Author: Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 44
Book Description
Television Film Catalog of the U.S. Department of Agriculture
Author: Agriculture Handbook
Author: Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 56
Book Description
Set includes revised editions of some issues.
Circulating film and video library catalog
Author: Museum of Modern Art (New York, N.Y.). Circulating Film LibraryPublisher:
ISBN: 9780870703362
Category : Documentary films
Languages : en
Pages : 108
Book Description
Catalogue of Educational Motion Picture Films
Author: George KleinePublisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 396
Book Description
The Cinematic Mode of Production
Author: Jonathan BellerPublisher: UPNE
ISBN: 1611683823
Category : Performing Arts
Languages : en
Pages : 350
Book Description
A revolutionary reconceptualization of capital and perception during the twentieth century.
Catalog of Educational Captioned Films for the Deaf
Author: United States. Office of Special Education and Rehabilitative Services. Captioned Films and Telecommunications BranchPublisher:
ISBN:
Category : Deaf
Languages : en
Pages : 204
Book Description
USDA Films for Television
Author: After Uniqueness
Author: Erika BalsomPublisher: Columbia University Press
ISBN: 0231543123
Category : Performing Arts
Languages : en
Pages : 391
Book Description
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at once. From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.
Author: 
Author: