Author: John M. CrawfordPublisher:
ISBN:
Category : Calligraphy, Chinese
Languages : en
Pages : 362
Book Description
Chinese Calligraphy and Painting in the Collection of John M. Crawford, Jr
Author: John M. CrawfordPublisher:
ISBN:
Category : Calligraphy, Chinese
Languages : en
Pages : 362
Book Description
Catalogue of the Exhibition of Chinese Calligraphy and Painting in the Collection of John M Crawford, Jr
Author: John M. Crawford Jr.Publisher:
ISBN: 9781258013332
Category :
Languages : en
Pages : 82
Book Description
Catalogue of the Exhibition of Chinese Calligraphy and Painting in the Collection of John M. Crawford, Jr
Author: John M. CRAWFORD (Jr.)Publisher:
ISBN: 9780674102002
Category : Calligraphy, Chinese
Languages : en
Pages : 53
Book Description
The John M. Crawford, Jr., Collection of Chinese Calligraphy and Painting in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 64
Book Description
Chinese calligraphy and painting in the collection of John M. Crawford
Author: John M. CrawfordWords and Images
Author: Alfreda MurckPublisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Embodied Image
Author: Robert E. HarristPublisher:
ISBN:
Category : Architecture
Languages : en
Pages : 480
Book Description
Chinese painting, sculpture, ceramics, and other art have gradually become familiar to many Western viewers, but calligraphy, the art most valued in China, remains little known. The Embodied Image accompanies an exhibition of one of the most outstanding and comprehensive collections of Chinese calligraphy ever assembled outside Asia, the John B. Elliott Collection at The Art Museum, Princeton University. Encompassing works of calligraphy from the fourth through the twentieth centuries, the collection illustrates the extraordinary variety of formats and styles that makes calligraphy one of the most visually exciting of all artistic traditions. Reflecting the latest trends in art history, The Embodied Image carries the study of Chinese calligraphy beyond issues of style and connoisseurship to interpret this art as an integral part of Chinese culture. Nine scholarly essays written by a team of distinguished American and Chinese scholars examine the complex relationship between calligraphy and religion, politics, and literature.
Chinese Painting and Calligraphy
Author: Wango H. C. WengPublisher:
ISBN:
Category : Architecture
Languages : en
Pages : 200
Book Description
"The complex path to Chinese art, through painting and calligraphy (and ultimately poetry), is revealed through a lucidly described tour of the John M. Crawford, Jr. collection of Chinese visual art, conducted by the scholar, collector and calligrapher Wan-go Weng. In 109 photographs of 69 works of art, Chinese Painting and Calligraphy surveys the living world of Chinese art and artists from the Northern Sung dynasty (960-1127) to the early Ch'ing (1644-1911)."--
The China Collectors
Author: Karl E. MeyerPublisher: St. Martin's Press
ISBN: 1466879297
Category : Art
Languages : en
Pages : 442
Book Description
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
An Index of Early Chinese Painters and Paintings
Author: James CahillPublisher: Univ of California Press
ISBN: 9780520035768
Category : Art
Languages : en
Pages : 402
Book Description
This is the most comprehensive English-language compilation available on Chinese painters and their works from the late sixth through the mid- fourteenth century. Incorporating the work of Ellen Johnson Laing and Osvald Siren, the Index includes biographical details of the artists, their style and studio names.