Art in Cinema PDF Download

Author: Scott MacDonald
Publisher: Temple University Press
ISBN: 9781592134274
Category : Performing Arts
Languages : en
Pages : 332

View

Book Description
Fascinating documentation of one of the most important film societies in American history.

Author: Scott MacDonald
Publisher:
ISBN:
Category :
Languages : en
Pages : 192

View

Book Description

Author: James Burns
Publisher: Springer
ISBN: 1137308028
Category : History
Languages : en
Pages : 243

View

Book Description
By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.

Author: Denise J. Youngblood
Publisher: Cambridge University Press
ISBN: 9780521466325
Category : History
Languages : en
Pages : 300

View

Book Description
This book is a pathbreaking study of the 'unknown' Soviet cinema: the popular movies which were central to Soviet film production in the 1920s. Professor Youngblood discusses acting genres, the cinema stars, audiences, and the influences of foreign films and examines three leading filmmakers - Iakov Protazanov, Boris Barnet, and Fridikh Ermler. She also looks at the governmental and industrial circumstances underlying filmmaking practices of the era, and provides an invaluable survey of the contemporary debates concerning official policy on entertainment cinema. Professor Youngblood demonstrates that the film culture of the 1920s was predominantly and aggressively 'bourgeois' and enjoyed patronage that cut across class lines and political allegiance. Thus, she argues, the extent to which Western and pre-revolutionary influences, boureois directors and middle-class tastes dominated the film world is as important as the tradition of revolutionary utopianism in understanding the transformation of Soviet culture in the Stalin revolution.

Author: Steven Ricci
Publisher: Univ of California Press
ISBN: 0520253566
Category : History
Languages : en
Pages : 248

View

Book Description
"This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history." -- Book cover.

Author: Peter Kenez
Publisher:
ISBN: 9780755604616
Category : Electronic books
Languages : en
Pages : 252

View

Book Description
In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.

Author: Paola Marrati
Publisher: JHU Press
ISBN: 0801888026
Category : Literary Criticism
Languages : en
Pages : 161

View

Book Description
2008 Outstanding Academic Title, Choice Magazine In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson's thought and André Bazin's film theory? What does it tell us about perceiving a world in images—indeed about our relation to the world? These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life.

Author: David Welch
Publisher: Bloomsbury Publishing
ISBN: 085771595X
Category : History
Languages : en
Pages : 329

View

Book Description
This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment.

Author: Zhen Zhang
Publisher: Duke University Press
ISBN: 9780822340744
Category : Performing Arts
Languages : en
Pages : 468

View

Book Description
DIVAn anthology that explores film works by the "urban generation,"--filmmakers who operate outside of "mainstream" (officially sanctioned) Chinese cinema -- whose impact has been enormous./div

Author: James Chapman
Publisher: Reaktion Books
ISBN: 1861895747
Category : Performing Arts
Languages : en
Pages : 488

View

Book Description
The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History