Author: Asia Society
Publisher: Hudson Hills
ISBN: 9780878481033
Category : Antiques & Collectibles
Languages : en
Pages : 232
Book Description
In 1955, John D. Rockefeller III convened a committee to respond to post-World War II interest in developing improved understanding of, and relations with, countries in Asia. His family's longstanding interest in Asia had led him to travel in China and Japan after he graduated from university in 1929. The Rockefellers' deeply felt "passion for Asia" led to the founding of the Asia Society in 1956. Today, the need for better understanding of Asian cultures--political, economic, and artistic--is more urgent than ever. This beautifully produced volume reflects in photographs and words the many-sided mission of the Asia Society. Fascinating archival photographs bring the Rockefeller family's travels, philanthropic activities, social occasions, and wonderful domestic interiors to life. Important objects--sculptures, paintings, prints, screens, ceramics--all collected by members of the family, many from the Society's collection and others from museums around the country, are reproduced in full color. The text includes essays by Rockefeller family members; former Asia Society presidents; Peter Johnson, the family historian; Cynthia Altman, curator of Kykuit, the Rockefeller family estate; and Vishakha Desai, president of the Asia Society. SELLING POINTS: Documents the history and beginnings of this leading global organization whose mission of promoting the exchanges of ideas, education, and arts still holds true today Features period photographs of the Rockefeller family on their many travels to Asia and provides insight into how their collection developed 100 colour & 75 b/w illustrations
A Passion for Asia
Author: Asia Society
Publisher: Hudson Hills
ISBN: 9780878481033
Category : Antiques & Collectibles
Languages : en
Pages : 232
Book Description
In 1955, John D. Rockefeller III convened a committee to respond to post-World War II interest in developing improved understanding of, and relations with, countries in Asia. His family's longstanding interest in Asia had led him to travel in China and Japan after he graduated from university in 1929. The Rockefellers' deeply felt "passion for Asia" led to the founding of the Asia Society in 1956. Today, the need for better understanding of Asian cultures--political, economic, and artistic--is more urgent than ever. This beautifully produced volume reflects in photographs and words the many-sided mission of the Asia Society. Fascinating archival photographs bring the Rockefeller family's travels, philanthropic activities, social occasions, and wonderful domestic interiors to life. Important objects--sculptures, paintings, prints, screens, ceramics--all collected by members of the family, many from the Society's collection and others from museums around the country, are reproduced in full color. The text includes essays by Rockefeller family members; former Asia Society presidents; Peter Johnson, the family historian; Cynthia Altman, curator of Kykuit, the Rockefeller family estate; and Vishakha Desai, president of the Asia Society. SELLING POINTS: Documents the history and beginnings of this leading global organization whose mission of promoting the exchanges of ideas, education, and arts still holds true today Features period photographs of the Rockefeller family on their many travels to Asia and provides insight into how their collection developed 100 colour & 75 b/w illustrations
Publisher: Hudson Hills
ISBN: 9780878481033
Category : Antiques & Collectibles
Languages : en
Pages : 232
Book Description
In 1955, John D. Rockefeller III convened a committee to respond to post-World War II interest in developing improved understanding of, and relations with, countries in Asia. His family's longstanding interest in Asia had led him to travel in China and Japan after he graduated from university in 1929. The Rockefellers' deeply felt "passion for Asia" led to the founding of the Asia Society in 1956. Today, the need for better understanding of Asian cultures--political, economic, and artistic--is more urgent than ever. This beautifully produced volume reflects in photographs and words the many-sided mission of the Asia Society. Fascinating archival photographs bring the Rockefeller family's travels, philanthropic activities, social occasions, and wonderful domestic interiors to life. Important objects--sculptures, paintings, prints, screens, ceramics--all collected by members of the family, many from the Society's collection and others from museums around the country, are reproduced in full color. The text includes essays by Rockefeller family members; former Asia Society presidents; Peter Johnson, the family historian; Cynthia Altman, curator of Kykuit, the Rockefeller family estate; and Vishakha Desai, president of the Asia Society. SELLING POINTS: Documents the history and beginnings of this leading global organization whose mission of promoting the exchanges of ideas, education, and arts still holds true today Features period photographs of the Rockefeller family on their many travels to Asia and provides insight into how their collection developed 100 colour & 75 b/w illustrations
A Guide to the Collections
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 142
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 142
Book Description
Handbook of the Benjamin Altman Collection
Author: Metropolitan Museum of Art (New York, N.Y.) The Benjamin Altman collection
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
The China Collectors
Author: Karl E. Meyer
Publisher: St. Martin's Press
ISBN: 1466879297
Category : Art
Languages : en
Pages : 442
Book Description
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
Publisher: St. Martin's Press
ISBN: 1466879297
Category : Art
Languages : en
Pages : 442
Book Description
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
The Bulletin of the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 468
Book Description
New ser. v. 6-10 include 77th-81 Report of the trustees, 1946-50 (previously published separately)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 468
Book Description
New ser. v. 6-10 include 77th-81 Report of the trustees, 1946-50 (previously published separately)
Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394344
Category : History
Languages : en
Pages : 450
Book Description
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Publisher: Metropolitan Museum of Art
ISBN: 1588394344
Category : History
Languages : en
Pages : 450
Book Description
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
The Pleasures of Collecting
Author: Gardner Callahan Teall
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 382
Book Description
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 382
Book Description
The Great Chinese Art Transfer
Author: Michael St. Clair
Publisher: Rowman & Littlefield
ISBN: 1611479118
Category : Art
Languages : en
Pages : 245
Book Description
This book tells the story of how and why millions of Chinese works of art got exported to collectors and institutions in the West, in particular to the United States. As China’s last dynasty was weakening and collapsing from 1860 into the early years of the twentieth century, China’s internal chaos allowed imperial and private Chinese collections to be scattered, looted and sold. A remarkable and varied group of Westerners entered the country, had their eyes opened to centuries of Chinese creativity and gathered up paintings, bronzes and ceramics, as well as sculptures, jades and bronzes. The migration to America and Europe of China’s art is one of the greatest outflows of a culture’s artistic heritage in human history. A good deal of the art procured by collectors and dealers, some famous and others little known but all remarkable in individual ways, eventually wound up in American and European museums. Today some of the art still in private hands is returning to China via international auctions and aggressive purchases by Chinese millionaires.
