Author: Fan-Pen Li Chen
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773531971
Category : Performing Arts
Languages : en
Pages : 367
Book Description
In her study of Chinese shadow theatre Fan-Pen Li Chen documents and corrects misconceptions about this once-popular art form. She argues how a traditional folk theatre reflected and subverted Chinese popular culture.
Chinese Shadow Theatre
Chinese Shadows
Author: Simon Leys
Publisher: Penguin Group
ISBN: 9780140047875
Category : History
Languages : en
Pages : 244
Book Description
Publisher: Penguin Group
ISBN: 9780140047875
Category : History
Languages : en
Pages : 244
Book Description
Aesop's Fables. An adaptation to Chinese shadows' theatre
Author: Gregori Navarro
Publisher: Gregori Navarro
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 104
Book Description
The book you are holding in your hands is a dramatization of two fables attributed to the Ancient Greek author Aesop. Aesop's fables are short stories that leave us with a moral with values and rules of conduct. They have survived from Ancient Greece to the present day and most of them are still relevant today. This adaptation of the fables becomes at the same time an educational resource to work in class in a multidisciplinary way. This book is designed to be read and played with.
Publisher: Gregori Navarro
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 104
Book Description
The book you are holding in your hands is a dramatization of two fables attributed to the Ancient Greek author Aesop. Aesop's fables are short stories that leave us with a moral with values and rules of conduct. They have survived from Ancient Greece to the present day and most of them are still relevant today. This adaptation of the fables becomes at the same time an educational resource to work in class in a multidisciplinary way. This book is designed to be read and played with.
Chinese Shadows. [Child Songs.]
Author: Juliet Bredon
Publisher:
ISBN:
Category : China
Languages : en
Pages : 120
Book Description
This volume is a collection of 55 translations of old Chinese songs, sketches, inscriptions and impressions.
Publisher:
ISBN:
Category : China
Languages : en
Pages : 120
Book Description
This volume is a collection of 55 translations of old Chinese songs, sketches, inscriptions and impressions.
Crito. An adaptation to Chinese shadows' theatre
Author:
Publisher: Gregori Navarro
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 92
Book Description
The book you are holding in your hands is a dramatization of one of Plato's most widely read Socratic dialogues. After the "Apology of Socrates", published in this same collection, we thought it necessary to adapt this work since it is its continuation. In this dialogue, and after Socrates' trial and condemnation to death narrated in the "Apology of Socrates", his friend Crito maintains the hope of the old philosopher's salvation and makes him a proposal. This work becomes an educational resource to work in the classroom in a multidisciplinary way: we will work on oratory, memorization, emphasis and dramatization of reading, philosophy, ancient history, theatrical performance, handicrafts, group work, structuring tasks and functions,... This book is designed to be read and played.
Publisher: Gregori Navarro
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 92
Book Description
The book you are holding in your hands is a dramatization of one of Plato's most widely read Socratic dialogues. After the "Apology of Socrates", published in this same collection, we thought it necessary to adapt this work since it is its continuation. In this dialogue, and after Socrates' trial and condemnation to death narrated in the "Apology of Socrates", his friend Crito maintains the hope of the old philosopher's salvation and makes him a proposal. This work becomes an educational resource to work in the classroom in a multidisciplinary way: we will work on oratory, memorization, emphasis and dramatization of reading, philosophy, ancient history, theatrical performance, handicrafts, group work, structuring tasks and functions,... This book is designed to be read and played.
Marionettes, Masks and Shadows
Author: Winifred Harrington Mills
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 334
Book Description
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 334
Book Description
Simon Leys
Author: Philippe Paquet
Publisher: La Trobe University Press
ISBN: 1925435563
Category : Biography & Autobiography
Languages : en
Pages : 541
Book Description
An award-winning biography of one of the greats. Simon Leys is the pen-name of Pierre Ryckmans, who was born in Belgium and settled in Australia in 1970. He taught Chinese literature at the Australian National University and was Professor of Chinese Studies at the University of Sydney from 1987 to 1993. He died in 2014. Writing in three languages – French, Chinese and English – he played an important political role in revealing the true nature of the Cultural Revolution. His writing on China and on varied literary and cultural topics appeared regularly in the New York Review of Books, Le Monde, Le Figaro Littéraire, Quadrant and the Monthly, and his books include The Hall of Uselessness, The Death of Napoleon, Other People’s Thoughts and The Wreck of the Batavia & Prosper. In 1996 he delivered the ABC’s Boyer Lectures. His many awards include the Prix Renaudot, the Prix Mondial Cino Del Duca, the Prix Guizot and the Christina Stead Prize for fiction. This substantial biography – recently published by Gallimard in France to wide acclaim and winning an award from the Académie Francaise – draws on extensive correspondence with Ryckmans, as well as his unpublished writings. It has been translated by an internationally renowned French translator Julie Rose (based in Sydney).
