Author: Aleksander Dzbyński
Publisher: Vernon Press
ISBN: 1622738217
Category : Social Science
Languages : en
Pages : 313
Book Description
What is archaeology? A research field dealing with monuments? A science? A branch of philosophy? Dzbyński suggests the simple but thoughtful equation: Archaeology = History = Knowledge. This book consists of 8 chapters presenting a collection of characteristic philosophical attitudes important for archaeology. It discusses the historicity of archaeological sources, the source of the algorithmic approach in archaeological reasoning, and the accuracy of logical and irrational thinking. In general, this book is concerned with the history of archaeologists’ search for a suitable methodology. All these issues are discussed in relation to two main intellectual trends of archaeology to the present day: processual and post-processual archaeology. Processualism introduced and developed the idea of algorithmic and universal reasoning in archaeology, while post-processualism focused attention on the individual value of a monument and the archaeologist himself. These are still two foundations on which the present knowledge of the past is based, and thus their defining role cannot be overestimated. An additional layer of narrative, visible right from the beginning of the book, is the gradual discovery of the relationship between archaeology and popular culture, especially film and literature. Its aim is both illustration and explanation. It is intended that the reader receives not only information and knowledge, but also a deeper emotional reference which is connected with the reception of works of art.
Cinematosophical Introduction to the Theory of Archaeology
Author: Aleksander Dzbyński
Publisher: Vernon Press
ISBN: 1622738217
Category : Social Science
Languages : en
Pages : 313
Book Description
What is archaeology? A research field dealing with monuments? A science? A branch of philosophy? Dzbyński suggests the simple but thoughtful equation: Archaeology = History = Knowledge. This book consists of 8 chapters presenting a collection of characteristic philosophical attitudes important for archaeology. It discusses the historicity of archaeological sources, the source of the algorithmic approach in archaeological reasoning, and the accuracy of logical and irrational thinking. In general, this book is concerned with the history of archaeologists’ search for a suitable methodology. All these issues are discussed in relation to two main intellectual trends of archaeology to the present day: processual and post-processual archaeology. Processualism introduced and developed the idea of algorithmic and universal reasoning in archaeology, while post-processualism focused attention on the individual value of a monument and the archaeologist himself. These are still two foundations on which the present knowledge of the past is based, and thus their defining role cannot be overestimated. An additional layer of narrative, visible right from the beginning of the book, is the gradual discovery of the relationship between archaeology and popular culture, especially film and literature. Its aim is both illustration and explanation. It is intended that the reader receives not only information and knowledge, but also a deeper emotional reference which is connected with the reception of works of art.
Publisher: Vernon Press
ISBN: 1622738217
Category : Social Science
Languages : en
Pages : 313
Book Description
What is archaeology? A research field dealing with monuments? A science? A branch of philosophy? Dzbyński suggests the simple but thoughtful equation: Archaeology = History = Knowledge. This book consists of 8 chapters presenting a collection of characteristic philosophical attitudes important for archaeology. It discusses the historicity of archaeological sources, the source of the algorithmic approach in archaeological reasoning, and the accuracy of logical and irrational thinking. In general, this book is concerned with the history of archaeologists’ search for a suitable methodology. All these issues are discussed in relation to two main intellectual trends of archaeology to the present day: processual and post-processual archaeology. Processualism introduced and developed the idea of algorithmic and universal reasoning in archaeology, while post-processualism focused attention on the individual value of a monument and the archaeologist himself. These are still two foundations on which the present knowledge of the past is based, and thus their defining role cannot be overestimated. An additional layer of narrative, visible right from the beginning of the book, is the gradual discovery of the relationship between archaeology and popular culture, especially film and literature. Its aim is both illustration and explanation. It is intended that the reader receives not only information and knowledge, but also a deeper emotional reference which is connected with the reception of works of art.
