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Author: Nezar AlSayyad Publisher: ISBN: 9780415700481 Category : Architecture Languages : en Pages : 256
Book Description
The city and the cinema have become inextricably intertwined over the last century, with the identities of places becoming bound up in their cinematic portrayals. We have seen the landmarks of New York, London and Tokyo turn into iconic symbols of wealth, power, status, style and culture, and for the majority of people the images and sounds of movies form the only experience they will ever have of distant cities. Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema. AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. They include: Cinema Paradiso It's a Wonderful Life Metropolis Brazil Blade Runner Annie Hall Taxi Driver Do the Right Thing My Beautiful Laundrette The Truman Show. Alsayyad argues that our understanding of the city cannot be viewed independently of cinematic experience. Films do not only capture the depiction of a society; they influence the way we construct images of the world and, as a result, how we operate within it. We are beginning to blur the distinction between what is real in the everyday, and how we imagine the everyday. Cinematic Urbanism explores this dynamic, bringing together insights from urban and film studies to illuminate current architectural debate. .
Author: Nezar AlSayyad Publisher: ISBN: 9780415700481 Category : Architecture Languages : en Pages : 256
Book Description
The city and the cinema have become inextricably intertwined over the last century, with the identities of places becoming bound up in their cinematic portrayals. We have seen the landmarks of New York, London and Tokyo turn into iconic symbols of wealth, power, status, style and culture, and for the majority of people the images and sounds of movies form the only experience they will ever have of distant cities. Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema. AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. They include: Cinema Paradiso It's a Wonderful Life Metropolis Brazil Blade Runner Annie Hall Taxi Driver Do the Right Thing My Beautiful Laundrette The Truman Show. Alsayyad argues that our understanding of the city cannot be viewed independently of cinematic experience. Films do not only capture the depiction of a society; they influence the way we construct images of the world and, as a result, how we operate within it. We are beginning to blur the distinction between what is real in the everyday, and how we imagine the everyday. Cinematic Urbanism explores this dynamic, bringing together insights from urban and film studies to illuminate current architectural debate. .
Author: Barbara Mennel Publisher: Routledge ISBN: 1134219830 Category : Science Languages : en Pages : 287
Book Description
Films about cities abound. They provide fantasies for those who recognize their city and those for whom the city is a faraway dream or nightmare. How does cinema rework city planners’ hopes and city dwellers’ fears of modern urbanism? Can an analysis of city films answer some of the questions posed in urban studies? What kinds of vision for the future and images of the past do city films offer? What are the changes that city films have undergone? Cities and Cinema puts urban theory and cinema studies in dialogue. The book’s first section analyzes three important genres of city films that follow in historical sequence, each associated with a particular city, moving from the city film of the Weimar Republic to the film noir associated with Los Angeles and the image of Paris in the cinema of the French New Wave. The second section discusses socio-historical themes of urban studies, beginning with the relationship of film industries and individual cities, continuing with the portrayal of war torn and divided cities, and ending with the cinematic expression of utopia and dystopia in urban science fiction. The last section negotiates the question of identity and place in a global world, moving from the portrayal of ghettos and barrios to the city as a setting for gay and lesbian desire, to end with the representation of the global city in transnational cinematic practices. The book suggests that modernity links urbanism and cinema. It accounts for the significant changes that city film has undergone through processes of globalization, during which the city has developed from an icon in national cinema to a privileged site for transnational cinematic practices. It is a key text for students and researchers of film studies, urban studies and cultural studies.
Author: Barbara Mennel Publisher: Routledge ISBN: 1351016172 Category : Science Languages : en Pages : 244
Book Description
The second edition of Cities and Cinema provides an updated survey of films about cities, from their significance for modernity at the beginning of the twentieth century to the contemporary relationship between virtual reality and urban space. The book demonstrates the importance of the filmic depiction of capitals for national cinemas in the twentieth century and analyzes the transnational transfer of cinematic images surrounding global cities in the twenty-first century. Cities and Cinema covers the different facets of the cinematic depiction of cities. It rehearses distinct methodologies and offers a survey of the history of the cinematic city. The book also deepens our understanding of tropes and narrative conventions that shape films about urban settings and that reflect the transformation of cities throughout the twentieth and twenty-first centuries. Beginning with a discussion of the Weimar “street film,” it analyzes how the city film defined modernity. The book outlines the sociological context and the aesthetic features of so-called film noir, made in 1940s Hollywood and depicting Los Angeles. Paris became the site for the development of auteur cinema, which repeatedly depicts characters moving through the city. Tokyo took up noir to signal modern crime. The volume delineates how filmic genres, such as science fiction, comment on the present by imagining future forms of urban living. After analyzing how cinema captures the relationship between sexual identity and urban anonymity, migration and urban space, and marginalized ethnic and sexual identity in ghetto films, the book emphasizes transnational dynamics and global cities in the twenty-first century. Its conclusion points to the increasing virtual mediation of cities with new media. Cities and Cinema offers a historical overview of the development of films about cities and a theoretical approach to the intersection of urban studies and film studies. This title is designed as a textbook primarily for second-year undergraduate students in Film/Media studies, Urban studies, as well as Geography and Planning.