Publisher: La Trobe University Press
ISBN: 1925435563
Category : Biography & Autobiography
Languages : en
Pages : 541
Book Description
An award-winning biography of one of the greats. Simon Leys is the pen-name of Pierre Ryckmans, who was born in Belgium and settled in Australia in 1970. He taught Chinese literature at the Australian National University and was Professor of Chinese Studies at the University of Sydney from 1987 to 1993. He died in 2014. Writing in three languages – French, Chinese and English – he played an important political role in revealing the true nature of the Cultural Revolution. His writing on China and on varied literary and cultural topics appeared regularly in the New York Review of Books, Le Monde, Le Figaro Littéraire, Quadrant and the Monthly, and his books include The Hall of Uselessness, The Death of Napoleon, Other People’s Thoughts and The Wreck of the Batavia & Prosper. In 1996 he delivered the ABC’s Boyer Lectures. His many awards include the Prix Renaudot, the Prix Mondial Cino Del Duca, the Prix Guizot and the Christina Stead Prize for fiction. This substantial biography – recently published by Gallimard in France to wide acclaim and winning an award from the Académie Francaise – draws on extensive correspondence with Ryckmans, as well as his unpublished writings. It has been translated by an internationally renowned French translator Julie Rose (based in Sydney).
The Cinema and Its Shadow
Author: Alice Maurice
Publisher: U of Minnesota Press
ISBN: 145293939X
Category : Art
Languages : en
Pages : 385
Book Description
The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition. In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of image and sound, and, perhaps most fundamentally, the immaterial image—the cinema’s “shadow,” which figures both the material reality of the screen image and its racist past. Discussing early “race subjects,” Alice Maurice demonstrates that these films influenced cinematic narrative in lasting ways by helping to determine the relation between stillness and motion, spectacle and narrative drive. The book examines how motion picture technology related to race, embodiment, and authenticity at specific junctures in cinema’s development, including the advent of narratives, feature films, and sound. In close readings of such films as The Cheat, Shadows, and Hallelujah!, Maurice reveals how the rhetoric of race repeatedly embodies film technology, endowing it with a powerful mix of authenticity and magic. In this way, the racialized subject became the perfect medium for showing off, shoring up, and reintroducing the cinematic apparatus at various points in the history of American film. Moving beyond analyzing race in purely thematic or ideological terms, Maurice traces how it shaped the formal and technological means of the cinema.
Publisher: U of Minnesota Press
ISBN: 145293939X
Category : Art
Languages : en
Pages : 385
Book Description
The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition. In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of image and sound, and, perhaps most fundamentally, the immaterial image—the cinema’s “shadow,” which figures both the material reality of the screen image and its racist past. Discussing early “race subjects,” Alice Maurice demonstrates that these films influenced cinematic narrative in lasting ways by helping to determine the relation between stillness and motion, spectacle and narrative drive. The book examines how motion picture technology related to race, embodiment, and authenticity at specific junctures in cinema’s development, including the advent of narratives, feature films, and sound. In close readings of such films as The Cheat, Shadows, and Hallelujah!, Maurice reveals how the rhetoric of race repeatedly embodies film technology, endowing it with a powerful mix of authenticity and magic. In this way, the racialized subject became the perfect medium for showing off, shoring up, and reintroducing the cinematic apparatus at various points in the history of American film. Moving beyond analyzing race in purely thematic or ideological terms, Maurice traces how it shaped the formal and technological means of the cinema.