Publisher: Rowman & Littlefield
ISBN: 1611479118
Category : Art
Languages : en
Pages : 245
Book Description
This book tells the story of how and why millions of Chinese works of art got exported to collectors and institutions in the West, in particular to the United States. As China’s last dynasty was weakening and collapsing from 1860 into the early years of the twentieth century, China’s internal chaos allowed imperial and private Chinese collections to be scattered, looted and sold. A remarkable and varied group of Westerners entered the country, had their eyes opened to centuries of Chinese creativity and gathered up paintings, bronzes and ceramics, as well as sculptures, jades and bronzes. The migration to America and Europe of China’s art is one of the greatest outflows of a culture’s artistic heritage in human history. A good deal of the art procured by collectors and dealers, some famous and others little known but all remarkable in individual ways, eventually wound up in American and European museums. Today some of the art still in private hands is returning to China via international auctions and aggressive purchases by Chinese millionaires.
The Spanish Craze
Author: Richard L. Kagan
Publisher: U of Nebraska Press
ISBN: 1496211154
Category : History
Languages : en
Pages : 641
Book Description
The Spanish Craze is the compelling story of the centuries-long U.S. fascination with the history, literature, art, culture, and architecture of Spain. Richard L. Kagan offers a stunningly revisionist understanding of the origins of hispanidad in America, tracing its origins from the early republic to the New Deal. As Spanish power and influence waned in the Atlantic World by the eighteenth century, her rivals created the “Black Legend,” which promoted an image of Spain as a dead and lost civilization rife with innate cruelty and cultural and religious backwardness. The Black Legend and its ambivalences influenced Americans throughout the nineteenth century, reaching a high pitch in the Spanish-American War of 1898. However, the Black Legend retreated soon thereafter, and Spanish culture and heritage became attractive to Americans for its perceived authenticity and antimodernism. Although the Spanish craze infected regions where the Spanish New World presence was most felt—California, the American Southwest, Texas, and Florida—there were also early, quite serious flare-ups of the craze in Chicago, New York, and New England. Kagan revisits early interest in Hispanism among elites such as the Boston book dealer Obadiah Rich, a specialist in the early history of the Americas, and the writers Washington Irving and Henry Wadsworth Longfellow. He also considers later enthusiasts such as Angeleno Charles Lummis and the many writers, artists, and architects of the modern Spanish Colonial Revival in the United States in the late nineteenth and early twentieth centuries. Spain’s political and cultural elites understood that the promotion of Spanish culture in the United States and the Western Hemisphere in general would help overcome imperial defeats while uniting Spaniards and those of Spanish descent into a singular raza whose shared characteristics and interests transcended national boundaries. With elegant prose and verve, The Spanish Craze spans centuries and provides a captivating glimpse into distinct facets of Hispanism in monuments, buildings, and private homes; the visual, performing, and cinematic arts; and the literature, travel journals, and letters of its enthusiasts in the United States.
Publisher: U of Nebraska Press
ISBN: 1496211154
Category : History
Languages : en
Pages : 641
Book Description
The Spanish Craze is the compelling story of the centuries-long U.S. fascination with the history, literature, art, culture, and architecture of Spain. Richard L. Kagan offers a stunningly revisionist understanding of the origins of hispanidad in America, tracing its origins from the early republic to the New Deal. As Spanish power and influence waned in the Atlantic World by the eighteenth century, her rivals created the “Black Legend,” which promoted an image of Spain as a dead and lost civilization rife with innate cruelty and cultural and religious backwardness. The Black Legend and its ambivalences influenced Americans throughout the nineteenth century, reaching a high pitch in the Spanish-American War of 1898. However, the Black Legend retreated soon thereafter, and Spanish culture and heritage became attractive to Americans for its perceived authenticity and antimodernism. Although the Spanish craze infected regions where the Spanish New World presence was most felt—California, the American Southwest, Texas, and Florida—there were also early, quite serious flare-ups of the craze in Chicago, New York, and New England. Kagan revisits early interest in Hispanism among elites such as the Boston book dealer Obadiah Rich, a specialist in the early history of the Americas, and the writers Washington Irving and Henry Wadsworth Longfellow. He also considers later enthusiasts such as Angeleno Charles Lummis and the many writers, artists, and architects of the modern Spanish Colonial Revival in the United States in the late nineteenth and early twentieth centuries. Spain’s political and cultural elites understood that the promotion of Spanish culture in the United States and the Western Hemisphere in general would help overcome imperial defeats while uniting Spaniards and those of Spanish descent into a singular raza whose shared characteristics and interests transcended national boundaries. With elegant prose and verve, The Spanish Craze spans centuries and provides a captivating glimpse into distinct facets of Hispanism in monuments, buildings, and private homes; the visual, performing, and cinematic arts; and the literature, travel journals, and letters of its enthusiasts in the United States.