Author: Vojislava Filipcevic Cordes Publisher: Routledge ISBN: 1000090493 Category : Architecture Languages : en Pages : 182
Book Description
New York in Cinematic Imagination is an interdisciplinary study into urbanism and cinematic representations of the American metropolis in the twentieth century. It contextualizes spatial transformations and discourse about New York during the Great Depression and the Second World War, examining both imaginary narratives and documentary images of the city in film. The book argues that alternating endorsements and critiques of the 1920s machine age city are replaced in films of the 1930s and 1940s by a new critical theory of "agitated urban modernity" articulated against the backdrop of turbulent economic and social settings and the initial practices of urban renewal in the post-war period. Written for postgraduates and researchers in the fields of film, history and urban studies, with 40 black and white illustrations to work alongside the text, this book is an engaging study into cinematic representations of New York City.
Author: Nezar AlSayyad Publisher: American University in Cairo Press ISBN: 1649032471 Category : Performing Arts Languages : en Pages : 381
Book Description
A history of urban modernity in Cairo through cinema which"makes us see makes us see the movies in a whole new way" (Chris Berry, King’s College London) The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo’s urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt’s film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century. Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Contributors Ahmed H. AbdelAzim, University of Wisconsin-Madison, USA Khaled Adham, Leibniz-Zentrum Moderner Orient, Berlin, Germany Kinda AlSamara, Deakin University, Melbourne, Australia Nezar AlSayyad, University of California, Berkeley, USA Doaa Al Amir, October 6th University, Cairo, Egypt Mirette Aziz, Misr International University, Egypt Muhammad Emad Feteha, The American University in Cairo, Cairo, Egypt Farah Gendy, Raef Fahmi Architects, Cairo, Egypt Hala A. Hassanien, Architect, Wasl, Cairo, Egypt Tayseer Khairy, Arab Academy for Science Technology & Maritime Transport, Cairo, Egypt Mariam Marei, The American University in Cairo, Cairo, Egypt Ameer Saad, Architect, Dar Al-Handasa, Cairo, Egypt Heba Safey Eldeen, Misr International University, Cairo, Egypt Mohammad Salama, San Francisco State University, San Francisco, USA Nour Sobhi, Misr International University, Cairo, Egypt Sherin Soliman, Misr International University, Cairo, Egypt
Author: Harry H. Kuoshu Publisher: SIU Press ISBN: 0809386178 Category : Performing Arts Languages : en Pages : 286
Book Description
Metro Movies: Cinematic Urbanism in Post-Mao China takes readers on a comprehensive tour of the urbanization of Chinese cinema. Focusing primarily on movies from the end of the twentieth century, it is the first single-authored work to explore the relationship between the changes in Chinese society—caused in part by the advent of postsocialism, the growth of cities, and globalization—and the transformation of Chinese cinema. Author Harry H. Kuoshu examines such themes as displacement, cinematic representation, youth subculture, the private emotional lives of emerging urbanites, raw urban realism, and the allegorical contrast of the city and the countryside to illustrate the artistic richness and cultural diversity of this cinematic genre. Kuoshu discusses the work of director Huang Jianxin, whose films follow and critique China’s changing urban political culture. He dedicates a chapter to filmmakers who followed Huang and attempted to redefine the concept of art films to regain the local audience. These directors address Chinese moviegoers’ disappointment with the international adoption of Chinese art films, their lack of interest in conventional Chinese films, and their fascination with emerging audio-video media. A considerable amount of attention is given to films of the 1990s, which focus on the social changes surfacing in China, from the trend of hooliganism and the Beijing rock scene to the arrival of an urban pop culture lifestyle driven by expansionist commerce and materialism. Kuoshu also explores recent films that confront the seedier aspects of city life, as well as films that demonstrate how urbanization has touched every fiber of Chinese living. Metro Movies illustrates how cinematic urbanism is no longer a genre indicator but is instead an era indicator, revealing the dominance of metropolitan living on modern Chinese culture. It gives new insight into contemporary Chinese politics and culture and provides readers with a better understanding of China’s urban cinema. This book will be an excellent addition to college film courses and will fascinate any reader with an interest in film studies or Chinese culture.
