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Author: Dina Iordanova Publisher: Bloomsbury Publishing ISBN: 1838715037 Category : Performing Arts Languages : en Pages : 484
Book Description
First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh)
Author: Dina Iordanova Publisher: Bloomsbury Publishing ISBN: 1838715037 Category : Performing Arts Languages : en Pages : 484
Book Description
First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh)
Author: Dina Iordanova Publisher: Bloomsbury Publishing ISBN: 1838715045 Category : Performing Arts Languages : en Pages : 320
Book Description
First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh)
Author: Christina Lane Publisher: Wayne State University Press ISBN: 9780814329221 Category : Performing Arts Languages : en Pages : 270
Book Description
Feminist Hollywood examines the differences between commercial cinema and counter cinema by focusing on the work of contemporary women directors who have entered Hollywood from the realm of independent filmmaking. Christina Lane compares their early documentaries or avant-garde films with their more mainstream endeavors as she explores the possibilities and limits of feminist expression within the male-dominated industry of commercial filmmaking. Feminist Hollywood incorporates interviews with directors Susan Seidelman, Martha Coolidge, Kathryn Bigelow, Lizzie Borden, Darnell Martin, and Tamra Davis in an attempt to bridge the "theory gap" that often excludes women's professional experiences and makes false assumptions about how the industry operates. Lane balances these firsthand accounts with cultural theory and an understanding of the current film industry, in which the line between commercial and independent filmmaking has become blurred. The timely and comprehensive nature of this volume will make it a welcome addition to the bookshelves of film scholars and amateur movie buffs alike.
Author: Howard Hampton Publisher: Harvard University Press ISBN: 9780674023178 Category : Music Languages : en Pages : 496
Book Description
Twenty years as an outsider scouring the underbelly of American culture has made Howard Hampton a uniquely hard-nosed guide to the heart of pop darkness. Bridging the fatalistic, intensely charged space between Apocalypse Now Redux and Nirvana’s “Smells Like Teen Spirit,” his writing breaks down barriers of ignorance and arrogance that have segregated art forms from each other and often from the world at large. In the freewheeling spirit of Pauline Kael, Lester Bangs, and Manny Farber, Hampton calls up the extremist, underground tendencies and archaic forces simmering beneath the surface of popular forms. Ranging from the kinetic poetry of Hong Kong cinema and the neo–New Wave energy of Irma Vep to the punk heroines of Sleater-Kinney and Ghost World, Born in Flames plays odd couples off one another: pitting Natural Born Killers against Forrest Gump, contrasting Jean-Luc Godard with Steven Spielberg, defending David Lynch against aesthetic ideologues, invoking The Curse of the Mekons against Fredric Jameson’s Postmodernism, and introducing D. H. Lawrence to Buffy the Vampire Slayer. “We are born in flames,” sang the incandescent Lora Logic, and here those flames are a source of illumination as well as destruction, warmth as well as consumption. From the scorched-earth works of action-movie provocateurs Seijun Suzuki and Sam Peckinpah to the cargo cult soundscapes of Pere Ubu and the Czech dissidents Plastic People of the Universe, Born in Flames is a headlong plunge into the passions and disruptive power of art.
Author: Daniel J. Goulding Publisher: Indiana University Press ISBN: 9780253342102 Category : History Languages : en Pages : 310
Book Description
Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia.
Author: Daniel J. Goulding Publisher: Indiana University Press ISBN: 9780253215826 Category : History Languages : en Pages : 308
Book Description
Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia.
Author: Erica Sheen Publisher: Wallflower Press ISBN: 9781903364857 Category : Performing Arts Languages : en Pages : 220
Book Description
This is a study of one of Hollywood's most popular and critically acclaimed directors. Films discussed include 'Blue Velvet', 'Wild at Heart', 'The Straight Story' and 'Mulholland Drive'.
Author: Stephen Kessler Publisher: ISBN: 9781737160304 Category : Languages : en Pages : 169
Book Description
Prolific poet, award-winning translator, esteemed critic--"certainly the best poetry critic in sight," according to Lawrence Ferlinghetti--essayist and journalist, editor and novelist, Stephen Kessler has been a constant creative force in the American literary counterculture for more than fifty years. In Last Call Kessler records with grief and wit, documentary realism and ranging imagination, poignancy , irony, and reflection a journey through the gains and losses of a lifetime. His emotional honesty, conversational lyricism and wry melancholy are down to earth, heart-opening and consciousness-wrenching, retro-romantic and totally contemporary. Open this book to any page and find the unmistakably authentic voice of Stephen Kessler.
Author: Pavle Levi Publisher: Stanford University Press ISBN: 9780804753685 Category : Literary Criticism Languages : en Pages : 228
Book Description
Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.
Author: Shohini Ghosh Publisher: ReadHowYouWant.com ISBN: 1459608356 Category : Nature Languages : en Pages : 206
Book Description
Fire, one of three new QUEER FILM CLASSICS this fall, delves into the controversial 1996 lesbian love story by Indian-born director Deepa Mehta. Set in a contemporary middle-class Hindu household in the heart of Delhi, Fire is the story of Radha and Sita, the wives of two brothers, who fall in love with one another. Crisis overtakes the extended family when a servant discovers the relationship and tells one of the husbands; overcoming both a literal and allegorical 'trial by fire,' the two women leave their marriages to make a life together. The film premiered to great acclaim in 1996, and travelled the international circuit before being finally released in India in 1999. The consequences of the films Indian premiere were both profound and provocative: outraged by the film's explicit depiction of a lesbian relationship, protesters went on a rampage, tearing down posters, vandalizing cinemas showing the film, and disrupting screenings in Delhi and Bombay, setting off a maelstrom of public discourse on issues such as homosexuality and freedom of speech in India. Director Deepa Mehta and the two leading actresses were targeted for attack and harassment by extremists of the Hindu Right. This book examines the controversy that divided a nation, but which ultimately led to counter protests among the films supporters, resulting in its successful and uninterrupted run in Indian theaters. The book also considers Fire's scathing attack on both heterosexism and Hindu practices in India that oppress and marginalize women, as well as its revolutionary treatment of female characters, whose traditional duties are imbued with an unprecedented sensuality.
Author: Dina Iordanova
Author: Dina Iordanova
Author: Dina Iordanova
Author: Christina Lane
Author: Howard Hampton
Author: Daniel J. Goulding
Author: Daniel J. Goulding
Author: Erica Sheen
Author: Stephen Kessler
Author: Pavle Levi
Author: Shohini Ghosh