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Author: Sophia Suk Law Publisher: Shanghai Press ISBN: 1632880326 Category : Art Languages : en Pages : 313
Book Description
Applying a comparative approach to Chinese and Western art, this book examines the characteristics of traditional Chinese art and analyses the distinction between figure painting and portraiture. It examines the scenery in Chinese landscape painting and the sense of poetry within the paintings of flowers and birds so that the reader comes to understand the unique essence of Chinese art and is gradually led towards the ethereal world of spiritual abstraction displayed in Chinese painting. The author relates the development of Chinese painting to the pursuit of the conceptual sense (yijing) found in Chinese philosophy and classical literature. She describes how Confucianism determined the content of the development of painting while Daoism guided the concept of aestheticism within it. Professor Law also examines the way in which differences of method and media profoundly influenced the artistic outcome producing the western skills in the handling of color and light and shade, and in China the imaginative use of ink on paper. All this is reflected in numerous illustrations ranging from Van Gogh to the great Chinese painters of all the different dynasties from the early Jin dynasty to the Ming and Qing dynasties.After reading this book, readers will follow the author' s rich experience in Chinese painting to understand the characteristics of the different genres of Chinese painting and be able to deeply appreciate the inner meaning of Chinese painting.
Author: Ning Yeh Publisher: ISBN: 9780961830588 Category : Languages : en Pages :
Book Description
A second addition, also known as Ning Yeh's "Gold Edition" updates his original guide of step-by-step instructions for Chinese Brush Painting.
Author: Richard M. Barnhart Publisher: Yale University Press ISBN: 0300094477 Category : Art Languages : en Pages : 422
Book Description
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Author: Craig Clunas Publisher: Princeton University Press ISBN: 0691171939 Category : Art Languages : en Pages : 304
Book Description
What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.
Author: Mario Bussagli Publisher: ISBN: Category : Painting, Chinese Languages : en Pages : 168
Book Description
From earliest times the delicate precision of Chinese painting has captivated Western art lovers. The sophisticated techniques, the evident love of nature and the glimpses of a quiet civilised life all add to the enchantment. This book begins with the quick sketch-like painting from the Lo-Yang tombs, dating from the 3rd century, and continues with the closely observed T'ang paintings of people, not only Emperors and court dignitaries, but also peasants and grooms with the celebrated T'ang horses. Sung painters produced some of the most powerful landscapes in Chinese art, with their strangely shaped mountains looming menacingly up through the mists, and with man, absorbed in fishing or in meditation, dwarfed by the immensity of his environment. Nautre always present in Chinese art, now preoccupied painters almost to the exclusion of all else, and the studies of trees, particularly bamboo and pines, set in mountainous river landscapes are superb. Bussagli takes the account right up to the 19th and 20th centuries, a period seldom covered in books on Chinese painting. -- Book jacket.
Author: Sharmaine Kwan Publisher: Flame Tree Illustrated ISBN: 9781787553002 Category : Art Languages : en Pages : 0
Book Description
Traditional Chinese painting is one of the purest art forms in existence, continuing as it does the techniques and themes that have been employed over centuries to create the most exquisite works in ink and wash. Whether meticulously realist or vibrantly expressive, often expertly combining skilful calligraphy with stunning draughtsmanship, these works all pay homage to what went before them. Focusing on classical painting, especially the colour-infused work of the Ming (1368–1644) and Qing dynasties (1644–1912), this delightful book reveals the fascinating history of Chinese painting. From Dai Jin to Ma Quan; from dramatic mountainscapes and tranquil rivers, through intricate and vivid depictions of animals and flowers, to peaceful pastoral scenes and busy tableaux of court life, the engaging text and lush reproductions ensure an enchanting read.
Author: Juliane Noth Publisher: Harvard East Asian Monographs ISBN: 9780674267954 Category : Languages : en Pages : 400
Book Description
Juliane Noth shows how art and discussions about the future of ink painting were linked to the reshaping of the country, leading to the creation of a uniquely modern Chinese landscape imagery. Noth offers a new understanding of these experiments by studying them as transmedial practice, at once shaped by and integral to the modern global art world.
Author: Colin Mackenzie Publisher: Phaidon Press ISBN: 9780714865751 Category : Art Languages : en Pages : 0
Book Description
The Chinese Art Book is a beautifully packaged, authoritative, and unprecedented overview of Chinese art from its earliest dynasties to the contemporary generation of artists enlivening today's art world. 300 works represent every form of Chinese visual art, including painting, calligraphy, sculpture, ceramics, figurines, jade, bronze, gold and silver, photography, video, installation, and performance art. Full of surprises for readers of all levels, The Chinese Art Book breaks new ground by pairing works that speak to one another in unexpected ways, enlightening historical, stylistic and cultural connections. Concise descriptive essays place each work in context, while cross-references lead the reader on a fascinating journey through Chinese art history. The Chinese Art Book features an introductory essay by Colin Mackenzie, Senior Curator of Chinese Art at the Nelson-Akins Museum of Art, along with an accessible summary of Chinese political and cultural history, a comprehensive glossary defining technical terms, and an illustrated timeline.
Author: Jerome Silbergeld Publisher: ISBN: 9780295959214 Category : Art Languages : en Pages : 68
Book Description
Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression. Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects. Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.
Author: Sophia Suk Law
Author: Ning Yeh
Author: Richard M. Barnhart
Author: Craig Clunas
Author: Mario Bussagli
Author: Sharmaine Kwan
Author: Juliane Noth
Author: Hongxing Zhang
Author: Colin Mackenzie
Author: Jerome Silbergeld
Author: Arthur Waley