Author: Kristi McKim Publisher: Routledge ISBN: 113666209X Category : Art Languages : en Pages : 232
Book Description
How do cinematic portrayals of the weather reflect and affect our experience of the world? While weatherly predictability and surprise can impact our daily experience, the history of cinema attests to the stylistic and narrative significance of snow, rain, wind, sunshine, clouds, and skies. Through analysis of films ranging from The Wizard of Oz to The Umbrellas of Cherbourg, from Citizen Kane to In the Mood for Love, Kristi McKim calls our attention to the ways that we read our atmospheres both within and beyond the movies. Building upon meteorological definitions of weather's dynamism and volatility, this book shows how film weather can reveal character interiority, accelerate plot development, inspire stylistic innovation, comprise a momentary attraction, convey the passage of time, and idealize the world at its greatest meaning-making capacity (unlike our weather, film weather always happens on time, whether for tumultuous, romantic, violent, suspenseful, or melodramatic ends). Akin to cinema's structuring of ephemera, cinematic weather suggests aesthetic control over what is fleeting, contingent, wildly environmental, and beyond human capacity to tame. This first book-length study of such a meteorological and cinematic affinity casts film weather as a means of artfully and mechanically conquering contingency through contingency, of taming weather through a medium itself ephemeral and enduring. Using film theory, history, formalist/phenomenological analysis, and eco-criticism, this book casts cinema as weather, insofar as our skies and screens become readable through our interpretation of changing phenomena.
Author: Kristi McKim Publisher: Routledge ISBN: 0415894123 Category : Art Languages : en Pages : 232
Book Description
How do cinematic portrayals of the weather reflect and affect our experience of the world? While weatherly predictability and surprise can impact our daily experience, the history of cinema attests to the stylistic and narrative significance of snow, rain, wind, sunshine, clouds, and skies. Through analysis of films ranging from The Wizard of Oz to The Umbrellas of Cherbourg, from Citizen Kane to In the Mood for Love, Kristi McKim calls our attention to the ways that we read our atmospheres both within and beyond the movies. Building upon meteorological definitions of weather's dynamism and volatility, this book shows how film weather can reveal character interiority, accelerate plot development, inspire stylistic innovation, comprise a momentary attraction, convey the passage of time, and idealize the world at its greatest meaning-making capacity (unlike our weather, film weather always happens on time, whether for tumultuous, romantic, violent, suspenseful, or melodramatic ends). Akin to cinema's structuring of ephemera, cinematic weather suggests aesthetic control over what is fleeting, contingent, wildly environmental, and beyond human capacity to tame. This first book-length study of such a meteorological and cinematic affinity casts film weather as a means of artfully and mechanically conquering contingency through contingency, of taming weather through a medium itself ephemeral and enduring. Using film theory, history, formalist/phenomenological analysis, and eco-criticism, this book casts cinema as weather, insofar as our skies and screens become readable through our interpretation of changing phenomena.
Author: Alice Oswald Publisher: Jonathan Cape ISBN: 9781787332652 Category : Languages : en Pages : 288
Book Description
'It is in very truth a sunny, misty, cloudy, dazzling, howling, omniform Day...' - Samuel Taylor Coleridge to William Sotheby, 27 September 1802 This anthology of poems and prose ranges from literary weather - Homer's winds, Ovid's flood - to scientific reportage, whether Pliny on the eruption of Vesuvius or Victorian theories of the death of the sun. It includes imaginary as well as actual responses to what is transitory, and reactions both formal and fleeting - weather rhymes, journals and jottings, diaries and letters - to the drama unfolding above our heads. The entries narrate the weather of a single capricious day, from dawn, through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night and back to dawn again. Rather than drawing attention to authors and titles, entries appear bareheaded, exposed to each other's elements, as a medley of voices. Rather than adding to our image of nature as a suffering solid, the anthology attends to patterns, events and forces: seasonal and endless, invisible, ephemeral, sudden, catastrophic. And by assembling a chorus of responses (ancient and modern, East and West) to air's manifold appearances, Gigantic Cinema offers a new perspective on what is the oldest conversation of all.
Author: Shinobu Hashimoto Publisher: Kodansha USA ISBN: 1939130581 Category : Biography & Autobiography Languages : en Pages : 296
Book Description
Any list of Japan's greatest screenplay writers would feature Shinobu Hashimoto at or near the top. This memoir, focusing on his collaborations with Akira Kurosawa, a gifted scenarist in his own right, offers indispensable insider account for fans and students of the director's oeuvre and invaluable insights into the unique process that is writing for the screen. The vast majority of Kurosawa works were filmed from screenplays that the director co-wrote with a stable of stellar writers, many of whom he discovered himself with his sharp eye for all things cinematic. Among these was Hashimoto, who caught the filmmaker's attention with a script that eventually turned into Rashomon. Thus joining Team Kurosawa the debutant immediately went on to play an integral part in developing and writing two of the grandmaster's most impressive achievements, Ikiru and Seven Samurai.