Cinematosophical Introduction to the Theory of Archaeology
Author: Aleksander Dzbynski
Publisher: Vernon Press
ISBN: 9781622739035
Category : Philosophy
Languages : en
Pages : 314
Book Description
What is archaeology? A research field dealing with monuments? A science? A branch of philosophy? Dzbyński suggests the simple but thoughtful equation: Archaeology = History = Knowledge. This book consists of 8 chapters presenting a collection of characteristic philosophical attitudes important for archaeology. It discusses the historicity of archaeological sources, the source of the algorithmic approach in archaeological reasoning, and the accuracy of logical and irrational thinking. In general, this book is concerned with the history of archaeologists' search for a suitable methodology. All these issues are discussed in relation to two main intellectual trends of archaeology to the present day: processual and post-processual archaeology. Processualism introduced and developed the idea of algorithmic and universal reasoning in archaeology, while post-processualism focused attention on the individual value of a monument and the archaeologist himself. These are still two foundations on which the present knowledge of the past is based, and thus their defining role cannot be overestimated. An additional layer of narrative, visible right from the beginning of the book, is the gradual discovery of the relationship between archaeology and popular culture, especially film and literature. Its aim is both illustration and explanation. It is intended that the reader receives not only information and knowledge, but also a deeper emotional reference which is connected with the reception of works of art.
Publisher: Vernon Press
ISBN: 9781622739035
Category : Philosophy
Languages : en
Pages : 314
Book Description
What is archaeology? A research field dealing with monuments? A science? A branch of philosophy? Dzbyński suggests the simple but thoughtful equation: Archaeology = History = Knowledge. This book consists of 8 chapters presenting a collection of characteristic philosophical attitudes important for archaeology. It discusses the historicity of archaeological sources, the source of the algorithmic approach in archaeological reasoning, and the accuracy of logical and irrational thinking. In general, this book is concerned with the history of archaeologists' search for a suitable methodology. All these issues are discussed in relation to two main intellectual trends of archaeology to the present day: processual and post-processual archaeology. Processualism introduced and developed the idea of algorithmic and universal reasoning in archaeology, while post-processualism focused attention on the individual value of a monument and the archaeologist himself. These are still two foundations on which the present knowledge of the past is based, and thus their defining role cannot be overestimated. An additional layer of narrative, visible right from the beginning of the book, is the gradual discovery of the relationship between archaeology and popular culture, especially film and literature. Its aim is both illustration and explanation. It is intended that the reader receives not only information and knowledge, but also a deeper emotional reference which is connected with the reception of works of art.
Stories in Stone: Memorialization, the Creation of History and the Role of Preservation
Author: Emily Williams
Publisher: Vernon Press
ISBN: 1648890555
Category : Social Science
Languages : en
Pages : 285
Book Description
In 1866, Alexander Dunlop, a free black living in Williamsburg Virginia, did three unusual things. He had an audience with the President of the United States, testified in front of the Joint Congressional Committee on Reconstruction, and he purchased a tombstone for his wife, Lucy Ann Dunlop. Purchases of this sort were rarities among Virginia’s free black community—and this particular gravestone is made more significant by Dunlop’s choice of words, his political advocacy, and the racialized rhetoric of the period. Carved by a pair of Richmond-based carvers, who like many other Southern monument makers, contributed to celebrating and mythologizing the “Lost Cause” in the wake of the Civil War, Lucy Ann’s tombstone is a powerful statement of Dunlop’s belief in the worth of all men and his hopes for the future. Buried in 1925 by the white members of a church congregation, and again in the 1960s by the Colonial Williamsburg Foundation, the tombstone was excavated in 2003. Analysis, conservation, and long-term interpretation were undertaken by the Foundation in partnership with the community of the First Baptist Church, a historically black church within which Alexander Dunlop was a leader. “Stories in Stone: Memorialization, the Creation of History and the Role of Preservation” examines the story of the tombstone through a blend of object biography and micro-historical approaches and contrasts it with other memory projects, like the remembrance of the Civil War dead. Data from a regional survey of nineteenth-century cemeteries, historical accounts, literary sources, and the visual arts are woven together to explore the agentive relationships between monuments, their commissioners, their creators and their viewers and the ways in which memory is created and contested and how this impacts the history we learn and preserve.
