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Author: Peter Webster Publisher: Springer ISBN: 1137369108 Category : History Languages : en Pages : 256
Book Description
This book is the first full-length treatment of Walter Hussey's work as a patron between 1943 and 1978, first for the Anglican parish church of St Matthew in Northampton, and then at Chichester Cathedral. He was responsible for the most significant sequence of works of art commissioned for the British churches in the twentieth century. They included music by Benjamin Britten, Leonard Bernstein and William Walton, visual art by Henry Moore, Graham Sutherland and Marc Chagall, and poetry by W. H. Auden. Placing Hussey in theological context and in a period of rapid cultural change, it explores the making and reception of the commissions, and the longer-term influence of his work, still felt today. As well as contributing to the religious and cultural history of Britain, and of Anglo-Catholicism and the cathedrals in particular, the book will be of interest to all those concerned with the relationship between theology and the arts, and to historians of music and the visual arts.
Author: Peter Webster Publisher: Springer ISBN: 1137369108 Category : History Languages : en Pages : 256
Book Description
This book is the first full-length treatment of Walter Hussey's work as a patron between 1943 and 1978, first for the Anglican parish church of St Matthew in Northampton, and then at Chichester Cathedral. He was responsible for the most significant sequence of works of art commissioned for the British churches in the twentieth century. They included music by Benjamin Britten, Leonard Bernstein and William Walton, visual art by Henry Moore, Graham Sutherland and Marc Chagall, and poetry by W. H. Auden. Placing Hussey in theological context and in a period of rapid cultural change, it explores the making and reception of the commissions, and the longer-term influence of his work, still felt today. As well as contributing to the religious and cultural history of Britain, and of Anglo-Catholicism and the cathedrals in particular, the book will be of interest to all those concerned with the relationship between theology and the arts, and to historians of music and the visual arts.
Author: G. I. T. Machin Publisher: Oxford University Press ISBN: 9780198217800 Category : History Languages : en Pages : 290
Book Description
During this century the Christian Churches of Britain have lost support and influence to the extent that their future is considered by some observers to be problematic. They have also been confronted with an unprecedented concentration of social changes, some of which have challenged central religious traditions and teachings. This multi-denominational study is the first to investigate these changes (public and private) across virtually the entire Christian spectrum.
Author: Reider Payne Publisher: ISBN: 9780773429925 Category : England Languages : en Pages : 375
Book Description
This book examines Church patronage in late-eighteenth century Britain, during the administrations of Lord North (1770-1782) and the first government of William Pitt the Younger (1783-1801). The clergy were one of the foremost of the Hanoverian professions, with its patronage a source of interest to the King, politicians, the landed elite and the universities. By concentrating on the appointments of clergy below the bench of bishops, the book gives a clear account of the complex relationships and criteria which underlay the four patronage networks. It will greatly increase our understanding of the established Church of England in the later-Hanoverian period.
Author: Paul Liss Publisher: ISBN: 9781999314507 Category : Art and religion Languages : en Pages : 224
Book Description
No account of 20th Century British art can overlook the numerous works of the period that were essentially “religious” in their content. Art, Faith & Modernity examines this question in Paul Liss‘ and Alan Powers’ essays and demonstrates the wide range of expression in more than 175 colour reproductions. Anchored by Alan Power’s defining essay, Art Faith and Modernity presents a poignant argument – both visual and cerebral – for a reassessment of the important place that religious art continued to occupy in 20th century Britain. Art, Faith & Modernity is part of Liss Llewellyn’s on-going programme of exhibitions, produced in partnership with museums and cultural institutions, which seeks to reappraise some of the unsung heroines and and heroes of Modern British art.
Author: Elizabeth Gemmill Publisher: ISBN: 1843838125 Category : History Languages : en Pages : 258
Book Description
"While there has been work on the nobility as patrons of monasteries, this is the first real study of them as patrons of parish churches, and is thus the first study to tackle the subject as a whole. Illustrated with a wealth of detail, it will become an indispensable work of reference for those interested in lay patronage and the Church more generally in the middle ages." Professor David Carpenter, Department of History, King's College London This book provides the first full-length, integrated study of the ecclesiastical patronage rights of the nobility in medieval England. It examines the nature and extent of these rights, how they were used, why and for whom they were valuable, what challenges lay patrons faced, and how they looked to the future in making gifts to the Church. It takes as its focus the thirteenth century, a critical period for the survival and development of these rights, being a time of ambitious Church reform, of great change in patterns of land ownership in the ranks of the higher nobility, and of bold assertion by the English Crown of its claims to control Church property. The thirteenth century also saw a proliferation of record keeping on the part of kings, bishops and nobility, and the author uses new evidence from a range of documentary sources to explore the nature of the relationships between the English nobility, the Church and its clergy, a relationship in which patronage was the essential feature. Dr Elizabeth Gemmill is University Lecturer in Local History and Fellow of Kellogg College. University of Oxford.
Author: Anonymous Publisher: Legare Street Press ISBN: 9781020266942 Category : Languages : en Pages : 0
Book Description
This definitive guide to the patronage of the Church of England provides a comprehensive overview of the history and current state of ecclesiastical appointments. It is an essential reference work for anyone interested in the intersection of religion and politics in Britain, as well as for scholars of church history and theology. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Peter Webster
Author: Peter Webster
Author: Michael Day
Author: G. I. T. Machin
Author: Reider Payne
Author: Paul Liss
Author: Elizabeth Gemmill
Author: Church patronage
Author: Robert Phillimore
Author: Anonymous
Author: Church of Scotland. General Assembly