Author: Mark L. Urken
Publisher: Lippincott Williams & Wilkins
ISBN: 1451180780
Category : Medical
Languages : en
Pages : 553
Book Description
This Atlas depicts in a clear manner the use of regional skin, muscle and musculocutaneous flaps as well as donor sites from distant regions of the body where vascularized skin, muscle, bone, and nerves can be harvested and transferred to the head and neck. Otolaryngologists, plastic surgeons and general surgeons use both regional and free flaps to reconstruct damage to the head and neck caused by cancer and trauma. This Atlas provides the surgeon with techniques for mastering different donor sites needed to find solutions to virtually every reconstruction problem. It provides detailed descriptions of the anatomy and harvesting techniques of the major regional and free-flap donor sites currently employed in head and neck reconstruction.
Atlas of Regional and Free Flaps for Head and Neck Reconstruction
Traumatic Injuries of the Teeth
Author: J. O. Andreasen
Publisher:
ISBN:
Category : Dentistry, Operative
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Dentistry, Operative
Languages : en
Pages : 472
Book Description
A Phonetic Dictionary of the English Language
Author: Hermann Michaelis
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 486
Book Description
The Story of Crass
Author: George Berger
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
In-depth interviews with the main movers in the punk rock movement--Crass members Penny Rimbaud, Gee Vaucher, and Steve Ignorant--detail the face of the revolution founded by these radical thinkers and artists. When punk ruled the waves, Crass waived the rules by putting out their own records, films, and magazines and setting up a series of situationist pranks that were dutifully covered by the world's press. Not just another iconoclastic band, Crass was a musical, social, and political phenomenon: commune dwellers that were rarely photographed and remained contemptuous of conventional pop stardom. As detailed in this history, their members explored and finally exhausted the possibilities of punk-led anarchy. This definitive biography of the band not only gives backstage access to their lives, philosophies, and the movement that followed, but also to never-before-seen photographs and rare dialogues.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
In-depth interviews with the main movers in the punk rock movement--Crass members Penny Rimbaud, Gee Vaucher, and Steve Ignorant--detail the face of the revolution founded by these radical thinkers and artists. When punk ruled the waves, Crass waived the rules by putting out their own records, films, and magazines and setting up a series of situationist pranks that were dutifully covered by the world's press. Not just another iconoclastic band, Crass was a musical, social, and political phenomenon: commune dwellers that were rarely photographed and remained contemptuous of conventional pop stardom. As detailed in this history, their members explored and finally exhausted the possibilities of punk-led anarchy. This definitive biography of the band not only gives backstage access to their lives, philosophies, and the movement that followed, but also to never-before-seen photographs and rare dialogues.
Marrano as Metaphor
Author: Elaine Marks
Publisher: Columbia University Press
ISBN: 9780231103084
Category : Education
Languages : en
Pages : 218
Book Description
When Europeans in the Middle Ages spoke of "marranos," they were making a derogatory reference to "crypto-Jews"--those who publicly converted to and performed as Christians, but who remained secretly faithful to Judaic law. Today, asserts Elaine Marks in Marrano as Metaphor, the concept can be used to describe all Jews living in a dominant Christian or Muslim culture, whatever may be their conscious relationship to Judaism. A sweeping examination of the Jewish presence in French literature from the sixteenth century to the present, Marrano as Metaphor explores the many shapes and forms in which jews are perceived, spoken, and written about. Employing a wide spectrum of analytical methods from history, literary theory and psychoanalysis, renowned French scholar Elaine Marks opens new doors in the study of literature. Marrano as Metaphor investigates questions of difference and assimilation, of respect and derogation, in a wide range of French literature--from Alain Robbe-Grillet's discussion in his memoirs of his parents' antisemitism to the story of Esther through Jean Racine and Marcel Proust; from efforts to address Jewish issues in the writings of Marguerite Duras and Jean-Paul Sartre to the secular, "assimilated" Jewish tradition of Jacques Derrida and Helene Cixous. Marks looks closely at strains of antisemitism running through French literature, analyzing such antecedents as the nihilism of the 1880s and its meditation on death and absence.
