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Author: Everett Ferguson Publisher: Wipf and Stock Publishers ISBN: 1608993663 Category : Religion Languages : en Pages : 411
Book Description
This is the third volume of Ferguson's collected essays, and includes some of his most memorable work, especially on "laying on of hands."
Author: Everett Ferguson Publisher: Wipf and Stock Publishers ISBN: 1608993663 Category : Religion Languages : en Pages : 411
Book Description
This is the third volume of Ferguson's collected essays, and includes some of his most memorable work, especially on "laying on of hands."
Author: Jeremy S. Begbie Publisher: Wm. B. Eerdmans Publishing ISBN: 0802862772 Category : Music Languages : en Pages : 506
Book Description
Resonant Witness gathers together a wide, harmonious chorus of voices from across the musical and theological spectrum to show that music and theology can each learn much from the other and that the majesty and power of both are profoundly amplified when they do. With essays touching on J. S. Bach, Hildegard of Bingen, Martin Luther, Karl Barth, Olivier Messiaen, jazz improvisation, South African freedom songs, and more, this volume encourages musicians and theologians to pursue a more fruitful and sustained engagement with one another. What can theology do for music? Resonant Witness helps answer this question with an essential resource in the burgeoning interdisciplinary field of music and theology. Covering an impressively wide range of musical topics, from cosmos to culture and theology to worship, Jeremy Begbie and Steven Guthrie explore and map new territory with incisive contributions from the very best musicians, theologians, and philosophers. Bennett Zon Durham University This volume represents a burst of cross-disciplinary energy and insight that can be celebrated by musicians and theologians, music-lovers and God-lovers alike. John D. Witvliet (from afterword)
Author: Kirsopp Lake Publisher: Aeterna Press ISBN: Category : Religion Languages : en Pages : 262
Book Description
Dia tas aiphnidious kai epallelous genomenas hemin sumphoras kai periptoseis, bradion nomizomen epistrophen pepoiesthai peri ton epizetoumenon par' humin pragmaton, agapetoi, tes te allotrias kai xenes tois eklektois tou theou, miaras kai anosiou staseos hen oliga prosopa propete kai authade huparchonta eis tosouton aponoias exekausan, hoste to semnon kai periboeton kai pasin anthropois axiagapeton onoma humon megalos blasphemethenai. 2. tis gar parepidemesas pros humas ten panareton kai bebaian humon pistin ouk edokimasen? ten te sophrona kai epieike en Christo eusebeian ouk ethaumasen? kai to megaloprepes tes philoxenias humon ethos ouk ekeruxen? kai ten teleian kai asphale gnosin ouk emakarisen? Aeterna Press
Author: Edward Foley Publisher: Wipf and Stock Publishers ISBN: 1725280973 Category : Religion Languages : en Pages : 112
Book Description
In the study of Christian liturgical music, the first three centuries of the Christian era are foundational. Seldom, however, does this period receive serious attention from scholars. One of the reasons for this oversight is the fluid auditory environment of this period, and the inadequacy of the Western concept of "music" to describe this environment. Foundations of Christian Music addresses this lacuna by exploring the auditory environment of first-century CE Judaism and emerging Christianity until the time of Constantine (d. 337). Through a consideration of the text, styles, forms, performance, and settings of Jewish and early Christian worship, Foundations offers an unusually rich perspective on the lyrical nature of emerging Christian worship.
Author: Adele F. Seeff Publisher: University of Delaware Press ISBN: 9780874139419 Category : History Languages : en Pages : 412
Book Description
Structures and Subjectivities refers to what we can and probably cannot know about women in the early modern period. Scholars study the societal structures their disciplines call attention to; they are left to infer the subjectivities, the lived experience, of women whose lives they attempt to reconstruct. The authors of the essays in the volume, the fifth to emerge from conferences held by the University of Maryland's Center for Renaissance & Baroque Studies, place the largest possible meanings on structures. They consider geographical boundaries and political and ecclesiastical institutions, the gendering of hierarchies and the power of place, the spaces that women constructed, inhabited, traveled in and worked in and, by extension, the literary and artistic conventions that both enabled and constrained their artistic production. They also consider, in several essays on pedagogy, the structures in which they and their students pursue the study of early modern women: institutions, departments, and classrooms. Joan E. Hartman is Professor of English emerita at the College of Staten Island, The City University of New York. at the University of Maryland.
