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Marriage Story

Marriage Story PDF Author:
Publisher:
ISBN: 9781614289043
Category : Art
Languages : en
Pages : 0

Book Description
Each volume contains film stills, set photography, quotes from the cast and the filmmakers, Introductions, copies of handwritten notes by Adam Driver (Charlie) and Scarlett Johansson (pink) giving their perspectives on who the other character is. In envelopes adhered to front paste-downs of each other's volumes.

Marriage Story

Marriage Story PDF Author:
Publisher:
ISBN: 9781614289043
Category : Art
Languages : en
Pages : 0

Book Description
Each volume contains film stills, set photography, quotes from the cast and the filmmakers, Introductions, copies of handwritten notes by Adam Driver (Charlie) and Scarlett Johansson (pink) giving their perspectives on who the other character is. In envelopes adhered to front paste-downs of each other's volumes.

Film Noir Guide

Film Noir Guide PDF Author: Michael F. Keaney
Publisher: McFarland
ISBN: 0786491558
Category : Performing Arts
Languages : en
Pages : 552

Book Description
More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book--such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.

Classic American Films

Classic American Films PDF Author: William Baer
Publisher: Bloomsbury Publishing USA
ISBN: 0313348995
Category : Social Science
Languages : en
Pages : 295

Book Description
Classic American Films explores the origin and development of many of the most influential and revered films in cinema history, and does so with the aid and insight of the people who actually wrote the screenplays. These lively, candid, in-depth interviews are filled with fascinating new material (details, anecdotes, judgments, and opinions) about the creative and collaborative processes that went into the making of these extraordinary films. In the past, Hollywood screenwriters—the original artists—have often been overlooked. This book is a special tribute to the invaluable contributions of these cinematic visionaries, many of whom are considered among the greatest screenwriters in American film history. As Orson Welles once said, In my opinion, the writer should have the first and last word in filmmaking. This book allows them to have that exciting opportunity. Some of the highlights from these interviews include: Betty Comden and Adolph Green's explaining how a nightclub skit became the premise for Singin' in the Rain; Ernest Lehman's description of how, while in conversation with Hitchcock, his unconscious suddenly solved the plot problems in North by Northwest; Carl Gottlieb's remembrance of the terrible pressure involved with writing the script for Jaws while shooting was already underway; and Sylvester Stallone's account of how he received final approval to star in Rocky from studio executives who thought he was just another actor.

Conversations with Classic Film Stars

Conversations with Classic Film Stars PDF Author: James Bawden
Publisher: University Press of Kentucky
ISBN: 0813167124
Category : Biography & Autobiography
Languages : en
Pages : 441

Book Description
Bawden and Miller present an astonishing collection of rare interviews with the greatest celebrities of Hollywood's golden age. Conducted over the course of more than fifty years, they recount intimate conversations with some of the most famous leading men and women of the era. Each interview takes readers behind the scenes with some of cinema's most iconic stars, as the actors convey unforgettable stories.

Chinese Film Classics, 1922–1949

Chinese Film Classics, 1922–1949 PDF Author: Christopher G. Rea
Publisher: Columbia University Press
ISBN: 0231547676
Category : Performing Arts
Languages : en
Pages : 454

Book Description
Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.

Weimar Cinema

Weimar Cinema PDF Author: Noah William Isenberg
Publisher: Columbia University Press
ISBN: 0231130554
Category : History
Languages : en
Pages : 373

Book Description
In this comprehensive companion to Weimar cinema, chapters address the technological advancements of each film, their production and place within the larger history of German cinema, the style of the director, the actors and the rise of the German star, and the critical reception of the film.

Star Trek: First Contact: The Making of the Classic Film

Star Trek: First Contact: The Making of the Classic Film PDF Author: Joe Fordham
Publisher: National Geographic Books
ISBN: 1789098556
Category : Art
Languages : en
Pages : 0

Book Description
An in-depth look at the making of Star Trek: First Contact, featuring rare and previously unseen production art and new and exclusive cast and crew interviews. Twenty-five years ago, Star Trek: First Contact saw Picard, Data, and the Enterprise crew go back in time to stop the Borg before they could prevent Earth’s first contact with an alien species and assimilate the entire planet. Celebrate this landmark anniversary by taking a deep dive into the stories behind this beloved film. This beautiful coffee-table book is full to the brim of archival material, behind-the-scenes photography, concept art, production designs, and much more, and includes new and exclusive interviews with cast and crew, including Jonathan Frakes, Alice Krige, Rick Berman, Brannon Braga, Ronald D. Moore, Marina Sirtis, Herman Zimmerman, and Michael Westmore.

Napoleon, Abel Gance's Classic Film

Napoleon, Abel Gance's Classic Film PDF Author: Kevin Brownlow
Publisher: Alfred A. Knopf
ISBN:
Category : Performing Arts
Languages : en
Pages : 320

Book Description


Out of the Shadows

Out of the Shadows PDF Author: Gene D. Phillips
Publisher: Scarecrow Press
ISBN: 0810881896
Category : Performing Arts
Languages : en
Pages : 323

Book Description
Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding the Canon of Classic Film Noir, Gene Phillips provides an in-depth examination of several key noir films, including acknowledged masterpieces like Laura, The Maltese Falcon, Sunset Boulevard, and Touch of Evil, as well as films not often associated with film noir like Spellbound, A Double Life, and Anatomy of a Murder. Phillips also examines overlooked or underappreciated films such as Song of the Thin Man, The Glass Key, Ministry of Fear, and Act of Violence. Also considered in this reevaluation are significant neo-noir films, among them Chinatown, Hammett, L.A. Confidential, and The Talented Mr. Ripley. In his analyses, Phillips draws upon a number of sources, including personal interviews with directors and others connected with their productions, screenplays, and evaluations of other commentators. Out of the Shadows explores not only the most celebrated noir films but offers new insight into underrated films that deserve reconsideration. Of interest to film historians and scholars, this volume will also appeal to anyone who wants a better understanding of the works that represent this unique cycle in American filmmaking.

Classic Hollywood

Classic Hollywood PDF Author: Veronica Pravadelli
Publisher: University of Illinois Press
ISBN: 0252096738
Category : Performing Arts
Languages : en
Pages : 241

Book Description
Studies of "Classic Hollywood" typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films. Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. Availing herself of the significant advances in film theory and modernity studies that have taken place since similar surveys first saw publication, she views Hollywood through strategies as varied as close textural analysis, feminism, psychoanalysis, film style and study of cinematic imagery, revealing the inconsistencies and antithetical traits lurking beneath Classic Hollywood's supposed transparency.