Publisher: Vernon Press
ISBN: 1648890555
Category : Social Science
Languages : en
Pages : 285
Book Description
In 1866, Alexander Dunlop, a free black living in Williamsburg Virginia, did three unusual things. He had an audience with the President of the United States, testified in front of the Joint Congressional Committee on Reconstruction, and he purchased a tombstone for his wife, Lucy Ann Dunlop. Purchases of this sort were rarities among Virginia’s free black community—and this particular gravestone is made more significant by Dunlop’s choice of words, his political advocacy, and the racialized rhetoric of the period. Carved by a pair of Richmond-based carvers, who like many other Southern monument makers, contributed to celebrating and mythologizing the “Lost Cause” in the wake of the Civil War, Lucy Ann’s tombstone is a powerful statement of Dunlop’s belief in the worth of all men and his hopes for the future. Buried in 1925 by the white members of a church congregation, and again in the 1960s by the Colonial Williamsburg Foundation, the tombstone was excavated in 2003. Analysis, conservation, and long-term interpretation were undertaken by the Foundation in partnership with the community of the First Baptist Church, a historically black church within which Alexander Dunlop was a leader. “Stories in Stone: Memorialization, the Creation of History and the Role of Preservation” examines the story of the tombstone through a blend of object biography and micro-historical approaches and contrasts it with other memory projects, like the remembrance of the Civil War dead. Data from a regional survey of nineteenth-century cemeteries, historical accounts, literary sources, and the visual arts are woven together to explore the agentive relationships between monuments, their commissioners, their creators and their viewers and the ways in which memory is created and contested and how this impacts the history we learn and preserve.
Interpretive Archaeology
Author: Julian Thomas
Publisher: A&C Black
ISBN: 1441179291
Category : History
Languages : en
Pages : 639
Book Description
New forms of archaeology are emerging which position the discipline firmly within the social and cultural sciences. These approaches have been described as "post processual" or "interpretive" archaeology, and draw on a range of traditions of enquiry in the humanities, from Marxism and critical theory to hermeneutics, feminism, queer theory, phenomenology and post-colonial thinking. This volume gathers together a series of the canonical statements which have defined an interpretive archaeology. Many of these have been unavailable for some while, and others are drawn from inaccessible publications. In addition, a number of key articles are included which are drawn from other disciplines, but which have been influential and widely cited within archaeology. The collection is put into context by an editorial introduction and thematic notes for each section.
Publisher: A&C Black
ISBN: 1441179291
Category : History
Languages : en
Pages : 639
Book Description
New forms of archaeology are emerging which position the discipline firmly within the social and cultural sciences. These approaches have been described as "post processual" or "interpretive" archaeology, and draw on a range of traditions of enquiry in the humanities, from Marxism and critical theory to hermeneutics, feminism, queer theory, phenomenology and post-colonial thinking. This volume gathers together a series of the canonical statements which have defined an interpretive archaeology. Many of these have been unavailable for some while, and others are drawn from inaccessible publications. In addition, a number of key articles are included which are drawn from other disciplines, but which have been influential and widely cited within archaeology. The collection is put into context by an editorial introduction and thematic notes for each section.
Text-Aided Archaeology
Author: Barbara J. Little
Publisher: CRC Press
ISBN: 9780849388538
Category : Social Science
Languages : en
Pages : 252
Book Description
Documents, oral testimony, and ethnographic description all play a role in text-aided archaeology, which in some broad sense includes all archaeology. This volume explores the relationships among many of these sources and addresses how historical documentation is used in archaeology. Public and official archives; mission and church sources; business and company sources; scholarly institutions; letters, diaries, and private papers; literature; transient documents; local sources and opinions; and maps are among the categories of historical sources used in this collection.
Publisher: CRC Press
ISBN: 9780849388538
Category : Social Science
Languages : en
Pages : 252
Book Description
Documents, oral testimony, and ethnographic description all play a role in text-aided archaeology, which in some broad sense includes all archaeology. This volume explores the relationships among many of these sources and addresses how historical documentation is used in archaeology. Public and official archives; mission and church sources; business and company sources; scholarly institutions; letters, diaries, and private papers; literature; transient documents; local sources and opinions; and maps are among the categories of historical sources used in this collection.