Author: Galaby, Aly Abdel Razek Publisher: IGI Global ISBN: 1668489651 Category : Science Languages : en Pages : 293
Book Description
The world is confronting the reality of climate change, which transcends geographical boundaries, necessitating a multidisciplinary approach. Effective mitigation strategies for climate change demand diversity, inclusion, equity, and collaboration as paramount considerations in the formulation and execution of mitigation strategies. Global Perspectives on Climate Change, Social Resilience, and Social Inclusion illuminates the interplay between climate shifts and society's complex tapestry. Authored by leading sociologists and interdisciplinary scholars, this researched volume offers an exploration of climate change through the lens of sociology, unveiling its implications for our global community. Moreover, the book spotlights the proactive voices of voluntary associations and activists dedicated to championing climate change victims' rights. Their collective message resonates throughout: mitigating climate change risks must be integrated into a broader framework of resilient development, elevating the economic standing and quality of life for disadvantaged groups while fostering equity across all strata of society. This book is ideal for scholars, policymakers, and activists seeking a nuanced understanding of the intricate interplay between climate change and the social fabric of our world.
Author: Adam O'Brien Publisher: Columbia University Press ISBN: 0231851103 Category : Performing Arts Languages : en Pages : 175
Book Description
Environmental themes are present in cinema more than ever before. But the relationship between film and the natural world is a long and complex one, not reducible to issues such as climate change and pollution. This volume demonstrates how an awareness of natural features and dynamics can enhance our understanding of three key film-studies topics – narrative, genre, and national cinema. It does so by drawing on examples from a broad historical and geographical spectrum, including Sunrise, A River Called Titas, and Profound Desires of the Gods. The first introductory text on a topic which has long been overlooked in the discipline, Film and the Natural Environment argues that the nonhuman world can be understood not just as a theme but as a creative resource available to all filmmakers. It invites readers to consider some of the particular strengths and weaknesses of cinema as communicator of environmental phenomena, and collates ideas and passages from a range of critics and theorists who have contributed to our understanding of moving images and the natural world.
Author: Jennifer Fay Publisher: Oxford University Press ISBN: 0190696796 Category : Performing Arts Languages : en Pages : 273
Book Description
In recent years, environmental and human rights advocates have suggested that we have entered the first new geological epoch since the end of the ice age: the Anthropocene. In this new epoch, humans have come to reshape unwittingly both the climate and natural world; humankind has caused mass extinctions of plant and animal species, polluted the oceans, and irreversibly altered the atmosphere. Ironically, our efforts to make the planet more hospitable to ourselves seem to be driving us toward our inevitable extinction. A force of nature, humanity is now decentered as the agent of history. As Jennifer Fay argues, this new situation is to geological science what cinema has always been to human culture. Film, like the Anthropocene, is a product of the industrial revolution, but arises out of a desire to preserve life and master time and space. It also calls for the creation of artificial worlds, unnatural weather, and deadly environments for entertainment, scientific study, and devising military strategy. Filmmaking stages, quite literally, the process by which worlds and weather come into being and meaning, and it mimics the forces that are driving this new planetary inhospitality. Cinema, in other words, provides an image of "nature" in the age of its mechanical reproducability. Fay argues that cinema exemplifies the philosophical, political, and perhaps even logistical processes by which we can adapt to these forces and also imagine a world without humans in it. Whereas standard ecological criticism attends to the environmental crisis as an unraveling of our natural state, this book looks to film (from Buster Keaton, to Jia Zhangke, to films of atomic testing and early polar exploration) to consider how it reflects upon the creation and destruction of human environments. What are the implications of ecological inhospitality? What role might cinema and media theory play in challenging our presumed right to occupy and populate the world? As an art form, film enjoys a unique relationship to the material, elemental world it captures and produces. Through it, we may appreciate the ambitions to design an unhomely planet that may no longer accommodate us.
Author: Philip Simpson Publisher: Taylor & Francis ISBN: 9780415259743 Category : Art Languages : en Pages : 424
Book Description
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
Author: David T. Johnson Publisher: Indiana University Press ISBN: 0253030129 Category : Performing Arts Languages : en Pages : 257
Book Description
What role does love—of cinema, of cinema studies, of teaching and learning—play in teaching film? For the Love of Cinema brings together a wide range of film scholars to explore the relationship between cinephilia and pedagogy. All of them ask whether cine-love can inform the serious study of cinema. Chapter by chapter, writers approach this question from various perspectives: some draw on aspects of students' love of cinema as a starting point for rethinking familiar films or generating new kinds of analyses about the medium itself; others reflect on how their own cinephilia informs the way they teach cinema; and still others offer new ways of writing (both verbally and audiovisually) with a love of cinema in the age of new media. Together, they form a collection that is as much a guide for teaching cinephilia as it is an energetic dialogue about the ways that cinephilia and pedagogy enliven and rejuvenate one another.
Author: Kristi McKim
Author: Kristi McKim
Author: Teruyo Nogami
Author: Alice Oswald
Author: Shinobu Hashimoto
Author: Galaby, Aly Abdel Razek
Author: Adam O'Brien
Author: Jennifer Fay
Author: Philip Simpson
Author: David T. Johnson