Publisher: Columbia University Press
ISBN: 9780231103084
Category : Education
Languages : en
Pages : 218
Book Description
When Europeans in the Middle Ages spoke of "marranos," they were making a derogatory reference to "crypto-Jews"--those who publicly converted to and performed as Christians, but who remained secretly faithful to Judaic law. Today, asserts Elaine Marks in Marrano as Metaphor, the concept can be used to describe all Jews living in a dominant Christian or Muslim culture, whatever may be their conscious relationship to Judaism. A sweeping examination of the Jewish presence in French literature from the sixteenth century to the present, Marrano as Metaphor explores the many shapes and forms in which jews are perceived, spoken, and written about. Employing a wide spectrum of analytical methods from history, literary theory and psychoanalysis, renowned French scholar Elaine Marks opens new doors in the study of literature. Marrano as Metaphor investigates questions of difference and assimilation, of respect and derogation, in a wide range of French literature--from Alain Robbe-Grillet's discussion in his memoirs of his parents' antisemitism to the story of Esther through Jean Racine and Marcel Proust; from efforts to address Jewish issues in the writings of Marguerite Duras and Jean-Paul Sartre to the secular, "assimilated" Jewish tradition of Jacques Derrida and Helene Cixous. Marks looks closely at strains of antisemitism running through French literature, analyzing such antecedents as the nihilism of the 1880s and its meditation on death and absence.
Facing Postmodernity
Author: Max Silverman
Publisher: Routledge
ISBN: 1134795092
Category : Social Science
Languages : en
Pages : 208
Book Description
Facing Postmodernity explains French cultural theory by grounding it in the politics of the issues facing France today such as: * the breaking of the city * racism * the crisis of culture * new citizenship. It discusses some of the major responses to postmodernity by contemporary French thinkers, both the very well known -Lyotard, Levinas, Derrida - and those who will be less familiar to a non-French audience. In doing so, it addresses the questions central to the postmodern debate whatever country it takes place in; questions of history, of representation, identity and community.
Publisher: Routledge
ISBN: 1134795092
Category : Social Science
Languages : en
Pages : 208
Book Description
Facing Postmodernity explains French cultural theory by grounding it in the politics of the issues facing France today such as: * the breaking of the city * racism * the crisis of culture * new citizenship. It discusses some of the major responses to postmodernity by contemporary French thinkers, both the very well known -Lyotard, Levinas, Derrida - and those who will be less familiar to a non-French audience. In doing so, it addresses the questions central to the postmodern debate whatever country it takes place in; questions of history, of representation, identity and community.
Metamorphoses
Author: Emanuele Coccia
Publisher: John Wiley & Sons
ISBN: 1509545689
Category : Philosophy
Languages : en
Pages : 180
Book Description
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
Publisher: John Wiley & Sons
ISBN: 1509545689
Category : Philosophy
Languages : en
Pages : 180
Book Description
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
Bases fondamentales de prothèse fixée
Author: Herbert T. Shillingburg
Publisher:
ISBN:
Category : Prosthodontics
Languages : fr
Pages : 464
Book Description
Publisher:
ISBN:
Category : Prosthodontics
Languages : fr
Pages : 464
Book Description
Palimpsestic Memory
Author: Max Silverman
Publisher: Berghahn Books
ISBN: 0857458841
Category : Foreign Language Study
Languages : en
Pages : 214
Book Description
The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.
Publisher: Berghahn Books
ISBN: 0857458841
Category : Foreign Language Study
Languages : en
Pages : 214
Book Description
The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.
French Lessons
Author: Alice Kaplan
Publisher: University of Chicago Press
ISBN: 022656648X
Category : Biography & Autobiography
Languages : en
Pages : 239
Book Description
“[A] cultural odyssey, a brave attempt to articulate the compulsions that drove [Kaplan] to embrace foreignness in order to become truly herself.” —The Washington Post Book World Brilliantly uniting the personal and the critical, French Lessons is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French “r,” attentively honed her accent, and learned the idioms of her French lover. When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time, she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject “that made history impossible to ignore”: French fascist intellectuals. Kaplan’s discussion of the “de Man affair” —the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject. French Lessons belongs in the company of Sartre’s Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.
Publisher: University of Chicago Press
ISBN: 022656648X
Category : Biography & Autobiography
Languages : en
Pages : 239
Book Description
“[A] cultural odyssey, a brave attempt to articulate the compulsions that drove [Kaplan] to embrace foreignness in order to become truly herself.” —The Washington Post Book World Brilliantly uniting the personal and the critical, French Lessons is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French “r,” attentively honed her accent, and learned the idioms of her French lover. When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time, she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject “that made history impossible to ignore”: French fascist intellectuals. Kaplan’s discussion of the “de Man affair” —the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject. French Lessons belongs in the company of Sartre’s Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.