Chinese Fans of Japanese and Korean Pop Culture
Author: Lu Chen
Publisher: Routledge
ISBN: 1315414716
Category : Social Science
Languages : en
Pages : 194
Book Description
How can Japanese popular culture gain numerous fans in China, despite pervasive anti-Japanese sentiment? How is it that there’s such a strong anti-Korean sentiment in Chinese online fan communities when the official Sino-Korean relationship is quite stable before 2016? Avid fans in China are raising hundreds of thousands of dollars in funding to make gifts to their idols in foreign countries. Tabloid reports on Japanese and Korean celebrities have been known to trigger nationalist protests in China. So, what is the relationship between Chinese fandom of Japanese and Korean popular culture and nationalist sentiment among Chinese youth? Chen discusses how Chinese fans of Japanese and Korean popular culture have formed their own nationalistic discourse since the 1990s. She argues that, as nationalism is constructed from various entangled ideologies, narratives, myths and collective memories, popular culture simply becomes another resource for the construction of nationalism. Fans thus actively select, interpret and reproduce the content of cultural products to suit their own ends. Unlike existing works, which focus on the content of transnational cultural flows in East Asia, this book focuses on the reception and interpretation of the Chinese audience.
Publisher: Routledge
ISBN: 1315414716
Category : Social Science
Languages : en
Pages : 194
Book Description
How can Japanese popular culture gain numerous fans in China, despite pervasive anti-Japanese sentiment? How is it that there’s such a strong anti-Korean sentiment in Chinese online fan communities when the official Sino-Korean relationship is quite stable before 2016? Avid fans in China are raising hundreds of thousands of dollars in funding to make gifts to their idols in foreign countries. Tabloid reports on Japanese and Korean celebrities have been known to trigger nationalist protests in China. So, what is the relationship between Chinese fandom of Japanese and Korean popular culture and nationalist sentiment among Chinese youth? Chen discusses how Chinese fans of Japanese and Korean popular culture have formed their own nationalistic discourse since the 1990s. She argues that, as nationalism is constructed from various entangled ideologies, narratives, myths and collective memories, popular culture simply becomes another resource for the construction of nationalism. Fans thus actively select, interpret and reproduce the content of cultural products to suit their own ends. Unlike existing works, which focus on the content of transnational cultural flows in East Asia, this book focuses on the reception and interpretation of the Chinese audience.
Sticks, Stones, and Broken Bones
Author: Rick J. Schulting
Publisher: Oxford University Press
ISBN: 0199573069
Category : History
Languages : en
Pages : 419
Book Description
This volume presents an up-to-date overview of the evidence for violent injuries on human skeletons of the Neolithic period in Europe, ranging from 6700 to 2000 BC, and provides an invaluable baseline for comparisons with both earlier and later periods.
Publisher: Oxford University Press
ISBN: 0199573069
Category : History
Languages : en
Pages : 419
Book Description
This volume presents an up-to-date overview of the evidence for violent injuries on human skeletons of the Neolithic period in Europe, ranging from 6700 to 2000 BC, and provides an invaluable baseline for comparisons with both earlier and later periods.
Polish K-Pop Fandom
Author: Julia Trzcińska
Publisher: Stowarzyszenie Badaczy Popkultury i Edukacji Popkulturowej Trickster
ISBN: 8364863150
Category : Social Science
Languages : en
Pages : 180
Book Description
This book was written for people who would like to learn more about Polish K-Pop fandom, but it can also be of help for those who are looking for some basic information about fan studies or K-Pop in general. Korean music has only recently started to gain popularity in Poland (as well as in other European countries). Some may affiliate K-Pop with Psy’s Gangnam Style, a track which was virtually inescapable in the summer of 2012, but around that time the European K-Pop fandom was already well-developed, as evidenced by the Korean group Big Bang winning MTV European Music Award in 2011, or the flashmob fans organized in front of the Louvre museum that forced one of the biggest Korean entertainment companies to organize one more concert of their artists in the same year. Nevertheless, K-Pop’s international popularity peak is often being connected to BTS’ success, when they were awarded the Top Social Artist Award and successfully performed during the Billboard Music Awards in 2017. It would be difficult to say how many K-Pop fans there are in Poland now and how the number changed over the years, but it is still undoubtedly growing.
