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Author: Paul B. Rich Publisher: Bloomsbury Publishing ISBN: 1350055719 Category : History Languages : en Pages : 277
Book Description
Cinematic representations of unconventional warfare have received sporadic attention to date. However, this pattern has now begun to change with the rise of insurgency and counter-insurgency in Iraq and Afghanistan, and the growing importance of jihadist terrorism in the wake of 9/11. This ground-breaking study provides a much-needed examination of global unconventional warfare in 20th-century filmmaking, with case studies from the United States, Britain, Ireland, France, Italy and Israel. Paul B. Rich examines Hollywood's treatment of counter-terrorism and counter-insurgency in the United States; British post-colonial insurgencies in Malaya and Kenya and British special operations in the Second World War; the Irish conflict before and during the Troubles; French filmmaking and the reluctance to deal with the bitter war in Algeria in the 1950s; Italian neorealism and its impact on films dealing with urban insurgency by Roberto Rossellini, Nanni Loy and Gillo Pontecorvo, and Israel and the upsurge of Palestinian terrorism. Whilst only a small number of films on these conflicts have been able to rise above stereotyping insurgents and terrorists - in some cases due to a pattern of screen orientalism - Cinema and Unconventional Warfare in the Twentieth Century stresses the positive political gains to be derived from humanizing terrorists and terrorists movements, especially in the context of modern jihadist terrorism. This is essential reading for academics, postgraduates and advanced undergraduates interested in 20th-century military history, politics and international relations, and film studies.
Author: Paul B. Rich Publisher: Bloomsbury Publishing ISBN: 1350055719 Category : History Languages : en Pages : 277
Book Description
Cinematic representations of unconventional warfare have received sporadic attention to date. However, this pattern has now begun to change with the rise of insurgency and counter-insurgency in Iraq and Afghanistan, and the growing importance of jihadist terrorism in the wake of 9/11. This ground-breaking study provides a much-needed examination of global unconventional warfare in 20th-century filmmaking, with case studies from the United States, Britain, Ireland, France, Italy and Israel. Paul B. Rich examines Hollywood's treatment of counter-terrorism and counter-insurgency in the United States; British post-colonial insurgencies in Malaya and Kenya and British special operations in the Second World War; the Irish conflict before and during the Troubles; French filmmaking and the reluctance to deal with the bitter war in Algeria in the 1950s; Italian neorealism and its impact on films dealing with urban insurgency by Roberto Rossellini, Nanni Loy and Gillo Pontecorvo, and Israel and the upsurge of Palestinian terrorism. Whilst only a small number of films on these conflicts have been able to rise above stereotyping insurgents and terrorists - in some cases due to a pattern of screen orientalism - Cinema and Unconventional Warfare in the Twentieth Century stresses the positive political gains to be derived from humanizing terrorists and terrorists movements, especially in the context of modern jihadist terrorism. This is essential reading for academics, postgraduates and advanced undergraduates interested in 20th-century military history, politics and international relations, and film studies.
Author: Paul B. Rich Publisher: Bloomsbury Publishing ISBN: 1350055697 Category : History Languages : en Pages : 281
Book Description
Cinematic representations of unconventional warfare have received sporadic attention to date. However, this pattern has now begun to change with the rise of insurgency and counter-insurgency in Iraq and Afghanistan, and the growing importance of jihadist terrorism in the wake of 9/11. This ground-breaking study provides a much-needed examination of global unconventional warfare in 20th-century filmmaking, with case studies from the United States, Britain, Ireland, France, Italy and Israel. Paul B. Rich examines Hollywood's treatment of counter-terrorism and counter-insurgency in the United States; British post-colonial insurgencies in Malaya and Kenya and British special operations in the Second World War; the Irish conflict before and during the Troubles; French filmmaking and the reluctance to deal with the bitter war in Algeria in the 1950s; Italian neorealism and its impact on films dealing with urban insurgency by Roberto Rossellini, Nanni Loy and Gillo Pontecorvo, and Israel and the upsurge of Palestinian terrorism. Whilst only a small number of films on these conflicts have been able to rise above stereotyping insurgents and terrorists - in some cases due to a pattern of screen orientalism - Cinema and Unconventional Warfare in the Twentieth Century stresses the positive political gains to be derived from humanizing terrorists and terrorists movements, especially in the context of modern jihadist terrorism. This is essential reading for academics, postgraduates and advanced undergraduates interested in 20th-century military history, politics and international relations, and film studies.
Author: Chris Lynch Publisher: Scholastic Inc. ISBN: 0545861632 Category : Young Adult Fiction Languages : en Pages : 122
Book Description
"All the sizzle, chaos, noise and scariness of war is clay in the hands of ace storyteller Lynch." -- Kirkus Reviews for the World War II series Discover the secret missions behind America's greatest conflicts.Danny Manion has been fighting his entire life. Sometimes with his fists. Sometimes with his words. But when his actions finally land him in real trouble, he can't fight the judge who offers him a choice: jail... or the army.Turns out there's a perfect place for him in the US military: the Studies and Observation Group (SOG), an elite volunteer-only task force comprised of US Air Force Commandos, Army Green Berets, Navy SEALS, and even a CIA agent or two. With the SOG's focus on covert action and psychological warfare, Danny is guaranteed an unusual tour of duty, and a hugely dangerous one. Fortunately, the very same qualities that got him in trouble at home make him a natural-born commando in a secret war. Even if almost nobody knows he's there.National Book Award finalist Chris Lynch begins a new, explosive fiction series based on the real-life, top-secret history of US black ops.
