Author: Hongyang Publisher: Hongyang (Canada)/红洋(加拿大) ISBN: 0987871714 Category : Foreign Language Study Languages : en Pages : 89
Book Description
Have you ever been in a situation where you feel frustrated because you are unable to express your emotions and feelings in Chinese? This book can help you overcome the challenges of learning Chinese by providing you with necessary words, phrases, and sentences that can be applied to various real-life situations. This ebook covers twelve situations: Happy, Anger, Anxiety, Disappointed, Excited, Scared, Love, Stress, Sad, Worry, Proud and Feeling Nothing with a total of 300 sentences and phrases. In addition, every sentence is numbered for your quick search. Every Chinese character in this book is accompanied with pinyin and tones marked which helps you accurately pronounce it. Sentences and phrases also have English translation attached.
Author: Brian King Publisher: Lulu.com ISBN: 1411644212 Category : Languages : en Pages : 241
Book Description
This is a PhD dissertation that analyzes the metaphors and metonymies found in Chinese emotion concepts, such as ANGER, FEAR, HAPPINESS, SADNESS, and WORRY and looks at the role of culture in the folk models which structure them. Completed in 1989, it was the first detailed attempt to look at Chinese emotion metaphors using the Cognitive Linguistic Framework developed in Metaphors We Live By (Lakoff and Johnson 1980). The content should be equally accessible to cognitive linguists interested in Chinese metaphors, universals of metaphors, emotion metaphors, or to Chinese language learners wanting to expand their vocabulary in a meaningful and systematic way.
Author: Curie Virág Publisher: Oxford University Press ISBN: 0190498811 Category : Philosophy Languages : en Pages : 241
Book Description
This book traces the genealogy of early Chinese conceptions of emotions, as part of a broader inquiry into evolving conceptions of self, cosmos and the political order. It seeks to explain what was at stake in early philosophical debates over emotions and why the mainstream conception of emotions became authoritative.
Author: Jun-Heng Yeh Publisher: LAP Lambert Academic Publishing ISBN: 9783848443932 Category : Chinese language Languages : en Pages : 184
Book Description
In this work, 14 emotions, including 6 full-brown emotions: anger, boredom, fear, happiness, neutrality, and sadness, 8 underlying emotions: anxiety, despair, disgust, gratefulness, love, praise, shame, and surprise, are explored for emotion recognition study using speech processing and pattern recognition methods in the emotional space theory. A new emotional corpus, Mandarin Chinese Emotional Corpus 2010 (MCEC2010), is built up by 34 professional voice actors/actresses. This corpus consists of 19,136 short utterances recorded by voice actors/actresses and 472,017 emotional annotations labeled by 26 annotators who didn t participate in the voice collection. And all emotional expression of segments will be mapped into the PAD (Pleasure-Arousal-Dominance) emotional space. By this visualizing presentation, it can not only quantify different emotional expressions in the utterance, but observe the gradual changes of different emotional expressions during dialogue. I hope that the content of this book can improve your knowledge of speech processing and emotion recognition.
Author: Ling Hon Lam Publisher: Columbia University Press ISBN: 0231547587 Category : Literary Criticism Languages : en Pages : 479
Book Description
Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing). Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence.
Author: Ruihua Zhang Publisher: Bloomsbury Publishing ISBN: 1472506618 Category : Language Arts & Disciplines Languages : en Pages : 255
Book Description
Winner of the Tianjin Social Science Outstanding Achievement Award. This book reports on the contrastive-semantic investigation of sadness expressions between English and Chinese, based on two monolingual general corpora and a parallel corpus. The exploration adopts a unique theoretical approach which integrates corpus-linguistic theories on meaning (as a social construct, usage and paraphrase) with a corpus-linguistic lexical model. It employs a new complex but workable methodology which combines computational tools with manual examination to tease meaning out of corpus evidence, to compare and contrast lexical items that do not match up neatly between languages. It looks at sadness expressions both within and across languages in terms of three corpus-linguistic structural categories, i.e. colligation, collocation and semantic association/preference, and paraphrase (both explicit and implicit) to capture their subtle nuances of meaning, disclose the culture-specific conceptualisations encoded in them, and highlight their respective cultural distinctiveness of emotion. By presenting multidisciplinary original work, Sadness Expressions in English and Chinese will be of interest to researchers in corpus linguistics, contrastive lexical semantics, psychology, bilingual lexicography and language pedagogy.
Author: Lisa Feldman Barrett Publisher: HarperCollins ISBN: 0544129962 Category : Psychology Languages : en Pages : 449
Book Description
Preeminent psychologist Lisa Barrett lays out how the brain constructs emotions in a way that could revolutionize psychology, health care, the legal system, and our understanding of the human mind. “Fascinating . . . A thought-provoking journey into emotion science.”—The Wall Street Journal “A singular book, remarkable for the freshness of its ideas and the boldness and clarity with which they are presented.”—Scientific American “A brilliant and original book on the science of emotion, by the deepest thinker about this topic since Darwin.”—Daniel Gilbert, best-selling author of Stumbling on Happiness The science of emotion is in the midst of a revolution on par with the discovery of relativity in physics and natural selection in biology. Leading the charge is psychologist and neuroscientist Lisa Feldman Barrett, whose research overturns the long-standing belief that emotions are automatic, universal, and hardwired in different brain regions. Instead, Barrett shows, we construct each instance of emotion through a unique interplay of brain, body, and culture. A lucid report from the cutting edge of emotion science, How Emotions Are Made reveals the profound real-world consequences of this breakthrough for everything from neuroscience and medicine to the legal system and even national security, laying bare the immense implications of our latest and most intimate scientific revolution.
Author: Louise Sundararajan Publisher: Springer ISBN: 3319182218 Category : Psychology Languages : en Pages : 222
Book Description
This mind-opening take on indigenous psychology presents a multi-level analysis of culture to frame the differences between Chinese and Western cognitive and emotive styles. Eastern and Western cultures are seen here as mirror images in terms of rationality, relational thinking, and symmetry or harmony. Examples from the philosophical texts of Confucianism, Daoism, Buddhism, and classical poetry illustrate constructs of shading and nuancing emotions in contrast to discrete emotions and emotion regulation commonly associated with traditional psychology. The resulting text offers readers bold new understandings of emotion-based states both familiar (intimacy, solitude) and unfamiliar (resonance, being spoiled rotten), as well as larger concepts of freedom, creativity, and love. Included among the topics: The mirror universes of East and West. In the crucible of Confucianism. Freedom and emotion: Daoist recipes for authenticity and creativity. Chinese creativity, with special focus on solitude and its seekers. Savoring, from aesthetics to the everyday. What is an emotion? Answers from a wild garden of knowledge. Understanding Emotion in Chinese Culture has a wealth of research and study potential for undergraduate and graduate courses in affective science, cognitive psychology, cultural and cross- cultural psychology, indigenous psychology, multicultural studies, Asian psychology, theoretical and philosophical psychology, anthropology, sociology, international psychology, and regional studies.
Author: Hongyang
Author: Brian King
Author: Curie Virág
Author: Jun-Heng Yeh
Author: Ling Hon Lam
Author: Ruihua Zhang
Author: Lisa Feldman Barrett
Author: Christopher Silas Neal
Author: Louise Sundararajan
Author: Pawel Kornacki