Publisher: Stowarzyszenie Badaczy Popkultury i Edukacji Popkulturowej Trickster
ISBN: 8364863150
Category : Social Science
Languages : en
Pages : 180
Book Description
This book was written for people who would like to learn more about Polish K-Pop fandom, but it can also be of help for those who are looking for some basic information about fan studies or K-Pop in general. Korean music has only recently started to gain popularity in Poland (as well as in other European countries). Some may affiliate K-Pop with Psy’s Gangnam Style, a track which was virtually inescapable in the summer of 2012, but around that time the European K-Pop fandom was already well-developed, as evidenced by the Korean group Big Bang winning MTV European Music Award in 2011, or the flashmob fans organized in front of the Louvre museum that forced one of the biggest Korean entertainment companies to organize one more concert of their artists in the same year. Nevertheless, K-Pop’s international popularity peak is often being connected to BTS’ success, when they were awarded the Top Social Artist Award and successfully performed during the Billboard Music Awards in 2017. It would be difficult to say how many K-Pop fans there are in Poland now and how the number changed over the years, but it is still undoubtedly growing.
Framing Archaeology in the Near East
Author: Ianir Milevski
Publisher: Equinox Publishing (UK)
ISBN: 9781781792476
Category : History
Languages : en
Pages : 0
Book Description
This volume presents a series of studies by scholars working in Middle Eastern archaeology who actively apply social theory to interpret their fieldwork. It aims to highlight the value of using social theory in the interpretation of field work in a region where, traditionally, such approaches have not played a major role. There are a number of factors that account for why social theory is often under-exploited by archaeologists in this part of the world. In many countries, where large numbers of the foreign archaeologists are involved, a division between those doing fieldwork and those undertaking archaeological interpretation can easily arise. Or, the lack of interest in social theory may stem from a legacy of positivism that overrides other approaches. There is also the fact that archaeology and anthropology often belong to separate academic departments and are considered two separate disciplines disconnected from each other. In some cases the centrality of historical paradigms has precluded the use of social theory. There are also divisions between universities and other research institutions, such as departments of antiquities, which is not conductive to interdisciplinary cooperation. This factor is especially debilitating in contexts of rapid destruction of sites and the exponential growth of salvage excavations and emergency surveys. The papers integrate a wide range of perspectives including 'New' or 'Processual' archaeology, Marxist, 'Post-Processual', evolutionist, cognitive, symbolic, and Cyber- archaeologies and touch on many topics including 3D representation, GIS, mapping and social theory, semiotics and linguistics, gender and bioarchaeology, social and technical identities, and modern historical modellingy and social practices in Middle Eastern archaeology.
Publisher: Equinox Publishing (UK)
ISBN: 9781781792476
Category : History
Languages : en
Pages : 0
Book Description
This volume presents a series of studies by scholars working in Middle Eastern archaeology who actively apply social theory to interpret their fieldwork. It aims to highlight the value of using social theory in the interpretation of field work in a region where, traditionally, such approaches have not played a major role. There are a number of factors that account for why social theory is often under-exploited by archaeologists in this part of the world. In many countries, where large numbers of the foreign archaeologists are involved, a division between those doing fieldwork and those undertaking archaeological interpretation can easily arise. Or, the lack of interest in social theory may stem from a legacy of positivism that overrides other approaches. There is also the fact that archaeology and anthropology often belong to separate academic departments and are considered two separate disciplines disconnected from each other. In some cases the centrality of historical paradigms has precluded the use of social theory. There are also divisions between universities and other research institutions, such as departments of antiquities, which is not conductive to interdisciplinary cooperation. This factor is especially debilitating in contexts of rapid destruction of sites and the exponential growth of salvage excavations and emergency surveys. The papers integrate a wide range of perspectives including 'New' or 'Processual' archaeology, Marxist, 'Post-Processual', evolutionist, cognitive, symbolic, and Cyber- archaeologies and touch on many topics including 3D representation, GIS, mapping and social theory, semiotics and linguistics, gender and bioarchaeology, social and technical identities, and modern historical modellingy and social practices in Middle Eastern archaeology.
Critical Traditions in Contemporary Archaeology
Author: Valerie Pinsky
Publisher: CUP Archive
ISBN: 9780521321099
Category : Social Science
Languages : en
Pages : 186
Book Description
Publisher: CUP Archive
ISBN: 9780521321099
Category : Social Science
Languages : en
Pages : 186
Book Description