Author: Heidi Epstein Publisher: A&C Black ISBN: 9780826416483 Category : Religion Languages : en Pages : 222
Book Description
This book begins with a pointed critique of the foundations of the understanding of Western music: that music from Pythagoras to the Renaissance has been viewed as the source and model of order in the universe and in society. Unfortunately that order was rigidly hierarchical, so that over the centuries music reinforced established social prejudices, particularly those against women. Nowhere was this more evident than in religious music that was regarded by male ecclesiastics and scholars as the instrument of choice for taming hysterical female eruptions. Through her mordant commentary on a rich selection of texts by major thinkers from two millennia of Christian theology, Heidi Epstein shows in the first part of Melting the Venusberg that music as the erotic embodiment of human engenderment has been ignored or suppressed, while music as the expression of transcendent harmony, order, and restraint has been extolled. The second re-constructive part of Melting the Venusberg draws on ignored sources and lost tropes from the Christian tradition as well as on insights from the music and thought of historical and contemporary woman composers and performers from Hildegard of Bingen and Lucrezia Vizzana to Rosetta Tharpe and Diamanda Galas. Through this recuperative synthesis, music's theological significance changes keys, as it moves beyond its symbolic function as divinely ordained, harmonious microcosm into more dissonant metaphorical registers. Those who have ears to hear will be delighted.
Author: Cesar D. Favila Publisher: Oxford University Press ISBN: 0197621899 Category : Music Languages : en Pages : 361
Book Description
"It was mid-December 1610 in Mexico City. The Church was in its preparatory season of Advent, leading up to the celebration of Christ's birth at Christmas. The nuns of the Encarnacion convent had just celebrated the feast of the Immaculate Conception of the Virgin Mary, on 8 December. But now, in this time usually filled with joy, some of the nuns were nervous. Their choirbooks were missing. Without them, the nuns would not be able to celebrate the anniversary of Christ's birth adequately. A musician priest of the metropolitan cathedral, located just three blocks from the convent, had caused the nuns' alarm: Antonio RodrÃguez Mata (d. 1643) had all five of the missing books. He had borrowed them from Sister Flor de Santa Clara, the convent "vicaria de coro" (choir vicar) but had failed to return them despite the convent's repeated requests. The diocesan vicar general and the attorney general were summoned. The nuns of the Encarnación demanded that Mata be imprisoned if he failed to return the books immediately following the denunciation. The threat of jail time was serious, but so too was the alleged offense: Mata was impeding the nuns from performing their liturgical music for Christmas"--
Author: Ronald E. Surtz Publisher: University of Pennsylvania Press ISBN: 1512808164 Category : Literary Criticism Languages : en Pages : 192
Book Description
Until recently, Spanish literary historiography has virtually ignored hundreds of women who wrote between 1500 and 1700. Most of them wrote to record, defend, and disseminate their spiritual visions, for despite the general disempowerment of Spanish women, female visionaries enjoyed considerable authority. This book recovers and examines the visionary experiences of Mother Juana de la Cruz, the most famous of these women during her lifetime and for two centuries afterwards. Born of peasant stock, she became abbess of a Franciscan convent and a mystic who was visited not only by Cardinal Cisneros, but by Emperor Charles V himself. Ronald E. Surtz places Mother Juana's visions in the religious and social context of the age and discusses such pertinent biographical elements as the nun's own androgyny. His focus is on the questions of gender, power, and authority, so pertinent to our own age. The Guitar of God will be of particular interest to scholars and students of late medieval Spanish culture, religion, and history, and women's studies.
Author: John Anthony McGuckin Publisher: InterVarsity Press ISBN: 0830899529 Category : Religion Languages : en Pages : 1009
Book Description
John McGuckin, a world-renowned expert on ancient Christianity, has synthesized a lifetime of work to produce the most comprehensive and accessible history of the first millennium of the Christian church. This readable account explores the history in chronological order and then examines the same period thematically, looking at issues like women, war, and the Bible.
Author: Everett Ferguson
Author: Everett Ferguson
Author: Jeremy S. Begbie
Author: Kirsopp Lake
Author: Edward Foley
Author: James McKinnon
Author: Adele F. Seeff
Author: Heidi Epstein
Author: Cesar D. Favila
Author: Ronald E. Surtz
Author: John Anthony McGuckin