Author: Gareth Millington Publisher: Springer ISBN: 1137473991 Category : Social Science Languages : en Pages : 156
Book Description
This book examines a cycle of films about migration made in the late 1990s and 2000s. It argues that these films present a novel (and radical) aesthetic of planetary urbanization based upon the mobility of the migrant and the dissolution of the city. A stimulating cinematic analysis of our expanding urban fabric, it offers an alternative to the ‘cultural cityism’ of many other films about migration. The author demonstrates that this particular film cycle offers a rare, sustained consideration of the travails and struggles for urban life by migrants beyond and without the city. Yet the city haunts these films like a spectre: the city that has been lost, the ‘present’ city that excludes and the possible ‘cities of refuge’ of the future. Offering new insights into the cinematic portrayal of the figure of the migrant and how this is constructed in relation to urbanization processes, this book will appeal to students and scholars of sociology, film and media studies, human geography, and urban studies.
Author: François Penz Publisher: Springer ISBN: 1137460849 Category : Performing Arts Languages : en Pages : 356
Book Description
This book proposes new methodological tools and approaches in order to tease out and elicit the different facets of urban fragmentation through the medium of cinema and the moving image, as a contribution to our understanding of cities and their topographies. In doing so it makes a significant contribution to the literature in the growing field of cartographic cinema and urban cinematics, by charting the many trajectories and points of contact between film and its topographical context. Under the influence of new technologies, the opening and the availability of previously unexplored archives but also the contribution of new scholars with novel approaches in addition to new work by experienced academics, Cinematic Urban Geographies demonstrates how we can reread the cinematic past with a view to construct the urban present and anticipate its future.
Author: Johan Andersson Publisher: Columbia University Press ISBN: 0231850999 Category : Performing Arts Languages : en Pages : 272
Book Description
Cinema and audiovisual media are integral to the culture, economy and social experience of the contemporary global city. But how has the relationship between cinema and the urban environment evolved in the era of digital technology, new media and globalization? And what are the critical tools and concepts with which we can grasp this vital interconnection between space and screen, viewer and built environment? Engaging with a rapidly transforming urban world, the contributions to this collection rethink the 'cinematic city' at a global scale. By presenting a global constellation of screen cities within one volume, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation. The contributions examine film and screen cultures in a range of locations spanning five continents: Antibes, Beijing, Buenos Aires, Busan, Cairo, Caracas, Copenhagen, Jakarta, Kolkata, Lagos, Los Angeles, Malmö, Manila, Mumbai, Nairobi, Paris, Seoul, Sète, and Shanghai. The chapters address topics that range across the contemporary film and media landscape, from popular cinema, art cinema, and film festivals to serial television, public screens, multimedia installations, and video art. Contributors: Chris Berry, Yomi Braester, Jinhee Choi, Pei-Sze Chow, Thomas Elsaesser, Malini Guha, Jonathan Haynes, Will Higbee, Igor Krstic, Christian B. Long, Joanna Page, Lawrence Webb.
Author: Paul Arthur Publisher: U of Minnesota Press ISBN: 9780816642656 Category : Performing Arts Languages : en Pages : 246
Book Description
Arthur (English and film studies, Montclair State U.) balances close analysis of major and lesser-known films with detailed examinations of their production, distribution and exhibition. He addresses the avant-garde's cultural significance and reexamines accepted critical categories and artistic options. Rather than treating American avant-garde ci
Author: Nezar AlSayyad
Author: Nezar AlSayyad
Author: Barbara Mennel
Author: Barbara Mennel
Author: Vojislava Filipcevic Cordes
Author: Nezar AlSayyad
Author: Harry H. Kuoshu
Author: Gareth Millington
Author: François Penz
Author: Johan Andersson
Author: Paul Arthur