky Man! [by] Lindsay Anderson & David Sherwin PDF](https://books.google.com/books/content/images/frontcover/GzhgNwAACAAJ?fife=w80-h100)
Author: Lindsay Anderson
Author: John Izod
Author: Gavin Lambert
Author: Lindsay Anderson
Author: Chris Wade
Author: Erik Hedling
Author: David Sherwin