Short History of the Shadow
Author: Victor I. Stoichita
Publisher: Reaktion Books
ISBN: 1861898290
Category : Art
Languages : en
Pages : 266
Book Description
Stoichita's compelling account untangles the history of one of the most enduring challenges to beset Western art - the depiction and meanings of shadows. "discriminating, inspired interrogation ... dazzling analysis"—Marina Warner, Tate Magazine "Ambitious and a pleasure to read ... a thoroughly worthwhile book."—Times Higher Education Supplement
Publisher: Reaktion Books
ISBN: 1861898290
Category : Art
Languages : en
Pages : 266
Book Description
Stoichita's compelling account untangles the history of one of the most enduring challenges to beset Western art - the depiction and meanings of shadows. "discriminating, inspired interrogation ... dazzling analysis"—Marina Warner, Tate Magazine "Ambitious and a pleasure to read ... a thoroughly worthwhile book."—Times Higher Education Supplement
The Chinese in Cuba, 1847-Now
Author: Mauro García Triana
Publisher: Lexington Books
ISBN: 0739133454
Category : History
Languages : en
Pages : 301
Book Description
This book deals with Chinese immigrants' role in the struggle for Cuban liberation and in Cuba's twentieth-century revolutionary social movement; the history of the Chinese economy in Cuba; and the Chinese contribution to Cuban music, painting, food, sport, and language. The centerpiece of the book is a translation of a study by Mauro Garc'a Triana and Pedro Eng Herrera on the history of the Chinese presence in Cuba. Over many years, Garc'a and Eng have collaborated closely on scholarly research on the Chinese contribution to Cuban life and politics, although their work is not widely known. Both are well equipped for such an enterprise: Eng as a Cuban of Chinese descent and a participant in the ethnic-Chinese revolutionary movement in Cuba, starting in the 1950s; Garc'a as a participant in the struggle against Batista and Cuban Ambassador to China during the period of the Cultural Revolution. The study is supplemented by an extensive collection of archival photographs and of paintings on Cuban-Chinese themes by Pedro Eng, who is not just a chronicler of the community but a well-known worker-artist who paints in a style described by commentators as 'naive.' The volume has three appendices: excerpts from the Cuba Commission's 1877 report on Chinese emigration to Cuba; the rebel leader Gonzalo de Quesada y Ar-stegui's pamphlet 'The Chinese and Cuban Independence,' translated from his book Mi primera ofrenda (My first offering), first published in 1892; and the chapter on 'Coolie Life in Cuba' from Duvon Clough Corbitt's Study of the Chinese in Cuba, 1847-1947 (Wilmore 1971).
Publisher: Lexington Books
ISBN: 0739133454
Category : History
Languages : en
Pages : 301
Book Description
This book deals with Chinese immigrants' role in the struggle for Cuban liberation and in Cuba's twentieth-century revolutionary social movement; the history of the Chinese economy in Cuba; and the Chinese contribution to Cuban music, painting, food, sport, and language. The centerpiece of the book is a translation of a study by Mauro Garc'a Triana and Pedro Eng Herrera on the history of the Chinese presence in Cuba. Over many years, Garc'a and Eng have collaborated closely on scholarly research on the Chinese contribution to Cuban life and politics, although their work is not widely known. Both are well equipped for such an enterprise: Eng as a Cuban of Chinese descent and a participant in the ethnic-Chinese revolutionary movement in Cuba, starting in the 1950s; Garc'a as a participant in the struggle against Batista and Cuban Ambassador to China during the period of the Cultural Revolution. The study is supplemented by an extensive collection of archival photographs and of paintings on Cuban-Chinese themes by Pedro Eng, who is not just a chronicler of the community but a well-known worker-artist who paints in a style described by commentators as 'naive.' The volume has three appendices: excerpts from the Cuba Commission's 1877 report on Chinese emigration to Cuba; the rebel leader Gonzalo de Quesada y Ar-stegui's pamphlet 'The Chinese and Cuban Independence,' translated from his book Mi primera ofrenda (My first offering), first published in 1892; and the chapter on 'Coolie Life in Cuba' from Duvon Clough Corbitt's Study of the Chinese in Cuba, 1847-1947 (Wilmore 1971).