Choreographing Intersubjectivity in Performance Art PDF Download

Author: Victoria Wynne-Jones
Publisher: Springer Nature
ISBN: 3030405850
Category : Performing Arts
Languages : en
Pages : 255

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Book Description
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.

Author: Victoria Wynne-Jones
Publisher:
ISBN:
Category : Choreography
Languages : en
Pages : 248

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Book Description
Increasingly, instances of performance art, either live or recorded, involve the choreography or execution of planned movements and actions, as part an encounter between various individuals, in an exhibition context. Although such artworks can have multiple meanings, the ways in which these works help to produce inter-subjectivity, even tacitly or as secondary effects, allow the emergence of subjecthood to arise in ways that are special or depart in some way from the regulatory structures that usually produce subjecthood. The approach taken by this thesis is to make explicit these tendencies drawn from multidisciplinary perspectives on how to identify subjectivity and intersubjectivity, and how they are related. The main theorists engaged with are: Helen Reese Leahy, Tony Bennett, Michel Foucault, Louis Althusser, Judith Butler, Gilles Deleuze and Félix Guattari, André Lepecki, Amelia Jones, Emmanuel Levinas, Rosi Braidotti, Sara Ahmed and Linda Tuhiwai Smith. The complex nature of choreographed artworks necessitates an approach that is nonreductionist. The choreographed works discussed in this thesis supplement and further elucidate these theories in specific, multi-sensory, kinaesthetic, somatic, affective, ethical, political and regional ways, they are experiential in the full sense rather than restricted to text-based theories. The main works consulted are by choreographers: Tino Sehgal; Xavier Le Roy; Mark Harvey; Sean Curham; Boris Charmatz; Joshua Rutter; Alexandra Bachzetsis and val smith; as well as those by contemporary artists: Jordan Wolfson; Pablo Bronstein; Kalisolaite 'Uhila; Alicia Frankovich; Rebecca Ann Hobbs; Angela Tiatia and Shigeyuki Kihara.

Author: Bojana Cvejic
Publisher: Springer
ISBN: 1137437391
Category : Performing Arts
Languages : en
Pages : 262

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Book Description
This book illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 176

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Book Description

Author: Mark Franko
Publisher: Routledge
ISBN: 135122736X
Category : Performing Arts
Languages : en
Pages : 288

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Book Description
Choreographing Discourses brings together essays originally published by Mark Franko between 1996 and the contemporary moment. Assembling these essays from international, sometimes untranslated sources and curating their relationship to a rapidly changing field, this Reader offers an important resource in the dynamic scholarly fields of Dance and Performance Studies. What makes this volume especially appropriate for undergraduate and graduate teaching is its critical focus on twentieth- and twenty-first-century dance artists and choreographers – among these, Oskar Schlemmer, Merce Cunningham, Kazuo Ohno, William Forsythe, Bill T. Jones, and Pina Bausch, some of the most high-profile European, American, and Japanese artists of the past century. The volume’s constellation of topics delves into controversies that are essential turning points in the field (notably, Still/Here and Paris is Burning), which illuminate the spine of the field while interlinking dance scholarship with performance theory, film, visual, and public art. The volume contains the first critical assessments of Franko’s contribution to the field by André Lepecki and Gay Morris, and an interview incorporating a biographical dimension to the development of Franko’s work and its relation to his dance and choreography. Ultimately, this Reader encourages a wide scope of conversation and engagement, opening up core questions in ethics, embodiment, and performativity.

Author: Bojana Cvejic
Publisher: Palgrave Macmillan
ISBN: 9781349556106
Category : Performing Arts
Languages : en
Pages : 262

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Book Description
This book illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances.

Author: Bojana Cvejic
Publisher: Palgrave Macmillan
ISBN: 9781137437389
Category : Performing Arts
Languages : en
Pages : 296

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Book Description
Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance illuminates the relationship between the philosophy of Gilles Deleuze and experimental dance and performance in the works of leading European choreographers, Xavier Le Roy, Jonathan Burrows, Boris Charmatz, Eszter Salamon, Mette Ingvartsen, Jefta van Dinther, and Jan Ritsema. Combining intricate analysis of seven groundbreaking works, including Self Unfinished by Le Roy (1998) and Weak Dance Strong Questions (2001) by Burrows and Ritsema, with a philosophical discussion of the body, movement and time in performance, as well as the notions of theatricality, affect, improvisation and process, the capacity of choreography to 'express' thought is unravelled. Choreographing problems involves composing ruptures between movement, the body and duration in performance such that they engender a shock upon sensibility, one that inhibits recognition. This book offers a practical insight into the matters of choreography: it allows both the versed and the non-trained spectator to observe in detail how the thought and the practices of making, performing and attending reinvent performance and dance today.

Author: Victoria Hunter
Publisher: Routledge
ISBN: 131753249X
Category : Art
Languages : en
Pages : 572

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Book Description
Moving Sites explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, it aims to provide dance academics, students and practitioners with a series of discussions that shed light both on approaches to making this type of dance practice, and evaluating and reflecting on it. The edited volume combines critical thinking from a range of perspectives including commentary and observation from the fields of dance studies, human geography and spatial theory in order to present interdisciplinary discourse and a range of critical and practice-led lenses through which this type of work can be considered and explored. In so doing, this book addresses the following questions: · How do choreographers make site-specific dance performance? · What occurs when a moving body engages with site, place and environment? · How might we interpret, analyse and evaluate this type of dance practice through a range of theoretical lenses? · How can this type of practice inform wider discussions of embodiment, site, space, place and environment? This innovative and exciting book seeks to move beyond description and discussion of site-specific dance as a spectacle or novelty and considers site-dance as a valid and vital form of contemporary dance practice that explores, reflects, disrupts, contests and develops understandings and practices of inhabiting and engaging with a range of sites and environments. Dr Victoria Hunter is Senior Lecturer in Dance at the University of Chichester.

Author: Susan Leigh Foster
Publisher:
ISBN: 9783865609359
Category : Art and dance
Languages : en
Pages : 176

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Book Description
Move : choreographing you explores the interaction between visual art and dance since the 1960s. Focusing on visual artists and choreographers who create sculptures and installations that direct the movements of audiences, making them dancers as much as active participants, Move sets out to show that choreography is not merely about the notation of movement on paper or in film, but that it may be equally implied by sculptural works and installations. The publication presents some of the diverse yet interconnected ways that visual art and choreography have come together over the last fifty years.

Author: Susan Foster
Publisher: Routledge
ISBN: 1136893458
Category : Art
Languages : en
Pages : 293

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Book Description
"This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.