Die erste Walpurgisnacht PDF Download

Author: Felix Mendelssohn-Bartholdy
Publisher:
ISBN: 9780895796240
Category : Cantatas, Secular
Languages : en
Pages : 327

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Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508

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Author: George Henry Hubert Lascelles Harewood, Earl of
Publisher: London : Putnam
ISBN:
Category :
Languages : en
Pages : 1262

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Author: John Denison Champlin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648

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Author: Joseph de Marliave
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 412

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Author: Wolfgang Amadeus Mozart
Publisher: Alma Books
ISBN: 0714545333
Category : Music
Languages : en
Pages : 131

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Book Description
John Wells introduces the opera with a high-spirited account of the action-packed career of the author, in many respects the prototype of Figaro himself. Basil Deane explores the score: he shows that Mozart's characters are illuminated here not so much in soliloquies but in their reactions to each other. Composer Stephen Oliver discusses how the comedy exists not just in the words but, essentially, in the music. The full Italian text is given, with a note on the order of scenes in Act Three and the alternative passages Mozart wrote for the 1789 revival. The classic translation of E.J. Dent is an excellent way to get to know the twists and turns of the plot and the stylish wit of da Ponte's innuendos.Contents: A Society Marriage, John Wells; A Musical Commentary, Basil Deane; Music and Comedy in 'The Marriage of Figaro, Stephen Oliver; Beaumarchais's Characters; Le nozze di Figaro: Libretto by Lorenzo da Ponte; The Marriage of Figaro: English version by Edward J. Dent

Author: Bruce Alan Brown
Publisher: Cambridge University Press
ISBN: 9780521437356
Category : Music
Languages : en
Pages : 226

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Book Description
At once the most light-hearted and disturbing of Mozart and Da Ponte's Italian comic works, the opera has provoked widely differing reactions from listeners for more than two centuries. This study provides a detailed account of the libretto's complex origins in myth and Italian literary classics.

Author: Michel Chion
Publisher: Columbia University Press
ISBN: 0231552858
Category : Art
Languages : en
Pages : 217

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Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.

Author: Donald Patterson
Publisher: Greenwood
ISBN: 031331179X
Category : Music
Languages : en
Pages : 0

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Book Description
This guide to the piano literature for the one-handed pianist surveys over 2,100 individual piano pieces which include not only concert literature but pedagogical pieces as well. Following the introduction are four chapters cataloguing original works for the right hand alone, original works for the left hand alone, music arranged or transcribed for one hand alone, and concerted works for one hand in concert with other pianists, instruments, or voices. Each entry assesses the individual composition, its quality, its difficulty, its particular appeal, and its uses with the composer's name, dates, and nationality, where possible. Also included is a selected discography of commercially produced phonodiscs, compact discs, and cassettes. Instructors and pianists alike will appreciate this exhaustive guide to one-handed piano music. To aid further research, a bibliography of books, articles, and theses about the literature is provided along with a chapter that lists the contents of thirty-six anthologies devoted to one-handed piano music. This unique reference also includes an index.

Author: Louise K. Stein
Publisher: Oxford Monographs on Music
ISBN:
Category : Literary Criticism
Languages : en
Pages : 594

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Book Description
This is the first comprehensive history of seventeenth-ccntury Spanish theatrical music to be written in any language, and the first book-length study devoted to the music of the Spanish baroque in English. While particular aspects of the field have been explored before, no previous single study has succeeded in defining the place and function of music in the Spanish theatre of the Golden Age, and the nature of the extant repertory. This book explains the several musical-theatrical genres that flourished in seventeenth-century Spain, answers essential questions about their nature and development as court and public entertainments, and looks at the anomalous production of three operas in a period dominated by genres such as the semi-opera and the zarzuela. Based on a thorough study of the extant music, the plays, numerous historical documents, and descriptions from the period, the author builds a complete picture through a historical and contextual approach illustrated by musical and literary analysis. This book considerably advances our understanding of the culture of the baroque period in Spain, by making important statements about the nature of the Spanish musical baroque and its relation to European musical and theatrical developments. As such, it will be welcomed by musicologists, hispanists, students of Spanish culture, and historians of the arts and ideas.