Author: Paul B. Rich Publisher: Bloomsbury Publishing ISBN: 1350055700 Category : History Languages : en Pages : 278
Book Description
Cinematic representations of unconventional warfare have received sporadic attention to date. However, this pattern has now begun to change with the rise of insurgency and counter-insurgency in Iraq and Afghanistan, and the growing importance of jihadist terrorism in the wake of 9/11. This ground-breaking study provides a much-needed examination of global unconventional warfare in 20th-century filmmaking, with case studies from the United States, Britain, Ireland, France, Italy and Israel. Paul B. Rich examines Hollywood's treatment of counter-terrorism and counter-insurgency in the United States; British post-colonial insurgencies in Malaya and Kenya and British special operations in the Second World War; the Irish conflict before and during the Troubles; French filmmaking and the reluctance to deal with the bitter war in Algeria in the 1950s; Italian neorealism and its impact on films dealing with urban insurgency by Roberto Rossellini, Nanni Loy and Gillo Pontecorvo, and Israel and the upsurge of Palestinian terrorism. Whilst only a small number of films on these conflicts have been able to rise above stereotyping insurgents and terrorists - in some cases due to a pattern of screen orientalism - Cinema and Unconventional Warfare in the Twentieth Century stresses the positive political gains to be derived from humanizing terrorists and terrorists movements, especially in the context of modern jihadist terrorism. This is essential reading for academics, postgraduates and advanced undergraduates interested in 20th-century military history, politics and international relations, and film studies.
Author: Max Boot Publisher: W. W. Norton & Company ISBN: 0871404249 Category : History Languages : en Pages : 809
Book Description
As fitting for the 21st century as von Clausewitz's "On War" was in its own time, "Invisible Armies" is a complete global history of guerrilla uprisings through the ages.
Author: David H. Ucko Publisher: Oxford University Press ISBN: 0197655920 Category : Political Science Languages : en Pages : 496
Book Description
Despite attracting headlines and hype, insurgents rarely win. Even when they claim territory and threaten governmental writ, they typically face a military backlash too powerful to withstand. States struggle with addressing the political roots of such movements, and their military efforts mostly just "mow the grass," yet, for the insurgent, the grass is nonetheless mowed-and the armed project must start over. This is the insurgent's dilemma: the difficulty of asserting oneself, of violently challenging authority, and of establishing sustainable power. In the face of this dilemma, some insurgents are learning new ways to ply their trade. With subversion, spin and disinformation claiming centre stage, insurgency is being reinvented, to exploit the vulnerabilities of our times and gain new strategic salience for tomorrow. As the most promising approaches are refined and repurposed, what we think of as counterinsurgency will also need to change. The Insurgent's Dilemma explores three particularly adaptive strategies and their implications for response. These emerging strategies target the state where it is weak and sap its power, sometimes without it noticing. There are options for response, but fresh thinking is urgently needed-about society, legitimacy and political violence itself.
Author: Matthew Christopher Hulbert Publisher: University of Georgia Press ISBN: 0820350001 Category : History Languages : en Pages : 340
Book Description
The Civil War tends to be remembered as a vast sequence of battles, with a turning point at Gettysburg and a culmination at Appomattox. But in the guerrilla theater, the conflict was a vast sequence of home invasions, local traumas, and social degeneration that did not necessarily end in 1865. This book chronicles the history of “guerrilla memory,” the collision of the Civil War memory “industry” with the somber realities of irregular warfare in the borderlands of Missouri and Kansas. In the first accounting of its kind, Matthew Christopher Hulbert’s book analyzes the cultural politics behind how Americans have remembered, misremembered, and re-remembered guerrilla warfare in political rhetoric, historical scholarship, literature, and film and at reunions and on the stage. By probing how memories of the guerrilla war were intentionally designed, created, silenced, updated, and even destroyed, Hulbert ultimately reveals a continent-wide story in which Confederate bushwhackers—pariahs of the eastern struggle over slavery—were transformed into the vanguards of American imperialism in the West.
Author: Tony Shaw Publisher: ISBN: Category : History Languages : en Pages : 320
Book Description
The first book-length survey of cinema's vital role in the Cold War cultural combat between the U.S. and the USSR. Focuses on 10 films--five American and five Soviet, both iconic and lesser-known works--showing that cinema provided a crucial outlet for the global "debate" between democratic and communist ideologies.
Author: Peter C. Rollins Publisher: University Press of Kentucky ISBN: 0813171806 Category : Performing Arts Languages : en Pages : 388
Book Description
American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.
Author: Paul B. Rich
Author: Paul B. Rich
Author: Paul B. Rich
Author: Chris Lynch
Author: John J. Tierney
Author: Paul B. Rich
Author: Max Boot
Author: David H. Ucko
Author: Matthew Christopher Hulbert
Author: Tony Shaw
Author: Peter C. Rollins