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Author: Michael Shapiro Publisher: Edinburgh University Press ISBN: 1474472516 Category : Motion pictures Languages : en Pages : 191
Book Description
This book has two aims: to offer a series of investigations into aspects of contemporary politics such as race, nation and gender; and to articulate a critical philosophical perspective with politically disposed treatments of contemporary cinema. What the author offers is a politics of critique, inspired by Kant, in which he attempts to show what it can mean to think the political. The interventions into aspects of contemporary political issues, as reflected in films including Hoop Dreams, Lonestar, Father of the Bride II , The Adventures of Priscilla, Queen of the Desert, and To Live and Die in LA, are also influenced by Deleuze, Derrida, Foucault and Lyotard: theorists loosely regarded by the author as post-Kantian. This is a polemical work, aimed at encouraging critical, ethico-political thinking. Its breadth of theoretical scope and empirical reference, and the innovative style of presentation will make it vital reading for all those with an interest in the linking of culture and politics.
Author: Michael Shapiro Publisher: Edinburgh University Press ISBN: 1474472516 Category : Motion pictures Languages : en Pages : 191
Book Description
This book has two aims: to offer a series of investigations into aspects of contemporary politics such as race, nation and gender; and to articulate a critical philosophical perspective with politically disposed treatments of contemporary cinema. What the author offers is a politics of critique, inspired by Kant, in which he attempts to show what it can mean to think the political. The interventions into aspects of contemporary political issues, as reflected in films including Hoop Dreams, Lonestar, Father of the Bride II , The Adventures of Priscilla, Queen of the Desert, and To Live and Die in LA, are also influenced by Deleuze, Derrida, Foucault and Lyotard: theorists loosely regarded by the author as post-Kantian. This is a polemical work, aimed at encouraging critical, ethico-political thinking. Its breadth of theoretical scope and empirical reference, and the innovative style of presentation will make it vital reading for all those with an interest in the linking of culture and politics.
Author: Michael J. Shapiro Publisher: Routledge ISBN: 0429947321 Category : Political Science Languages : en Pages : 313
Book Description
In this book, Michael J. Shapiro stages a series of pedagogical encounters between political theory, represented as a compositional challenge, and cinematic texts, emphasizing how to achieve an effective research paper/essay by heeding the compositional strategies of films. The text’s distinctiveness is its focus on the intermediation between two textual genres. It is aimed at providing both a conceptual introduction to the politics of aesthetics and a guide to writing strategies. In its illustrations of encounters between political theory and cinema, the book’s critical edge is its emphasis on how to intervene in cinematic texts with innovative conceptual frames in ways that challenge dominant understandings of life worlds. The Cinematic Political is designed as a teaching resource that introduces students to the relationship between film form and political thinking. With diverse illustrative investigations, the book instructs students on how to watch films with an eye toward writing a research paper in which a film (or set of films) constitutes the textual vehicle for political theorizing.
Author: Michael J. Shapiro Publisher: ISBN: 9780748613472 Category : Motion pictures Languages : en Pages : 176
Book Description
This text is both a series of investigations into aspects of contemporary politics, and a more general attempt to articulate a critical philosophical perspective with politically disposed treatments of contemporary cinema. The interventions into aspects of current political issues, as exemplified in films like Hoop Dreams, Lonestar, Father of the Bride II, and To Live and Die in LA, are also influenced by Delueze, Derrida, Foucault, and Lyotard; theorists loosely regarded by the author as post-Kantians. This book is suitable reading for all those interested in the links between culture and politics.
Author: J. Nelson Publisher: Springer ISBN: 1137373865 Category : Political Science Languages : en Pages : 266
Book Description
The book presents cinematic case studies in political realism versus political idealism, demonstrating methods of viewing popular cinema as political theory. The book appreciates political myth-making in popular genres as especially practical and accessible theorizing about politics.
Author: Dan Dungaciu Publisher: Cambridge Scholars Publishing ISBN: 1527526364 Category : Philosophy Languages : en Pages : 261
Book Description
This book approaches the visual clues acknowledged by political philosophy, interested in the relationship of the philosophy and the politics of film. It also expresses and highlights a precise way of “looking at things”, indicating a frame able to verify the domain’s themes and constructs, in order not only to offer some illustrating insights, but also to provide reflections able to re-define the relationship between film and political philosophy. It will appeal to the wider academic community, PhD students, professors, and researchers with an interest in political philosophy, postmodern philosophy, media studies and cultural studies.
Author: Angelo Emanuele Cioffi Publisher: Routledge ISBN: 1000468658 Category : Philosophy Languages : en Pages : 260
Book Description
This book utilizes philosophical tools to build up a framework for the classification, analysis and assessment of political cinema. The author first maps the category of political cinema, clarifying what it means for a film to be ‘political’, and then analyzes the relation between the value of a film as a political film and its value as art. Through philosophical enquiry, Angelo Emanuele Cioffi builds up a framework that could be of use in art-critical practice and that can help with the classification and assessment of political films. Grounded in analytic philosophy of art and cognitivist film theory, with insights from political science, political philosophy, epistemology and cognitive science, the book presents a unique analysis of the relation between films and the ‘political’. This theory is tested with detailed case studies, and the author uses specific films as examples of the applicability and explanatory power of this theoretical framework. As such, this book will be of interest not just to film studies, film theory and political philosophy scholars, but to anyone with an interest in political film, aesthetic practice and philosophy of art.
Author: Ian Fraser Publisher: Rowman & Littlefield ISBN: 178348165X Category : Political Science Languages : en Pages : 224
Book Description
Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict
Author: R. Rushton Publisher: Springer ISBN: 1137316160 Category : Performing Arts Languages : en Pages : 236
Book Description
The Politics of Hollywood Cinema radically transforms our understanding of cinema's potential to be politically engaging and challenging. Examining several films from Hollywood's classical era, including Marked Woman, Mr Smith Goes to Washington, Born Yesterday, On the Waterfront and It Should Happen to You, alongside contemporary theories of democracy advanced by Ernesto Laclau, Chantal Mouffe, Claude Lefort, Étienne Balibar and Jacques Rancière, Richard Rushton argues that popular films can offer complex subtle, relevant and controversial approaches to democracy and politics.
Author: Bonnie Honig Publisher: Oxford University Press ISBN: 0190600209 Category : Political Science Languages : en Pages : 400
Book Description
Lars von Trier's intense, disturbing, and sometimes funny films have led many to condemn him as misogynist or misanthropic. The same films inspire this collection's reflections on how our fears and desires regarding gender, power, race, finitude, family, and fate often thwart -- and sometimes feed -- our best democratic aspirations. The essays in this volume attend to von Trier's role as provocateur, as well as to his films' techniques, topics, and storytelling. Where others accuse von Trier of being clichéd, the editors argue that he intensifies the "clichés of our times" in ways that direct our political energies towards apprehending and repairing a shattered world. The book is certainly for von Trier lovers and haters but, at the same time, political, critical, and feminist theorists entirely unfamiliar with von Trier's films will find this volume's essays of interest. Most of the contributors tarry with von Trier to develop new readings of major thinkers and writers, including Agamben, Bataille, Beauvoir, Benjamin, Deleuze, Euripides, Freud, Kierkegaard, Ranciére, Nietzsche, Winnicott, and many more. Von Trier is both central and irrelevant to much of this work. Writing from the fields of classics, literature, gender studies, philosophy, film and political theory, the authors stage an interdisciplinary intervention in film studies.
Author: Joshua Foa Dienstag Publisher: Oxford University Press ISBN: 0190067748 Category : Political Science Languages : en Pages : 224
Book Description
Aesthetic and political representation are often treated separately, but this book argues that film offers a unique perspective through which to understand the dangers to equality and freedom that lurk in representative politics. The potential problems of representative democracy have long been debated: does it cultivate apathy and discourage citizen participation? What does it mean to be faithfully or well represented in a democracy? And how can appropriate, meaningful representation be achieved? Here, these questions are addressed from a new perspective. Representation, Joshua Foa Dienstag argues, can create the illusion of freedom and reciprocity in place of the real thing, and in both cinema and politics, what gives us pleasure is not the same as what secures or supports our existence as free and equal citizens. As this book shows, there are political dangers not visible within the current debates around democratic representation, dangers we can better understand and help to minimize by considering the way that human beings interact, emotionally, with their filmic representations. Dienstag looks at a series of films that directly confront issues of representation (Her, Blade Runner, The Man Who Shot Liberty Valance, Melancholia, and the Up documentary series) to diagnose these hazards and consider how best to respond to them. Each chapter looks at a specific film as emblematic of a different conception or problem of representation often ignored by mainstream political debates (such as reciprocity, happiness, boundaries, evil) to show that the relationship between representation and freedom is fraught with tension. This book continues Dienstag's earlier groundbreaking work on philosophical pessimism, understood not as something despairing, but as a rejection of the idea that these necessary tensions can be cured. Ultimately, Dienstag seeks to defend a kind of pessimistic politics that might produce a better sort of democratic representation than what we have today.
Author: Michael Shapiro
Author: Michael Shapiro
Author: Michael J. Shapiro
Author: Michael J. Shapiro
Author: J. Nelson
Author: Dan Dungaciu
Author: Angelo Emanuele Cioffi
Author: Ian Fraser
Author: R. Rushton
Author: Bonnie Honig
Author: Joshua Foa Dienstag